The Record: Contemporary Art and Vinyl

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9780938989332: The Record: Contemporary Art and Vinyl

The Record is the full-color catalog accompanying the groundbreaking exhibition The Record: Contemporary Art and Vinyl, curated by Trevor Schoonmaker at the Nasher Museum of Art at Duke University from September 2, 2010 through February 6, 2011. The first exhibition to explore the culture of vinyl records in the history of contemporary art, The Record features rarely exhibited work and recent and newly commissioned pieces by thirty-three artists from around the world. These artists have taken vinyl records as their subject or medium, producing sound work, sculpture, installation, drawing, painting, photography, video, and performance. Works by well-known artists such as Laurie Anderson, Jasper Johns, Ed Ruscha, and Carrie Mae Weems appear alongside those of other North American artists, and of artists from Africa, Asia, Europe, and Latin America, some of whom have never before exhibited in a U.S. museum. Among the works shown are David Byrne's original Polaroid photomontage used for the cover of the 1978 Talking Heads album More Songs about Buildings and Food, the fictive soul "album covers" created by the outsider artist Mingering Mike in the late 1960s and early 1970s, and Wheel of Steel (2006), an arresting narrative of record-playing told through digital photos by the South African-born and Berlin-based artist Robin Rhode. In addition to the 225 images, 200 of which appear in color, the catalog includes personal reflections and critical analyses. All of the artists in the exhibition contribute personal statements about their work in relation to the vinyl record, and critics and scholars explore the historical impact of the record on art and music and the ways the medium has helped shape individual and collective identities.
Contributors
Jeff Chang
Vivien Goldman
Jennifer Kabat
Mark Katz
Josh Kun
Barbara London
Mac McCaughan
Carlo McCormick
Charlie McGovern
Mark Anthony Neal
Piotr Orlov
Luc Sante
Trevor Schoonmaker
Dave Tompkins

Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.

About the Author :

Trevor Schoonmaker is the Patsy R. and Raymond D. Nasher Curator of Contemporary Art at the Nasher Museum of Art at Duke University. He is the editor of Nasher Museum of Art exhibition catalogues The Record: Contemporary Art and Vinyl, Barkley L. Hendricks: Birth of the Cool, and Street Level: Mark Bradford, William Cordova and Robin Rhode. He is also the editor of Black President: The Art and Legacy of Fela Anikulapo-Kuti, D Troit: The Art, Music, and Culture of the Motor City, and Fela: From West Africa to West Broadway.

Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.

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Trevor Schoonmaker
Edité par Duke University Museum of Art,U.S.
ISBN 10 : 0938989332 ISBN 13 : 9780938989332
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Description du livre Duke University Museum of Art,U.S. Paperback. État : new. BRAND NEW, The Record: Contemporary Art and Vinyl, Trevor Schoonmaker, The Record is the full-colour catalogue accompanying the groundbreaking exhibition The Record: Contemporary Art and Vinyl, at the Nasher Museum of Art at Duke University from September 2, 2010 until February 6, 2011. The first exhibition to explore the culture of vinyl records in the history of contemporary art, The Record features rarely exhibited work and recent and newly commissioned pieces by thirty-three artists from around the world. These artists have taken vinyl records as their subject or medium, producing sound work, sculpture, installation, drawing, painting, photography, video, and performance. Works by well-known artists such as Laurie Anderson, Jasper Johns, Ed Ruscha, and Carrie Mae Weems appear alongside those of other North American artists, and of artists from Africa, Asia, Europe, and Latin America, some of whom have never before exhibited in a U.S. museum. Among the works shown are David Byrne's original Polaroid photomontage used for the cover of the 1978 Talking Heads album More Songs about Buildings and Food, the fictive soul "album covers" created by the outsider artist Mingering Mike in the late 1960s and early 1970s, and Wheel of Steel (2006), an arresting narrative of record-playing told through digital photos by the South African-born and Berlin-based artist Robin Rhode. In addition to the 225 images, 200 of which appear in colour, the catalogue includes personal reflections and critical analyses. All of the artists in the exhibition contribute personal statements about their work in relation to the vinyl record, and critics and scholars explore the historical impact of the record on art and music and the ways the medium has helped shape individual and collective identities. N° de réf. du libraire B9780938989332

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Edité par Duke University Museum of Art,U.S., United States (2010)
ISBN 10 : 0938989332 ISBN 13 : 9780938989332
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Description du livre Duke University Museum of Art,U.S., United States, 2010. Paperback. État : New. Language: English . Brand New Book. The Record is the full-colour catalogue accompanying the groundbreaking exhibition The Record: Contemporary Art and Vinyl, at the Nasher Museum of Art at Duke University from September 2, 2010 until February 6, 2011. The first exhibition to explore the culture of vinyl records in the history of contemporary art, The Record features rarely exhibited work and recent and newly commissioned pieces by thirty-three artists from around the world. These artists have taken vinyl records as their subject or medium, producing sound work, sculpture, installation, drawing, painting, photography, video, and performance. Works by well-known artists such as Laurie Anderson, Jasper Johns, Ed Ruscha, and Carrie Mae Weems appear alongside those of other North American artists, and of artists from Africa, Asia, Europe, and Latin America, some of whom have never before exhibited in a U.S. museum. Among the works shown are David Byrne s original Polaroid photomontage used for the cover of the 1978 Talking Heads album More Songs about Buildings and Food, the fictive soul album covers created by the outsider artist Mingering Mike in the late 1960s and early 1970s, and Wheel of Steel (2006), an arresting narrative of record-playing told through digital photos by the South African-born and Berlin-based artist Robin Rhode. In addition to the 225 images, 200 of which appear in colour, the catalogue includes personal reflections and critical analyses. All of the artists in the exhibition contribute personal statements about their work in relation to the vinyl record, and critics and scholars explore the historical impact of the record on art and music and the ways the medium has helped shape individual and collective identities. N° de réf. du libraire LIB9780938989332

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Edité par Duke University Museum of Art,U.S., United States (2010)
ISBN 10 : 0938989332 ISBN 13 : 9780938989332
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Description du livre Duke University Museum of Art,U.S., United States, 2010. Paperback. État : New. Language: English . Brand New Book. The Record is the full-colour catalogue accompanying the groundbreaking exhibition The Record: Contemporary Art and Vinyl, at the Nasher Museum of Art at Duke University from September 2, 2010 until February 6, 2011. The first exhibition to explore the culture of vinyl records in the history of contemporary art, The Record features rarely exhibited work and recent and newly commissioned pieces by thirty-three artists from around the world. These artists have taken vinyl records as their subject or medium, producing sound work, sculpture, installation, drawing, painting, photography, video, and performance. Works by well-known artists such as Laurie Anderson, Jasper Johns, Ed Ruscha, and Carrie Mae Weems appear alongside those of other North American artists, and of artists from Africa, Asia, Europe, and Latin America, some of whom have never before exhibited in a U.S. museum. Among the works shown are David Byrne s original Polaroid photomontage used for the cover of the 1978 Talking Heads album More Songs about Buildings and Food, the fictive soul album covers created by the outsider artist Mingering Mike in the late 1960s and early 1970s, and Wheel of Steel (2006), an arresting narrative of record-playing told through digital photos by the South African-born and Berlin-based artist Robin Rhode. In addition to the 225 images, 200 of which appear in colour, the catalogue includes personal reflections and critical analyses. All of the artists in the exhibition contribute personal statements about their work in relation to the vinyl record, and critics and scholars explore the historical impact of the record on art and music and the ways the medium has helped shape individual and collective identities. N° de réf. du libraire LIB9780938989332

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Schoonmaker,Trevor
Edité par Duke University Press 2010-10-25, Durham, U.S.A. (2010)
ISBN 10 : 0938989332 ISBN 13 : 9780938989332
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Description du livre Duke University Press 2010-10-25, Durham, U.S.A., 2010. paperback. État : New. N° de réf. du libraire 9780938989332

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Edité par Duke University Press Books (2010)
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Trevor Schoonmaker
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Schoonmaker, Trevor
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