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Description du livre Soft cover. Etat : New. Softcover, 448 pgs. Sealed, new. Published to commemorate the fortieth anniversary of the original installation of Étant donnés and to accompany the first major exhibition on the artwork and its studies, this richly illustrated book presents a wealth of new research and documents that draw upon previously unpublished works of art and materials. The catalogue also examines the critical and artistic reception of Étant donnés, as evidenced by the subsequent work of Les Levine, Hannah Wilke, Robert Gober, Marcel Dzama, Ray Johnson, and other artists who have engaged with Duchamp s provocative and challenging tableau-constructio. N° de réf. du vendeur ABE-1712949966798
Description du livre Paperback. Etat : New. New oversized softcover in printed wraps. 4to. (11 x 1 x 9½) Clean text free of marks or underlining. Beautiful color photography on glossy paper throughout the text. Includes section on suggested reading, photo credits and an index. 447 pp. Fast shipping in a secure book box mailer with tracking. In his early thirties, Marcel Duchamp convinced everyone that he had abandoned making art in favor of playing chess. But from 1946 to 1966, he was secretly at work in his studio on West Fourteenth Street in New York City. There he produced his final Étant donné 1º la chute d'eau, 2º le gaz d'éclairage, composed of a battered wood door through which one views a prone, nude female, holding aloft an antique gas lamp against a landscape of trees, waterfall, and sky. Unveiled as a permanent installation at the Philadelphia Museum of Art in July 1969, the year after Duchamp's death, the work startled the art world with its explicit eroticism and voyeurism, as well as its trompe l'oeil realism. Since its public debut, Étant donnés has been recognized as one of the most important and enigmatic works of the twentieth century. Published to commemorate the fortieth anniversary of the original installation of Étant donnés and to accompany the first major exhibition on the work and its studies, this richly illustrated book presents a wealth of new research and documents that draw upon previously unpublished works of art, photographs, and other materials. The catalogue also examines the critical and artistic reception of Étant donnés, as evidenced by the subsequent work of Les Levine, Hannah Wilke, Robert Gober, Marcel Dzama, Ray Johnson, and other artists who have engaged with Duchamp's provocative and challenging tableau-construction. N° de réf. du vendeur 100898
Description du livre Paperback. Etat : New. New very oversize paperback just removed from publisher's shrink wrap. Includes essays by Andrew Lins, Melissa S. Meighan, Beth A. Price, Ken Sutherland, Scott Homolka, and Elena Torok. International or expedited shipping may require extra charge. N° de réf. du vendeur 095835