L'édition de cet ISBN n'est malheureusement plus disponible.
Afficher les exemplaires de cette édition ISBN
Frais de port :
EUR 3,71
Vers Etats-Unis
Description du livre Etat : New. Brand New. N° de réf. du vendeur 9780813544151
Description du livre Etat : New. N° de réf. du vendeur 5983155-n
Description du livre paperback. Etat : New. Language: ENG. N° de réf. du vendeur 9780813544151
Description du livre Paperback. Etat : Brand New. 192 pages. 9.25x5.75x0.50 inches. In Stock. N° de réf. du vendeur __0813544157
Description du livre Etat : New. Evaluates the depiction of animals in cartoons and animation more generally. This title argues that artists use animals to engage with issues that would be more difficult to address directly because of political, religious, or social taboos. Num Pages: 236 pages, black & white illustrations. BIC Classification: AGN; AKLC; APFV. Category: (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 221 x 150 x 15. Weight in Grams: 401. . 2008. Paperback. . . . . N° de réf. du vendeur V9780813544151
Description du livre Paperback / softback. Etat : New. New copy - Usually dispatched within 4 working days. Evaluates the depiction of animals in cartoons and animation more generally. This title argues that artists use animals to engage with issues that would be more difficult to address directly because of political, religious, or social taboos. N° de réf. du vendeur B9780813544151
Description du livre Etat : New. Evaluates the depiction of animals in cartoons and animation more generally. This title argues that artists use animals to engage with issues that would be more difficult to address directly because of political, religious, or social taboos. Num Pages: 236 pages, black & white illustrations. BIC Classification: AGN; AKLC; APFV. Category: (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 221 x 150 x 15. Weight in Grams: 401. . 2008. Paperback. . . . . Books ship from the US and Ireland. N° de réf. du vendeur V9780813544151
Description du livre Etat : New. N° de réf. du vendeur 5983155-n
Description du livre Paperback. Etat : new. Paperback. Cartoonists and animators have given animals human characteristics for so long that audiences are now accustomed to seeing Bugs Bunny singing opera and Mickey Mouse walking his dog Pluto. The Animated Bestiary critically evaluates the depiction of animals in cartoons and animation more generally. Paul Wells argues that artists use animals to engage with issues that would be more difficult to address directly because of political, religious, or social taboos. Consequently, and principally through anthropomorphism, animation uses animals to play out a performance of gender, sex and sexuality, racial and national traits, and shifting identity, often challenging how we think about ourselves. Wells draws on a wide range of examples, from the original King Kongto Nick Park's Chicken Run to Disney cartoonsusuch as Tarzan, The Jungle Book, and Brother Bearuto reflect on people by looking at the ways in which they respond to animals in cartoons and films. The Animated Bestiary critically evaluates the depiction of animals in cartoons and animation more generally. Paul Wells argues that artists use animals to engage with issues that would be more difficult to address directly because of political, religious, or social taboos. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. N° de réf. du vendeur 9780813544151
Description du livre Paperback. Etat : new. Paperback. Cartoonists and animators have given animals human characteristics for so long that audiences are now accustomed to seeing Bugs Bunny singing opera and Mickey Mouse walking his dog Pluto. The Animated Bestiary critically evaluates the depiction of animals in cartoons and animation more generally. Paul Wells argues that artists use animals to engage with issues that would be more difficult to address directly because of political, religious, or social taboos. Consequently, and principally through anthropomorphism, animation uses animals to play out a performance of gender, sex and sexuality, racial and national traits, and shifting identity, often challenging how we think about ourselves. Wells draws on a wide range of examples, from the original King Kongto Nick Park's Chicken Run to Disney cartoonsusuch as Tarzan, The Jungle Book, and Brother Bearuto reflect on people by looking at the ways in which they respond to animals in cartoons and films. The Animated Bestiary critically evaluates the depiction of animals in cartoons and animation more generally. Paul Wells argues that artists use animals to engage with issues that would be more difficult to address directly because of political, religious, or social taboos. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. N° de réf. du vendeur 9780813544151