Cathay - Couverture rigide

Pound, Ezra

Couverture rigide

ISBN 10 : 082328106X ISBN 13 : 9780823281060

Editeur : Fordham University Press, 2018

Synopsis

Finalist, Pegasus Award for Poetry Criticism
Ezra Pound's Cathay (1915) is a masterpiece both of modernism and of world literature. The muscular precision of images that mark Pound's translations helped establish a modern style for American literature, at the same time creating a thirst for classical Chinese poetry in English. Pound's dynamic free-verse translations in a modern idiom formed the basis for T.S. Eliot's famous claim that Pound was the "inventor of Chinese poetry for our time." Yet Pound achieved this feat without knowing any Chinese, relying instead on word-for-word "cribs" left by the Orientalist Ernest Fenollosa, whose notebooks reveal a remarkable story of sustained cultural exchange.
This fully annotated critical edition focuses on Pound's astonishing translations without forgetting that the original Chinese poems are masterpieces in their own right. On the one hand, the presentation of all that went into the final Cathay makes it possible for the first time to appreciate the magnitude and the nuances of Pound's poetic art. At the same time, by bringing the final text together with the Chinese and Old English poems it claims to translate, as well as the manuscript traces of Pound's Japanese and American interlocutors, the volume also recovers practices of poetic circulation, resituating a Modernist classic as a work of world literature.
The Pound text and its intertexts are presented with care, clarity, and visual elegance. By providing the first accurate and unabridged transcriptions of Fenollosa's notebooks, along with carefully edited Chinese texts, the volume makes it possible to trace the movements of poetic ideas and poetic expression as they veer toward and away from Pound's creations. In supplying the full Fenollosa texts, the volume overturns decades of scholarship that has mystified Pound's translation process as a kind of "clairvoyance," displaying instead the impressive amount of sinological learning preserved in Fenollosa's hard-to-read notebooks and by detailing every deviation from the probable sense of the originals. The edition also supplies exhaustive historical, critical, and textual notes, clarifying points that have sometimes lent obscurity to Pound's poems and making the process of translation visible even for readers with no knowledge of Chinese.
Cathay: A Critical Edition includes the original fourteen Chinese translations as well as Pound's unique version of "The Seafarer," which is fully annotated alongside its Anglo-Saxon source. Also included are Pound's fifteen additional Chinese translations from Lustra and other contemporary publications, his essay "Chinese Poetry" (1919), a substantial textual Introduction, and original essays by Christopher Bush and Haun Saussy on international modernism, the mediation of Japan, and translation.
The meticulous treatment and analysis of the texts for this landmark edition will forever change how readers view Pound's "Chinese" poems. In addition to discoveries that permanently alter the scholarly record and force us to revise a number of critical commonplaces, the critical apparatus allows readers to make fresh discoveries by making available the specific networks through which poetic expression moved among hands, languages, and media.
Ultimately, this edition not only enables us more fully to appreciate a canonical work of Modernism but also resituates the art of Pound's translations by recovering the historical circulations that went into the making of a multiply authored and intrinsically hybrid masterpiece.

A propos du livre

À propos des auteurs

Ezra Pound (1884–1972) was a leading Modernist poet and the driving force behind Imagism and Vorticism.

Timothy Billings is Professor of English and Comparative Literature at Middlebury College, where his expertise spans classical Chinese literature and Shakespeare. Billings has edited and translated three award-winning bilingual critical editions that draw upon Chinese sources: Victor Segalen’s Stèles / 古今碑錄 (with Christopher Bush), Matteo Ricci’s Essay on Friendship / 交友論: One Hundred Maxims for a Chinese Prince, and Ezra Pound’s Cathay / 耀. His work bridges the gap between Eastern and Western literary traditions and enriches the study and appreciation of classical Chinese poetry and its influence on global literature.

Christopher Bush is Associate Professor of French and Comparative Literary Studies at Northwestern University and the author of Ideographic Modernism: China, Writing, Media (Oxford, 2010).

Haun Saussy is University Professor of Comparative Literature at the University of Chicago. He won the René Wellek Prize for Comparative Literature (for the second time) for his most recent book, Translation as Citation: Zhuangzi Inside Out (Oxford, 2018). His book The Ethnography of Rhythm: Orality and Its Technologies (Fordham, 2016) was awarded the Aldo and Jeanne Scaglione Prize for Comparative Literary Studies.

Détails de l'édition

• Éditeur: Fordham University Press
• Date d'édition: 2018
• Langue: anglais
• ISBN 10: 082328106X
• ISBN 13: 9780823281060
• Reliure: Relié
• Nombre de pages: 277
• Éditeur: Billings Timothy
• Coordonnées du fabricant: non disponible
• Personne responsable: non disponible