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Book by Aikin John Barbauld
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Leopold Classic Library is delighted to publish this classic book as part of our extensive collection. As part of our on-going commitment to delivering value to the reader, we have also provided you with a link to a website, where you may download a digital version of this work for free. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. Whilst the books in this collection have not been hand curated, an aim of our publishing program is to facilitate rapid access to this vast reservoir of literature. As a result of this book being first published many decades ago, it may have occasional imperfections. These imperfections may include poor picture quality, blurred or missing text. While some of these imperfections may have appeared in the original work, others may have resulted from the scanning process that has been applied. However, our view is that this is a significant literary work, which deserves to be brought back into print after many decades. While some publishers have applied optical character recognition (OCR), this approach has its own drawbacks, which include formatting errors, misspelt words, or the presence of inappropriate characters. Our philosophy has been guided by a desire to provide the reader with an experience that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic book, and that the occasional imperfection that it might contain will not detract from the experience.
Various are the methods which art and ingenuity have invented to exhibit a picture of human life and manners. These have differed from each other, both in the mode of representation, and in the particular view of the subject which has been taken. With respect to the first, it is universally allowed that the dramatic form is by far the most perfect. The circumstance of leaving every character to display itself in its own proper language, with all the variations of tone and gesture which distinguish it from others, and which mark every emotion of the mind; and the scenic delusions of dress, painting, and machinery, contribute to stamp such an appearance of reality upon dramatic representations as no other of the imitative arts can attain. Indeed, when in their perfection, they can scarcely be called imitations, but the very things themselves; and real nature would perhaps appear less perfect than her counterfeit.
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