Women's Experimental Cinema: Critical Frameworks

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9780822340447: Women's Experimental Cinema: Critical Frameworks

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Edité par Duke University Press, United States (2007)
ISBN 10 : 0822340445 ISBN 13 : 9780822340447
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Description du livre Duke University Press, United States, 2007. Paperback. État : New. 231 x 147 mm. Language: English . Brand New Book. Women s Experimental Cinema provides lively introductions to the work of fifteen avant-garde women filmmakers, some of whom worked as early as the 1950s and many of whom are still working today. In each essay in this collection, a leading film scholar considers a single filmmaker, supplying biographical information, analyzing various influences on her work, examining the development of her corpus, and interpreting a significant number of individual films. The essays rescue the work of critically neglected but influential women filmmakers for teaching, further study, and, hopefully, restoration and preservation. Just as importantly, they enrich the understanding of feminism in cinema and expand the terrain of film history, particularly the history of the American avant-garde. The contributors examine the work of Marie Menken, Joyce Wieland, Gunvor Nelson, Yvonne Rainer, Carolee Schneemann, Barbara Rubin, Amy Greenfield, Barbara Hammer, Chick Strand, Marjorie Keller, Leslie Thornton, Abigail Child, Peggy Ahwesh, Su Friedrich, and Cheryl Dunye. The essays highlight the diversity in these filmmakers forms and methods, covering topics such as how Menken used film as a way to rethink the transition from abstract expressionism to Pop Art in the 1950s and 1960s, how Rubin both objectified the body and investigated the filmic apparatus that enabled that objectification in her film Christmas on Earth (1963), and how Dunye uses film to explore her own identity as a black lesbian artist. At the same time, the essays reveal commonalities, including a tendency toward documentary rather than fiction and a commitment to nonhierarchical, collaborative production practices. The volume s final essay focuses explicitly on teaching women s experimental films, addressing logistical concerns (how to acquire the films and secure proper viewing spaces) and extending the range of the book by suggesting alternative films for classroom use. Contributors. Paul Arthur, Robin Blaetz, Noel Carroll, Janet Cutler, Mary Ann Doane, Robert A. Haller, Chris Holmlund, Chuck Kleinhans, Scott MacDonald, Kathleen McHugh, Ara Osterweil, Maria Pramaggiore, Melissa Ragona, Kathryn Ramey, M. M. Serra, Maureen Turim, William C. Wees. N° de réf. du libraire AAJ9780822340447

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2.

Edité par Duke University Press, United States (2007)
ISBN 10 : 0822340445 ISBN 13 : 9780822340447
Neuf(s) Paperback Quantité : 10
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The Book Depository US
(London, Royaume-Uni)
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Description du livre Duke University Press, United States, 2007. Paperback. État : New. 231 x 147 mm. Language: English . Brand New Book. Women s Experimental Cinema provides lively introductions to the work of fifteen avant-garde women filmmakers, some of whom worked as early as the 1950s and many of whom are still working today. In each essay in this collection, a leading film scholar considers a single filmmaker, supplying biographical information, analyzing various influences on her work, examining the development of her corpus, and interpreting a significant number of individual films. The essays rescue the work of critically neglected but influential women filmmakers for teaching, further study, and, hopefully, restoration and preservation. Just as importantly, they enrich the understanding of feminism in cinema and expand the terrain of film history, particularly the history of the American avant-garde. The contributors examine the work of Marie Menken, Joyce Wieland, Gunvor Nelson, Yvonne Rainer, Carolee Schneemann, Barbara Rubin, Amy Greenfield, Barbara Hammer, Chick Strand, Marjorie Keller, Leslie Thornton, Abigail Child, Peggy Ahwesh, Su Friedrich, and Cheryl Dunye. The essays highlight the diversity in these filmmakers forms and methods, covering topics such as how Menken used film as a way to rethink the transition from abstract expressionism to Pop Art in the 1950s and 1960s, how Rubin both objectified the body and investigated the filmic apparatus that enabled that objectification in her film Christmas on Earth (1963), and how Dunye uses film to explore her own identity as a black lesbian artist. At the same time, the essays reveal commonalities, including a tendency toward documentary rather than fiction and a commitment to nonhierarchical, collaborative production practices. The volume s final essay focuses explicitly on teaching women s experimental films, addressing logistical concerns (how to acquire the films and secure proper viewing spaces) and extending the range of the book by suggesting alternative films for classroom use. Contributors. Paul Arthur, Robin Blaetz, Noel Carroll, Janet Cutler, Mary Ann Doane, Robert A. Haller, Chris Holmlund, Chuck Kleinhans, Scott MacDonald, Kathleen McHugh, Ara Osterweil, Maria Pramaggiore, Melissa Ragona, Kathryn Ramey, M. M. Serra, Maureen Turim, William C. Wees. N° de réf. du libraire AAJ9780822340447

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ISBN 10 : 0822340445 ISBN 13 : 9780822340447
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Description du livre État : New. Depending on your location, this item may ship from the US or UK. N° de réf. du libraire 97808223404470000000

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Blaetz, Robin (EDT)
Edité par Duke University Press 2007-10-16, North Carolina (2007)
ISBN 10 : 0822340445 ISBN 13 : 9780822340447
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Description du livre Duke University Press 2007-10-16, North Carolina, 2007. paperback. État : New. N° de réf. du libraire 9780822340447

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Robin Blaetz
Edité par Duke University Press
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Description du livre Duke University Press. Paperback. État : new. BRAND NEW, Women's Experimental Cinema: Critical Frameworks, Robin Blaetz, Women's Experimental Cinema provides lively introductions to the work of fifteen avant-garde women filmmakers, some of whom worked as early as the 1950s and many of whom are still working today. In each essay in this collection, a leading film scholar considers a single filmmaker, supplying biographical information, analyzing various influences on her work, interpreting a significant number of individual films, and examining the development of the filmmaker's corpus. The essays rescue the work of critically neglected but influential women filmmakers for teaching, further study, and, hopefully, restoration and preservation. Just as importantly, they enrich the understanding of feminism in cinema and expand the terrain of film history, particularly the history of the American avant-garde. The contributors examine the work of Marie Menken, Joyce Wieland, Gunvor Nelson, Yvonne Rainer, Carolee Schneemann, Barbara Rubin, Amy Greenfield, Barbara Hammer, Chick Strand, Marjorie Keller, Leslie Thornton, Abigail Child, Peggy Ahwesh, Su Friedrich, and Cheryl Dunye. Whether discussing how Menken used film as a way to rethink the transition from abstract expressionism to pop art in the 1950s and 1960s, how Rubin both objectified the body and investigated the filmic apparatus that enabled that objectification in her outrageous "sexperimental" film Christmas on Earth (1963), or how Dunye uses film to explore her own identity as a black lesbian artist, taken together the essays highlight the diversity in the filmmakers' forms and methods. At the same time, they reveal commonalities, including a tendency toward documentary rather than fiction and a commitment to nonhierarchical, collaborative production practices. The volume's final essay focuses explicitly on teaching women's experimental films, addressing logistical concerns (how to acquire the films and secure proper viewing spaces) and extending the range of the book by suggesting alternative films for classroom use. N° de réf. du libraire B9780822340447

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Edité par Duke University Press
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Description du livre Duke University Press. État : New. N° de réf. du libraire 7952493

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Robin Blaetz
ISBN 10 : 0822340445 ISBN 13 : 9780822340447
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Ria Christie Collections
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Description du livre Paperback. État : New. Not Signed; Women's Experimental Cinema provides lively introductions to the work of fifteen avant-garde women filmmakers, some of whom worked as early as the 1950s and many of whom are still working today. In each essay in this collection, a leading film scholar considers a single filmmaker, supplying biograph. book. N° de réf. du libraire ria9780822340447_rkm

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Robin Blaetz
Edité par Duke University Press Books (2007)
ISBN 10 : 0822340445 ISBN 13 : 9780822340447
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Description du livre Duke University Press Books, 2007. État : New. This volume offers introductions to the work of fifteen avant-garde American women filmmakers. Editor(s): Blaetz, Robin. Num Pages: 432 pages, 62 illustrations. BIC Classification: APFA; JFFK. Category: (P) Professional & Vocational. Dimension: 5983 x 3971 x 25. Weight in Grams: 603. . 2007. Paperback. . . . . . N° de réf. du libraire V9780822340447

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Robin Blaetz
Edité par Duke University Press (2007)
ISBN 10 : 0822340445 ISBN 13 : 9780822340447
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Description du livre Duke University Press, 2007. PAP. État : New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. N° de réf. du libraire CA-9780822340447

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Robin Blaetz
Edité par Duke University Press Books
ISBN 10 : 0822340445 ISBN 13 : 9780822340447
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Kennys Bookstore
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Description du livre Duke University Press Books. État : New. This volume offers introductions to the work of fifteen avant-garde American women filmmakers. Editor(s): Blaetz, Robin. Num Pages: 432 pages, 62 illustrations. BIC Classification: APFA; JFFK. Category: (P) Professional & Vocational. Dimension: 5983 x 3971 x 25. Weight in Grams: 603. . 2007. Paperback. . . . . Books ship from the US and Ireland. N° de réf. du libraire V9780822340447

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