William Shakespeare Richard II

ISBN 13 : 9780812969306

Richard II

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9780812969306: Richard II

Book by Shakespeare William

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Extrait :

Chapter 1

Act 1 Scene 1 running scene 1

Enter King Richard, John of Gaunt, with other Nobles and Attendants

KING RICHARD Old John of Gaunt, time-honoured Lancaster,

Hast thou according to thy oath and band

Brought hither Henry Hereford thy bold son,

Here to make good the boist'rous late appeal,

Which then our leisure would not let us hear,

Against the Duke of Norfolk, Thomas Mowbray?

GAUNT I have, my liege.

KING RICHARD Tell me, moreover, hast thou sounded him,

If he appeal the duke on ancient malice,

Or worthily, as a good subject should,

On some known ground of treachery in him?

GAUNT As near as I could sift him on that argument,

On some apparent danger seen in him

Aimed at your highness, no inveterate malice.

KING RICHARD Then call them to our presence. [Exit an Attendant]

Face to face,

And frowning brow to brow, ourselves will hear

Th'accuser and the accusèd freely speak;

High-stomached are they both, and full of ire,

In rage deaf as the sea, hasty as fire.

Enter Bullingbrook and Mowbray

BULLINGBROOK Many years of happy days befall

My gracious sovereign, my most loving liege!

MOWBRAY Each day still better other's happiness

Until the heavens, envying earth's good hap,

Add an immortal title to your crown!

KING RICHARD We thank you both. Yet one but flatters us,

As well appeareth by the cause you come,

Namely, to appeal each other of high treason.

Cousin of Hereford, what dost thou object

Against the Duke of Norfolk, Thomas Mowbray?

BULLINGBROOK First, heaven be the record to my speech!

In the devotion of a subject's love,

Tend'ring the precious safety of my prince,

And free from other misbegotten hate,

Come I appellant to this princely presence.

Now, Thomas Mowbray, do I turn to thee,

And mark my greeting well, for what I speak

My body shall make good upon this earth,

Or my divine soul answer it in heaven.

Thou art a traitor and a miscreant;

Too good to be so and too bad to live,

Since the more fair and crystal is the sky,

The uglier seem the clouds that in it fly.

Once more, the more to aggravate the note,

With a foul traitor's name stuff I thy throat;

And wish - so please my sovereign - ere I move,

What my tongue speaks my right drawn sword may prove.

MOWBRAY Let not my cold words here accuse my zeal:

'Tis not the trial of a woman's war,

The bitter clamour of two eager tongues,

Can arbitrate this cause betwixt us twain.

The blood is hot that must be cooled for this.

Yet can I not of such tame patience boast

As to be hushed and nought at all to say.

First, the fair reverence of your highness curbs me

From giving reins and spurs to my free speech,

Which else would post until it had returned

These terms of treason doubly down his throat.

Setting aside his high blood's royalty,

And let him be no kinsman to my liege,

I do defy him, and I spit at him,

Call him a slanderous coward and a villain,

Which to maintain I would allow him odds,

And meet him, were I tied to run afoot

Even to the frozen ridges of the Alps,

Or any other ground inhabitable

Wherever Englishman durst set his foot.

Meantime, let this defend my loyalty:

By all my hopes most falsely doth he lie.

BULLINGBROOK Pale trembling coward, there I Throws down his gage

throw my gage,

Disclaiming here the kindred of a king,

And lay aside my high blood's royalty,

Which fear, not reverence, makes thee to except.

If guilty dread hath left thee so much strength

As to take up mine honour's pawn, then stoop.

By that and all the rites of knighthood else,

Will I make good against thee, arm to arm,

What I have spoken, or thou canst devise.

MOWBRAY I take it up, and by that sword I swear Takes up gage

Which gently laid my knighthood on my shoulder,

I'll answer thee in any fair degree,

Or chivalrous design of knightly trial:

And when I mount, alive may I not light,

If I be traitor or unjustly fight!

KING RICHARD What doth our cousin lay to Mowbray's charge?

It must be great that can inherit us

So much as of a thought of ill in him.

BULLINGBROOK Look what I said: my life shall prove it true,

That Mowbray hath received eight thousand nobles

In name of lendings for your highness' soldiers,

The which he hath detained for lewd employments,

Like a false traitor and injurious villain.

Besides I say, and will in battle prove,

Or here or elsewhere to the furthest verge

That ever was surveyed by English eye,

That all the treasons for these eighteen years

Complotted and contrivèd in this land

Fetched from false Mowbray their first head and spring.

Further I say, and further will maintain

Upon his bad life to make all this good,

That he did plot the Duke of Gloucester's death,

Suggest his soon-believing adversaries,

And consequently, like a traitor coward,

Sluiced out his innocent soul through streams of blood:

Which blood, like sacrificing Abel's, cries

Even from the tongueless caverns of the earth

To me for justice and rough chastisement.

And by the glorious worth of my descent,

This arm shall do it, or this life be spent.

KING RICHARD How high a pitch his resolution soars!

Thomas of Norfolk, what sayest thou to this?

MOWBRAY O, let my sovereign turn away his face

And bid his ears a little while be deaf,

Till I have told this slander of his blood,

How God and good men hate so foul a liar.

KING RICHARD Mowbray, impartial are our eyes and ears.

Were he my brother, nay, our kingdom's heir,

As he is but my father's brother's son,

Now, by my sceptre's awe, I make a vow,

Such neighbour nearness to our sacred blood

Should nothing privilege him, nor partialize

The unstooping firmness of my upright soul.

He is our subject, Mowbray, so art thou.

Free speech and fearless I to thee allow.

MOWBRAY Then, Bullingbrook, as low as to thy heart,

Through the false passage of thy throat, thou liest.

Three parts of that receipt I had for Calais

Disbursed I duly to his highness' soldiers;

The other part reserved I by consent,

For that my sovereign liege was in my debt

Upon remainder of a dear account,

Since last I went to France to fetch his queen.

Now swallow down that lie. For Gloucester's death,

I slew him not; but to mine own disgrace

Neglected my sworn duty in that case.

For you, my noble lord of Lancaster,

The honourable father to my foe,

Once I did lay an ambush for your life -

A trespass that doth vex my grievèd soul.

But ere I last received the sacrament

I did confess it, and exactly begged

Your grace's pardon, and I hope I had it.

This is my fault. As for the rest appealed,

It issues from the rancour of a villain,

A recreant and most degenerate traitor

Which in myself I boldly will defend,

And interchangeably hurl down my gage Throws down his gage

Upon this overweening traitor's foot,

To prove myself a loyal gentleman

Even in the best blood chambered in his bosom.

In haste whereof, most heartily I pray

Your highness to assign our trial day.

KING RICHARD Wrath-kindled gentlemen, be ruled by me:

Let's purge this choler without letting blood.

This we prescribe, though no physician:

Deep malice makes too deep incision.

Forget, forgive, conclude and be agreed:

Our doctors say this is no time to bleed.

Good uncle, let this end where it begun:

We'll calm the Duke of Norfolk, you your son.

GAUNT To be a make-peace shall become my age:

Throw down, my son, the Duke of Norfolk's gage.

KING RICHARD And, Norfolk, throw down his.

GAUNT When, Harry, when?

Obedience bids I should not bid again.

KING RICHARD Norfolk, throw down, we bid; there is no boot.

MOWBRAY Myself I throw, dread sovereign, at thy foot. Kneels

My life thou shalt command, but not my shame:

The one my duty owes, but my fair name,

Despite of death that lives upon my grave,

To dark dishonour's use thou shalt not have.

I am disgraced, impeached and baffled here,

Pierced to the soul with slander's venomed spear,

The which no balm can cure but his heart-blood

Which breathed this poison.

KING RICHARD Rage must be withstood.

Give me his gage. Lions make leopards tame.

MOWBRAY Yea, but not change his spots. Take but my shame,

And I resign my gage. My dear dear lord,

The purest treasure mortal times afford

Is spotless reputation: that away,

Men are but gilded loam or painted clay.

A jewel in a ten-times-barred-up chest

Is a bold spirit in a loyal breast.

Mine honour is my life; both grow in one:

Take honour from me, and my life is done.

Then, dear my liege, mine honour let me try.

In that I live and for that will I die.

KING RICHARD Cousin, throw down your gage. Do you begin.

BULLINGBROOK O, heaven defend my soul from such foul sin!

Shall I seem crest-fall'n in my father's sight?

Or with pale beggar-fear impeach my height

Before this out-dared dastard? Ere my tongue

Shall wound mine honour with such feeble wrong,

Or sound so base a parle, my teeth shall tear

The slavish motive of recanting fear,

And spit it bleeding in his high disgrace,

Where shame doth harbour, even in Mowbray's face.

Exit Gaunt

KING RICHARD We were not born to sue, but to command,

Which since we cannot do to make you friends,

Be ready, as your lives shall answer it,

At Coventry upon Saint Lambert's day:

There shall your swords and lances arbitrate

The swelling difference of your settled hate.

Since we cannot atone you, we shall see

Justice design the victor's chivalry.

Lord Marshal, command our officers at arms

Be ready to direct these home alarms. Exeunt

Act 1 Scene 2 running scene 2

Enter Gaunt and Duchess of Gloucester

GAUNT Alas, the part I had in Gloucester's blood

Doth more solicit me than your exclaims,

To stir against the butchers of his life.

But since correction lieth in those hands

Which made the fault that we cannot correct,

Put we our quarrel to the will of heaven,

Who, when they see the hours ripe on earth,

Will rain hot vengeance on offenders' heads.

DUCHESS Finds brotherhood in thee no sharper spur?

Hath love in thy old blood no living fire?

Edward's seven sons, whereof thyself art one,

Were as seven vials of his sacred blood,

Or seven fair branches springing from one root:

Some of those seven are dried by nature's course,

Some of those branches by the Destinies cut.

But Thomas, my dear lord, my life, my Gloucester,

One vial full of Edward's sacred blood,

One flourishing branch of his most royal root,

Is cracked, and all the precious liquor spilt,

Is hacked down, and his summer leaves all faded,

By envy's hand and murder's bloody axe.

Ah, Gaunt, his blood was thine! That bed, that womb,

That metal, that self-mould that fashioned thee

Made him a man. And though thou liv'st and breath'st,

Yet art thou slain in him. Thou dost consent

In some large measure to thy father's death,

In that thou see'st thy wretched brother die,

Who was the model of thy father's life.

Call it not patience, Gaunt, it is despair.

In suff'ring thus thy brother to be slaughtered,

Thou show'st the naked pathway to thy life,

Teaching stern murder how to butcher thee.

That which in mean men we entitle patience

Is pale cold cowardice in noble breasts.

What shall I say? To safeguard thine own life,

The best way is to venge my Gloucester's death.

GAUNT Heaven's is the quarrel, for heaven's substitute,

His deputy anointed in his sight,

Hath caused his death, the which if wrongfully,

Let heaven revenge, for I may never lift

An angry arm against his minister.

DUCHESS Where then, alas, may I complaint myself?

GAUNT To heaven, the widow's champion to defence.

DUCHESS Why, then, I will. Farewell, old Gaunt.

Thou go'st to Coventry, there to behold

Our cousin Hereford and fell Mowbray fight.

O, sit my husband's wrongs on Hereford's spear,

That it may enter butcher Mowbray's breast!

Or if misfortune miss the first career,

Be Mowbray's sins so heavy in his bosom,

That they may break his foaming courser's back,

And throw the rider headlong in the lists,

A caitiff recreant to my cousin Hereford!

Farewell, old Gaunt: thy sometimes brother's wife

With her companion grief must end her life.

GAUNT Sister, farewell. I must to Coventry.

As much good stay with thee as go with me!

DUCHESS Yet one word more: grief boundeth w...

Biographie de l'auteur :

William Shakespeare was born in Stratford-upon-Avon in April 1564, and his birth is traditionally celebrated on April 23. The facts of his life, known from surviving documents, are sparse. He was one of eight children born to John Shakespeare, a merchant of some standing in his community. William probably went to the King’s New School in Stratford, but he had no university education. In November 1582, at the age of eighteen, he married Anne Hathaway, eight years his senior, who was pregnant with their first child, Susanna. She was born on May 26, 1583. Twins, a boy, Hamnet ( who would die at age eleven), and a girl, Judith, were born in 1585. By 1592 Shakespeare had gone to London working as an actor and already known as a playwright. A rival dramatist, Robert Greene, referred to him as “an upstart crow, beautified with our feathers.” Shakespeare became a principal shareholder and playwright of the successful acting troupe, the Lord Chamberlain’s Men (later under James I, called the King’ s Men). In 1599 the Lord Chamberlain’s Men built and occupied the Globe Theater in Southwark near the Thames River. Here many of Shakespeare’s plays were performed by the most famous actors of his time, including Richard Burbage, Will Kempe, and Robert Armin. In addition to his 37 plays, Shakespeare had a hand in others, including Sir Thomas More and The Two Noble Kinsmen, and he wrote poems, including Venus and Adonis and The Rape of Lucrece. His 154 sonnets were published, probably without his authorization, in 1609. In 1611 or 1612 he gave up his lodgings in London and devoted more and more time to retirement in Stratford, though he continued writing such plays as The Tempest and Henry VII until about 1613. He died on April 23 1616, and was buried in Holy Trinity Church, Stratford. No collected edition of his plays was published during his life-time, but in 1623 two members of his acting company, John Heminges and Henry Condell, put together the great collection now called the First Folio.

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Description du livre Modern Library, United States, 2010. Paperback. État : New. 198 x 130 mm. Language: English . Brand New Book. Eminent Shakespearean scholars Jonathan Bate and Eric Rasmussen provide a fresh new edition of Richard II, chronologically the first of the eight plays in Shakespeare s History Cycle, which marks the beginning of a great schism within the nobility of England that will leave the nation riven by bloody conflict for the next hundred years. This volume also includes more than a hundred pages of exclusive features, including: an original Introduction to Richard II incisive scene-by-scene synopsis and analysis with vital facts about the work commentary on past and current productions based on interviews with leading directors, actors, and designers photographs of key RSC productions an overview of Shakespeare s theatrical career and chronology of his plays Ideal for students, theater professionals, and general readers, these modern and accessible editions from the Royal Shakespeare Company set a new standard in Shakespearean literature for the twenty-first century. N° de réf. du libraire AAS9780812969306

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Description du livre Modern Library, 2010. État : New. Brand New, Unread Copy in Perfect Condition. A+ Customer Service! Summary: Eminent Shakespearean scholars Jonathan Bate and Eric Rasmussen provide a fresh new edition of Richard II, chronologically the first of the eight plays in Shakespeare's History Cycle, which marks the beginning of a great schism within the nobility of England that will leave the nation riven by bloody conflict for the next hundred years. This volume also includes more than a hundred pages of exclusive features, including: * an original Introduction to Richard II * incisive scene-by-scene synopsis and analysis with vital facts about the work * commentary on past and current productions based on interviews with leading directors, actors, and designers * photographs of key RSC productions * an overview of Shakespeare's theatrical career and chronology of his plays Ideal for students, theater professionals, and general readers, these modern and accessible editions from the Royal Shakespeare Company set a new standard in Shakespearean literature for the twenty-first century. N° de réf. du libraire ABE_book_new_0812969308

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