Hitchcock & the Anxiety of Authorship

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9781137309693: Hitchcock & the Anxiety of Authorship

Hitchcock and the Anxiety of Authorship examines issues of cinema authorship engaged by and dynamized within the director's films. A unique study of self-reflexivity in Hitchcock's work from his earliest English silents to his final Hollywood features, this book considers how the director's releases constitute ever-shifting meditations on the conditions and struggles of creative agency in cinema. Abramson explores how, located in literal and emblematic sites of dramatic production, exhibition, and reception, and populated by figures of directors, actors, and audiences, Hitchcock's films exhibit a complicated, often disturbing vision of authorship - one that consistently problematizes rather than exemplifies the director's longstanding auteurist image. Viewing Hitchcock in a striking new light, Abramson analyzes these allegories of vexed agency in the context of his concepts of and commentary on the troubled association between cinema artistry and authorship, as well as the changing cultural, industrial, theoretical, and historical milieus in which his features were produced. Accordingly, the book illuminates how Hitchcock and his cinema register the constant dynamics that constitute film authorship.

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About the Author :

Leslie H. Abramson, an adjunct professor at the Loyola University Chicago School of Law, USA, is a film scholar teaching cinema and law. Her essays have been published in Hitchcock and Adaptation (2014), American Cinema of the 1960s (2008), In the Limelight and Under the Microscope: Forms and Functions of Female Celebrity (2011), New Constellations: Movie Stars of the 1960s (2012), and various journals. She holds a PhD from the University of Chicago.

Review :

"Just when it seemed like scholars had little new to write about Hitchcock's films, Abramson provides us with an original reading ranging from the early British films to the American productions of the 60s and 70s. By integrating the director's extensive nonfiction writings and interviews with the self-reflexive artistry that characterizes his movies, Abramson reveals how Hitchcock contradicts traditional auteurist claims about his work, allowing readers to (re)consider how the director articulates the complexities of the creative process. Abramson's accessible writing will encourage those new to Hitchcock to relish the joy of discovering his classic movies and film scholars to applaud her insights into this treacherous cinematic landscape." - Lester D. Friedman, Professor, former Chair, Media and Society Program, Hobart College, USA and William Smith College, USA

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Description du livre AIAA, 2016. Paperback. État : New. PRINT ON DEMAND Book; New; Publication Year 2016; Not Signed; Fast Shipping from the UK. No. book. N° de réf. du libraire ria9781137309693_lsuk

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Description du livre Palgrave MacMillan, United Kingdom, 2015. Hardback. État : New. 2015 ed.. Language: English . Brand New Book. Hitchcock and the Anxiety of Authorship examines issues of cinema authorship engaged by and dynamized within the director s films. A unique study of self-reflexivity in Hitchcock s work from his earliest English silents to his final Hollywood features, this book considers how the director s releases constitute ever-shifting meditations on the conditions and struggles of creative agency in cinema. Abramson explores how, located in literal and emblematic sites of dramatic production, exhibition, and reception, and populated by figures of directors, actors, and audiences, Hitchcock s films exhibit a complicated, often disturbing vision of authorship - one that consistently problematizes rather than exemplifies the director s longstanding auteurist image. Viewing Hitchcock in a striking new light, Abramson analyzes these allegories of vexed agency in the context of his concepts of and commentary on the troubled association between cinema artistry and authorship, as well as the changing cultural, industrial, theoretical, and historical milieus in which his features were produced.Accordingly, the book illuminates how Hitchcock and his cinema register the constant dynamics that constitute film authorship. N° de réf. du libraire AAS9781137309693

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Leslie H. Abramson
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Description du livre Palgrave MacMillan, United Kingdom, 2015. Hardback. État : New. 2015 ed.. Language: English . Brand New Book. Hitchcock and the Anxiety of Authorship examines issues of cinema authorship engaged by and dynamized within the director s films. A unique study of self-reflexivity in Hitchcock s work from his earliest English silents to his final Hollywood features, this book considers how the director s releases constitute ever-shifting meditations on the conditions and struggles of creative agency in cinema. Abramson explores how, located in literal and emblematic sites of dramatic production, exhibition, and reception, and populated by figures of directors, actors, and audiences, Hitchcock s films exhibit a complicated, often disturbing vision of authorship - one that consistently problematizes rather than exemplifies the director s longstanding auteurist image. Viewing Hitchcock in a striking new light, Abramson analyzes these allegories of vexed agency in the context of his concepts of and commentary on the troubled association between cinema artistry and authorship, as well as the changing cultural, industrial, theoretical, and historical milieus in which his features were produced.Accordingly, the book illuminates how Hitchcock and his cinema register the constant dynamics that constitute film authorship. N° de réf. du libraire AAS9781137309693

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Description du livre Palgrave Macmillan. Hardback. État : new. BRAND NEW, Hitchcock and the Anxiety of Authorship, Leslie H. Abramson, Hitchcock and the Anxiety of Authorship examines issues of cinema authorship engaged by and dynamized within the director's films. A unique study of self-reflexivity in Hitchcock's work from his earliest English silents to his final Hollywood features, this book considers how the director's releases constitute ever-shifting meditations on issues and conditions of creative agency in cinema. Abramson explores how, located in literal and emblematic sites of dramatic production, exhibition, and reception, and populated by figures of directors, actors, and audiences, Hitchcock's films exhibit a complicated, often disturbing vision of authorship - one that consistently problematizes rather than exemplifies the director's longstanding auteurist image. Viewing Hitchcock in a striking new light, Abramson analyzes these allegories of vexed agency in the context of his concepts of and commentary on the troubled association between cinema artistry and authorship, as well as the changing cultural, industrial, theoretical, and historical milieus in which his features were produced. Accordingly, the book illuminates how Hitchcock and his cinema register the constant dynamics that constitute film authorship. N° de réf. du libraire B9781137309693

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Description du livre Palgrave Macmillan, 2015. Hardcover. État : Brand New. 1st ed. 2015 edition. 282 pages. 9.25x6.00x0.68 inches. In Stock. N° de réf. du libraire z-1137309695

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Abramson, Leslie H.
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Description du livre Palgrave Macmillan, 2017. Hardcover. État : New. This item is printed on demand. N° de réf. du libraire 1137309695

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Leslie H. Abramson
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Description du livre Palgrave Macmillan. Hardcover. État : New. Hardcover. 288 pages. Dimensions: 9.2in. x 6.0in. x 0.7in.How are issues of authorship engaged by and dynamized within the films of Alfred Hitchcock Leslie H. Abramson interrogates Hitchcocks oeuvre as an extended, ever-shifting meditation on the authorial conflicts endemic to the conditions and processes of cinema production, exhibition, and reception. Combining textual and contextual analysis, this book situates close readings of figurations of the director, actor, and audience within theoretical, aesthetic, industrial, cultural, and historical milieus. It delineates a unique Hitchcockian concept of authorship from his nonfictive media texts and locates the discourse of Hitchcocks films within changing empirical circumstances as well as broader theoretical approaches contemporary to his career and current film criticism. In so doing, the book examines how Hitchcocks corpus continually challenges the concept of authorial agency of which it is considered archetypical. This item ships from multiple locations. Your book may arrive from Roseburg,OR, La Vergne,TN. Hardcover. N° de réf. du libraire 9781137309693

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Description du livre État : New. This item is Print on Demand - Depending on your location, this item may ship from the US or UK. N° de réf. du libraire POD_9781137309693

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