This is a survey of the history of haute couture, from the formation of the House of Worth in mid-19th-century Paris to the major designers of the present day. The book focuses on the highly skilled crafts that are essential to the production of haute couture. Separate chapters examine tailoring techniques and finishes, weaving, draping, and the intricate decoration produced by embroiderers, feather-makers, and other craftspeople on whom couturiers rely for the execution of their ideas. [This book was originally published in 1995 and has gone out of print. This edition is a print-on-demand version of the original book.]
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Richard Martin is an award-winning science writer whose work has appeared in "Wired, Time, Fortune, The Atlantic", and "The Best Science Writing of 2004". He is the author of "SuperFuel: Thorium, the Green Energy Source for the Future." He is" "the editorial director of Pike Research, a leading clean energy firm. He lives in Boulder, Colorado.
Harold Koda is curator in charge and Andrew Bolton is curator, both at The Costume Institute, The Metropolitan Museum of Art. Nancy J. Troy is professor of modern art history at the University of Southern California.
Published to accompany an exhibition at the Metropolitan Museum's Costume Institute, this lavishly illustrated volume provides a survey of the history of haute couture (fashion driven by the artistic expression of the designer rather than the dictates of clients) from its beginnings with the formation of the House of Worth in mid-19th-century Paris to the present-day creations of fashion's major designers. From its inception, haute couture has been closely aligned with modern art, "a fulfillment of mutually agreeing ideas that are contingent upon and wrought on the human body." This synergism can be seen in garments such as Poiret's "sorbet" lampshade gown, influenced by the Orientalism of the 1910s, and Chanel's "little black dress," the archetype of clothing's penchant for social reversal and political change, as well as in contemporary couturiers such as Gianni Versace, whose 1995 evening gown merges old technique and new technology by manipulating industrial-weight vinyl onto a crystalline overskirt evocative of 19th-century silhouette. Authors Koda and Martin, curators at the Costume Institute, have given special prominence to technique, the workshop masteries distinguishing the couture from other visual arts. Highly recommended for all fashion collections.?Marcie S. Zwaik, "Library Journal"
Copyright 1996 Reed Business Information, Inc.
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Description du livre Metropolitan Museum of Art, New York, NY, 1995. Soft cover. État : New. No Jacket. 1st Edition. First edition first paperback printing. Large softcover in pictorial stiff wraps no DJ as issued. Condition new, square and very tight book, covers bright and shiny, spine not creased sharp corners no edgewear. 4to, 118 pages illustrated throughout. No markings of any kind no names no underlinings no highlights no bent pages. Not a reminder. N° de réf. du libraire 009475
Description du livre The Metropolitan Museum of Art. PAPERBACK. État : New. 0870997629 New Condition. N° de réf. du libraire NEW6.3234665
Description du livre État : Brand New. Book Condition: Brand New. N° de réf. du libraire 97808709976241.0