Lawrence Murray Dixon (1901-1949) was a native Floridian whose career started in New York where he worked for Schultze and Weaver, the firm famous for designing the Waldorf Astoria Hotel. Like most of the architects practicing in the boomtown that was post Depression Miami Beach, Dixon was outside the American architectural establishment-- he did not receive a complete architectural education, nor did he complete anything like a grand tour. He was nevertheless the most prolific architect practicing in Miami Beach in the late 1930s and early 1940s, building all types of commercial and residential buildings from the smallest house to the most lavish oceanfront hotels. Perhaps most importantly, Lawrence Murray Dixon was one of the first architects to build large-scale hotels in the Art Deco style in Miami Beach, bringing in the jazz age style of machine-age optimism and prosperity. Yet, what makes Miami Beach remarkable is not only the way in which Dixon and his colleagues used Art Deco to meet the local need for lower cost resort architecture, but the way in which they adapted the style to incorporate local motifs and historical styles. The result is the unique architecture of South Beach, as it is now known, the largely restored international vacation hotspot, and the country's first twentieth-century architectural district to be placed on the National Register of Historic Places.
Dixon's archive, one of the era's most complete, is now in the collection of Miami Beach's Bass Museum of Art. Its drawings and marvelous duotone photographs (mostly from New York photographers Gottscho & Schleisner) form the backbone of this book and show these landmark buildings in their original, pristine state. Allan Shulman and Jean Francois Lejeune were afforded full access to this treasure trove of rare images. But their research and writing is not limited to Art Deco architecture in Miami Beach alone-- Shulman and Lejeune look to the World's Fairs, the skyscrapers of New York, and the skylines of other twentieth-century cities, like Tel Aviv, Rio de Janeiro, and Casablanca. This makes "The Making of Miami Beach 1933-1942" the most complete, up-to-date and highly researched history of Art Deco architecture as it was adapted to the utilitarian, yet fantastic, needs of South Miami Beach.
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Vendeur : ThriftBooks-Dallas, Dallas, TX, Etats-Unis
Hardcover. Etat : Fair. No Jacket. Former library book; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less. N° de réf. du vendeur G084782280XI5N10
Quantité disponible : 1 disponible(s)
Vendeur : Birkitt's Books, SARASOTA, FL, Etats-Unis
hardcover. Etat : Good. Etat de la jaquette : Good. Ex-library with the usual stickers, stamps, faults. Front jacket has a 2x1" piece cut from it, wear to edges, binding sound, internally clean. N° de réf. du vendeur 251017002
Quantité disponible : 1 disponible(s)
Vendeur : Midway Book Store (ABAA), St. Paul, MN, Etats-Unis
Hardcover. Etat : near fine. Etat de la jaquette : near fine. Quarto. 12 " x 10". 240pp. A very nice copy in dust jacket. N° de réf. du vendeur 88425
Quantité disponible : 1 disponible(s)
Vendeur : WeBuyBooks, Rossendale, LANCS, Royaume-Uni
Etat : Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned. Ex library copy with usual stamps & stickers. N° de réf. du vendeur wbs3671375028
Quantité disponible : 1 disponible(s)
Vendeur : Jeff Hirsch Books, ABAA, Wadsworth, IL, Etats-Unis
First edition and first printing. Hardcover. A monograph on architect Lawrence Murray Dixon who primarily known for his work in the south Beach area of Miami on a wide range of hotels. Features acknowledgements by Ruth Grim, a preface by Diane Camber, foreword by Paul Goldberger, and texts by Jean-Francois Lejeune and Allan T. Shulman. Includes numerous illustrations along with a bibligraphy and an index. A fine copy in a fine dust jacket. N° de réf. du vendeur 199421
Quantité disponible : 1 disponible(s)
Vendeur : Robert Wright, trading as 'The Bookman', Norwich, Royaume-Uni
Hard Cover. Etat : Very Good. Etat de la jaquette : Very Good. First Edition. Showcasing the work of Lawrence Murray Dixon. With an introduction by Paul Goldberger. With copious illustrations supplied by the Bass Museum of Art. Bottom corners of boards very lightly worn but otherwise very good. A heavy book at just under 2 kg (packaged) so overseas customers are advised to contact us prior to ordering as regards additional postage. VG in VG dj. PRICE INCLUDES UK POSTAGE AND PACKING. Hardback. N° de réf. du vendeur 26921
Quantité disponible : 1 disponible(s)
Vendeur : THE CROSS Art + Books, Sydney, NSW, Australie
New 30.5 x 25.0cms 240pp Mostly b/w Illusts New Hard Cover This book draws on Dixon's archive to profile his landmark buildings in their original pristine state. So that this book is 'the most complete up-to-date and highly researched history of Art Deco architecture as it was adapted to the utilitarian yet fantastic needs of South Miami Beach'. N° de réf. du vendeur 20261511
Quantité disponible : 1 disponible(s)
Vendeur : YESIBOOKSTORE, MIAMI, FL, Etats-Unis
hardcover. Etat : As New. N° de réf. du vendeur 084782280X-VB
Quantité disponible : 1 disponible(s)
Vendeur : CHARTWELL BOOKSELLERS, NEW YORK, NY, Etats-Unis
Hardcover (with Dust Jacket). Etat : Very Good. First Edition. First American Edition. A well-researched history of Miami's South Beach Art Deco architecture, through the work of Lawrence Murray Dixon, one of its masters. This is a very good copy of the First American edition, in an unclipped dust jacket; virtually mint. N° de réf. du vendeur 145483
Quantité disponible : 1 disponible(s)
Vendeur : Librairie de l'Avenue - Henri Veyrier, Saint-Ouen, FR, France
Couverture rigide. Etat : Bon état. In-4 relié 30,4 cm sur 24,8. 232 pages. Bon état d'occasion. in-4°. N° de réf. du vendeur 60293
Quantité disponible : 1 disponible(s)