Music Theory from Zarlino to Schenker: A Bibliography and Guide (Publications)

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9780918728999: Music Theory from Zarlino to Schenker: A Bibliography and Guide (Publications)

At last a vast amount of recent scholarship, pertaining to four centuries of theoretical developments including the Baroque, Classical, and Romantic periods, has been organized systematically in a single volume.

In the Dictionary of Theorists, the major section of the volume, individual entries devoted to approximately 250 theorists supply all of the bibliographic information most scholars are likely to require: titles and publication data for each author's treatises and principal articles, as well as titles and locations of manuscripts; lists of translations, facsimile editions, and microfilm copies of each work; a bibliography of articles, books, dissertations, and encyclopedia entries pertinent to an author and his works; and a compilation of modern reviews of the books, translations, and facsimile editions cited. Author, title, and subject indices facilitate access to materials for various research topics in the areas of speculative and practical music theory, and to a lesser yet significant extent, in the areas of acoustics, aesthetics, lexicography, music analysis, musicology, orchestration, and performance practice. A chronology is provided so that the reader may determine at a glance, which authors were active at any point within the centuries covered.

Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.

About the Author :

David Damschroder
Professor: Music Theory

David Damschroder's current research focuses on harmony in tonal music, a project that began with a careful examination of historical analytical practices, the basis for his Thinking About Harmony: Perspectives from the Eighteeth and Nineteenth Centuries (Cambridge University Press, 2008). The project continuses with focused studies on selected repertories: Harmony in Schubert (Cambridge University Press, 2010), Harmony in Chopin (in preperation).

Damschroder is co-author of Music Theory from Zarlino to Schenker (Pendragon Press, 1990). His textbooks in music fundamentals and ear-training/sight-singing appear under the Schirmer imprint. His articles and reiews have appeared in Music Theory Spectrum, the Jornal of Music Theory, Music Theory Online, In Theory Only, The Journal of Music Thoery Pedagogy, The Journal of Musicological Research, and Gamut. He has written the "Analysis" entry for Oxford Bibliographies Online.

As a complement to his scholaly work, Damschroder occasionally performs on fortepiano and modern piano.

Review :

"...an important new research tool that will be indispensable henceforth for any student of the history of music theory." Thomas Christensen, Notes June 1992

...a considerable achievement in the pursuit of our musical past, and a valuable contribution to the study of the history of musical thought. Richard Brown, Music Research Forum VI, 1991

Damschroeder and Williams are to be congratulated for this valuable, exceptionally well-organized and well-focused contribution to the literature on music theory. Those whose interests lie in theory, history, or historical performance practice will find it an essential and reliable research tool. John E. Druesedow, Jr.ARBA92 --John E. Druesedow

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Williams, David Russell
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Description du livre Pendragon Press, United States, 1991. Hardback. État : New. Language: English . Brand New Book. At last a vast amount of recent scholarship, pertaining to four centuries of theoretical developments including the Baroque, Classical, and Romantic periods, has been organized systematically in a single volume. In the Dictionary of Theorists, the major section of the volume, individual entries devoted to approximately 250 theorists supply all of the bibliographic information most scholars are likely to require: titles and publication data for each author s treatises and principal articles, as well as titles and locations of manuscripts; lists of translations, facsimile editions, and microfilm copies of each work; a bibliography of articles, books, dissertations, and encyclopedia entries pertinent to an author and his works; and a compilation of modern reviews of the books, translations, and facsimile editions cited. Author, title, and subject indices facilitate access to materials for various research topics in the areas of speculative and practical music theory, and to a lesser yet significant extent, in the areas of acoustics, aesthetics, lexicography, music analysis, musicology, orchestration, and performance practice. A chronology is provided so that the reader may determine at a glance, which authors were active at any point within the centuries covered. N° de réf. du libraire AAC9780918728999

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Description du livre Pendragon Press, United States, 1991. Hardback. État : New. Language: English . Brand New Book. At last a vast amount of recent scholarship, pertaining to four centuries of theoretical developments including the Baroque, Classical, and Romantic periods, has been organized systematically in a single volume. In the Dictionary of Theorists, the major section of the volume, individual entries devoted to approximately 250 theorists supply all of the bibliographic information most scholars are likely to require: titles and publication data for each author s treatises and principal articles, as well as titles and locations of manuscripts; lists of translations, facsimile editions, and microfilm copies of each work; a bibliography of articles, books, dissertations, and encyclopedia entries pertinent to an author and his works; and a compilation of modern reviews of the books, translations, and facsimile editions cited. Author, title, and subject indices facilitate access to materials for various research topics in the areas of speculative and practical music theory, and to a lesser yet significant extent, in the areas of acoustics, aesthetics, lexicography, music analysis, musicology, orchestration, and performance practice. A chronology is provided so that the reader may determine at a glance, which authors were active at any point within the centuries covered. N° de réf. du libraire AAC9780918728999

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