Edinburgh Advocate s Close -- -F vontispiese From the drawing by Walter Dexter, R.B.A. KACINC PAGE In the Temple Gardens Fountain Court -- 24 From the drawing by Nelson Dawson. Old Sarum, Salisbury Plain -- -- 192 From the drawing by B. C. Gotch. Slaughden Quay -- -- -222 From the drawing by Walter Dexter, R.B.A, Farlingay Hall- -- -- 238 From the drawing by Walter Dexter, R.B.A. Norwich from Mousehold Heath -- -244 From the drawing by Walter Dexter, R.B.A. The Moor, Haworth -- -- -286 From the drawing by Frank Southgate, R.B.A. Edinburgh View from Calton Hill -- -302 From the drawing by Walter Dexter, R.B.A. IN MONOTONE The Zig Zags, Box Hill, Dorking -- -42 From a photograph by F. Frith and Co., Ltd. Shelley s House, Great Marlow 64 From the drawing by F. D. Bedford.
(Typographical errors above are due to OCR software and don't occur in the book.)
About the Publisher
Forgotten Books is a publisher of historical writings, such as: Philosophy, Classics, Science, Religion, History, Folklore and Mythology.
Forgotten Books' Classic Reprint Series utilizes the latest technology to regenerate facsimiles of historically important writings. Careful attention has been made to accurately preserve the original format of each page whilst digitally enhancing the aged text. Read books online for free at www.forgottenbooks.org
This book was originally published prior to 1923, and represents a reproduction of an important historical work, maintaining the same format as the original work. While some publishers have opted to apply OCR (optical character recognition) technology to the process, we believe this leads to sub-optimal results (frequent typographical errors, strange characters and confusing formatting) and does not adequately preserve the historical character of the original artifact. We believe this work is culturally important in its original archival form. While we strive to adequately clean and digitally enhance the original work, there are occasionally instances where imperfections such as blurred or missing pages, poor pictures or errant marks may have been introduced due to either the quality of the original work or the scanning process itself. Despite these occasional imperfections, we have brought it back into print as part of our ongoing global book preservation commitment, providing customers with access to the best possible historical reprints. We appreciate your understanding of these occasional imperfections, and sincerely hope you enjoy seeing the book in a format as close as possible to that intended by the original publisher.
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