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Nihonga: Transcending the Past : Japanese-Style Painting, 1868-1968 - Couverture rigide

 
9780834803633: Nihonga: Transcending the Past : Japanese-Style Painting, 1868-1968

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351pp, oversize, illustrated in...
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9780891780441: Nihonga, Transcending the Past: Japanese-Style Painting 1868-1968

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ISBN 10 :  0891780440 ISBN 13 :  9780891780441
Editeur : St Louis City Art Museum, 1995
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Conant, Ellen P.; Rimer, J. Thomas.; Owyoung Steven D.
Edité par Weatherhill, New York, Ny, 1996
ISBN 10 : 0834803631 ISBN 13 : 9780834803633
Ancien ou d'occasion Couverture rigide Edition originale

Vendeur : Rosenbloom Rare Books, Ottawa, ON, Canada

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Etat : Very Good. 351pp, oversize, illustrated in colour, two small glue residue marks on flyleaf, inscription and sticker on half-title page otherwise unmarked, fine condition. N° de réf. du vendeur 4446418

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Ellen P. Conant, in collaboration with J. Thomas Rimer and Steven D. Owyoung.
ISBN 10 : 0834803631 ISBN 13 : 9780834803633
Ancien ou d'occasion Couverture rigide Edition originale

Vendeur : Black Cat Hill Books, Oregon City, OR, Etats-Unis

Évaluation du vendeur 5 sur 5 étoiles Evaluation 5 étoiles, En savoir plus sur les évaluations des vendeurs

Hardcover. First Edition [1995], so stated. First Edition [1995], so stated. Near Fine in Near Fine DJ: Both book and DJ show only minute indications of use. The Book shows just a hint of bumping at the upper corner tips; else flawless; the binding is square and secure; text clean. Free of any ownership names, dates, addresses, notations, inscriptions, stamps, plates, or labels. Virtually 'As New'. The DJ shows only a touch of wear to the corner tips and the mildest rubbing to the panels, with a hint of toning along the front hinge and backstrip, no doubt due to sunning; unclipped. Overall, very close to 'As New'. NOT a Remainder, Book-Club, or Ex-Library. Folio. (11.8 x 9.35 x 1.3 inches). 350 pages. Weight: 4 pounds, 3.5 ounces. Hardback with DJ. A lavishly illustrated study in both colour and black and white. 'Nihonga: Transcending the Past' is a valuable addition to the literature on Japanese arts. 'Nihonga' is a very broad field, and this book, its essays and illustrations, demonstrates very well the breadth of that artistic field. Especially from looking at the illustrations, I now have a better understanding of how Nihonga painting relates to contemporaneous (post-Ukiyo-e) printmaking in Japan. The accompanying scholarly essays, by Ellen P Conant and others, are excellent. The charting of the complicated relationships between Western and Japanese modernism, at the institutional levels as well as in terms of individual artists, is very revealing. The complexity of the 'mutual interference' of Western and Japanese cultural and associated political and economic interests is made very clear. N° de réf. du vendeur 48817

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