Art David Grubbs Records Ruin the Landscape

ISBN 13 : 9780822355908

Records Ruin the Landscape

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9780822355908: Records Ruin the Landscape

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Grubbs, David
ISBN 10 : 0822355906 ISBN 13 : 9780822355908
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Description du livre État : New. N° de réf. du libraire 20899198-n

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Grubbs, David
ISBN 10 : 0822355906 ISBN 13 : 9780822355908
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Description du livre 2014. PAP. État : New. New Book.Shipped from US within 10 to 14 business days. Established seller since 2000. N° de réf. du libraire IB-9780822355908

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David Grubbs
Edité par Duke University Press, United States (2014)
ISBN 10 : 0822355906 ISBN 13 : 9780822355908
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Description du livre Duke University Press, United States, 2014. Paperback. État : New. 226 x 152 mm. Language: English . Brand New Book. John Cage s disdain for records was legendary. He repeatedly spoke of the ways in which recorded music was antithetical to his work. In Records Ruin the Landscape, David Grubbs argues that, following Cage, new genres in experimental and avant-garde music in the 1960s were particularly ill suited to be represented in the form of a recording. These activities include indeterminate music, long-duration minimalism, text scores, happenings, live electronic music, free jazz, and free improvisation. How could these proudly evanescent performance practices have been adequately represented on an LP? In their day, few of these works circulated in recorded form. By contrast, contemporary listeners can encounter this music not only through a flood of LP and CD releases of archival recordings but also in even greater volume through Internet file sharing and online resources. Present-day listeners are coming to know that era s experimental music through the recorded artifacts of composers and musicians who largely disavowed recordings. In Records Ruin the Landscape, Grubbs surveys a musical landscape marked by altered listening practices. N° de réf. du libraire AAC9780822355908

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David Grubbs
Edité par Duke University Press, United States (2014)
ISBN 10 : 0822355906 ISBN 13 : 9780822355908
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Description du livre Duke University Press, United States, 2014. Paperback. État : New. 226 x 152 mm. Language: English . Brand New Book. John Cage s disdain for records was legendary. He repeatedly spoke of the ways in which recorded music was antithetical to his work. In Records Ruin the Landscape, David Grubbs argues that, following Cage, new genres in experimental and avant-garde music in the 1960s were particularly ill suited to be represented in the form of a recording. These activities include indeterminate music, long-duration minimalism, text scores, happenings, live electronic music, free jazz, and free improvisation. How could these proudly evanescent performance practices have been adequately represented on an LP? In their day, few of these works circulated in recorded form. By contrast, contemporary listeners can encounter this music not only through a flood of LP and CD releases of archival recordings but also in even greater volume through Internet file sharing and online resources. Present-day listeners are coming to know that era s experimental music through the recorded artifacts of composers and musicians who largely disavowed recordings. In Records Ruin the Landscape, Grubbs surveys a musical landscape marked by altered listening practices. N° de réf. du libraire AAC9780822355908

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Grubbs, David
ISBN 10 : 0822355906 ISBN 13 : 9780822355908
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Description du livre 2014. PAP. État : New. New Book. Shipped from US within 10 to 14 business days. Established seller since 2000. N° de réf. du libraire KB-9780822355908

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Grubbs, David
Edité par Duke University Press Books (2014)
ISBN 10 : 0822355906 ISBN 13 : 9780822355908
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Description du livre Duke University Press Books, 2014. Paperback. État : New. N° de réf. du libraire 0822355906

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David Grubbs
Edité par Duke University Press
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Description du livre Duke University Press. État : New. Brand New. N° de réf. du libraire 0822355906

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David Grubbs
Edité par Duke University Press Books
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Description du livre Duke University Press Books. Paperback. État : New. Paperback. 248 pages. Dimensions: 8.9in. x 6.0in. x 0.6in.John Cages disdain for records was legendary. He repeatedly spoke of the ways in which recorded music was antithetical to his work. In Records Ruin the Landscape, David Grubbs argues that, following Cage, new genres in experimental and avant-garde music in the 1960s were particularly ill suited to be represented in the form of a recording. These activities include indeterminate music, long-duration minimalism, text scores, happenings, live electronic music, free jazz, and free improvisation. How could these proudly evanescent performance practices have been adequately represented on an LPIn their day, few of these works circulated in recorded form. By contrast, contemporary listeners can encounter this music not only through a flood of LP and CD releases of archival recordings but also in even greater volume through Internet file sharing and online resources. Present-day listeners are coming to know that eras experimental music through the recorded artifacts of composers and musicians who largely disavowed recordings. In Records Ruin the Landscape, Grubbs surveys a musical landscape marked by altered listening practices. This item ships from multiple locations. Your book may arrive from Roseburg,OR, La Vergne,TN. Paperback. N° de réf. du libraire 9780822355908

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Description du livre État : New. Depending on your location, this item may ship from the US or UK. N° de réf. du libraire 97808223559080000000

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David Grubbs
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Description du livre Duke University Press. Paperback. État : new. BRAND NEW, Records Ruin the Landscape: John Cage, the Sixties, and Sound Recording, David Grubbs, John Cage's disdain for records was legendary. He repeatedly spoke of the ways in which recorded music was antithetical to his work. In Records Ruin the Landscape, David Grubbs argues that, following Cage, new genres in experimental and avant-garde music in the 1960s were particularly ill-suited to be represented in the form of a recording. These activities include indeterminate music, long-duration minimalism, text scores, happenings, live electronic music, free jazz, and free improvisation. How could these proudly evanescent performance practices have been adequately represented on an LP? In their day, few of these works circulated in recorded form. By contrast, contemporary listeners can encounter this music not only through a flood of LP and CD releases of archival recordings, but also in even greater volume through Internet file-sharing and online resources. Present-day listeners are coming to know that era's experimental music through the recorded artifacts of composers and musicians who largely disavowed recordings. In Records Ruin the Landscape, Grubbs surveys a musical landscape marked by altered listening practices. N° de réf. du libraire B9780822355908

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