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9780937031315: Tracing the Past, Drawing the Future: Master Ink Painters in Twentieth Century China

Présentation de l'éditeur

Tracing the Past, Drawing the Future examines a crucial turning point in the development of Chinese ink painting represented by the beautiful and innovative work of four artists, Wu Changshuo (1844-1927), Qi Baishi (1864-1957), Huang Binhong (1865-1955), and Pan Tianshou (1897-1971). With careers spanning more than a century of radical social and political change in China, these artists were instrumental in driving the ancient tradition of Chinese ink painting into the modern era in the face of compelling Western influences. The lavish catalogue illuminates the context in which these artists worked, describes their overall contribution to the history of Chinese art, and highlights their individual ideas and achievements. Xiaoneng Yang defines the historical context in which modern Chinese painting developed, while Richard Vinograd analyzes the "alternative modernism" represented by these artists, each of whom worked in the brush-and-ink idiom. All four artists engaged to a greater or lesser degree with Western styles and media, and gave new life to cherished traditions through this engagement. Essays devoted to each artist are followed by individual entries discussing the works chosen to exemplify their achievements. Featuring more than one hundred works of painting and calligraphy by the four artists, the book also includes several portraits by Ren Yi (1840-1895), appendices transcribing the works' inscriptions and seals, a concordance, and a detailed bibliography.

Biographie de l'auteur

Dr. Xiaoneng Yang, Patrick J. J. Maveety Curator of Asian Art at Stanford University's Iris and B. Gerald Cantor Center for Visual Arts, is internationally recognized as a leading scholar of Chinese art, archaeology, and history. Since the 1980s he has organized international exhibitions of Chinese art and archaeology of various periods and themes. Dr. Yang is the author of numerous publications, and he lectures extensively on topics ranging from archaeology to contemporary Chinese art. His two-volume book, New Perspectives on China's Past: Chinese Archaeology in the Twentieth Century, wasa finalist for the College Art Association's Charles Rufus Morey Award.

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9788874395385: Tracing the Past, drawing the Future: Master Ink Painters in Twentieth-Century China

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ISBN 10 :  8874395388 ISBN 13 :  9788874395385
Editeur : Five Continents Editions, 2010
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Soft cover. Etat : Near Fine. 439 pages : illustrations (chiefly color), color map. The publisher's pictorial paper wrappers are bright and fresh, their corners sharp, with no reading crease to the spine, and faint wear at the its foot; the contents are as new. 2560 grams. N° de réf. du vendeur 014056

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Paperback. Etat : Very Good. Book has light wear to the edges and corners with light rubbing to the covers. Aside from the items listed, this is a very good copy that remains well-bound with bright pages that are crisp and unmarked. N° de réf. du vendeur 948706

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Paperback. Etat : Very Good. Book has light rubbing to covers, yellowing to the spine extending towards hinges, light smudging/yellowing to textblock, a vertical crease to the back flap, light corner wear, light edgewear.otherwise book is in very good condition. Pages are clean, crisp and bright with tight binding, glossy images, and an unbroken spine. N° de réf. du vendeur 960398

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Soft cover. Etat : As New. No Jacket. 1st Edition. First edition2010, first printing, January 2010. Published in conjunction with the exhibition by Iris & B. Gerald Cantor Center for Visual Arts / 5 Continents. Printed in Italy. Large softcover without DJ as issued. Condition as new, square, tight and clean book, corners not bumped, no edgewear, spine not creased, very slight crease ar rear lower corner, no names, no underlinings, no highlights, no bent page corners, not a reminder. Folio, 440 pages, illustrated throughout. Heavy book will require additional postage for international orders. N° de réf. du vendeur 020075

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