Excerpt from Reflections on the Painting and Sculpture of the Greeks<br><br><br><br>About the Publisher<br><br>Forgotten Books publishes hundreds of thousands of rare and classic books.<br><br>This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works. This text has been digitally restored from a historical edition. Some errors may persist, however we consider it worth publishing due to the work's historical value.<BR>The digital edition of all books may be viewed on our website before purchase.
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Reflexions on the Imitation of the both its nature and fize in a country, chofen, as Plato a fays, by Minerva, to be inhabited by the Greeks, as productive of every kind of genius. But this Taste was not only original among the Greeks, but feemed alfo quite peculiar to their country: it feldom went abroad without lofs, and was long ere it imparted its kind influences to more diftant climes. It was, doubtlefs, a ftranger to the northern zones, when Painting and Sculpture, thofe offsprings of Greece, were defpifed there to fuch a degree, that the mofl valuable pieces of Cor regio ferved only for blinds to the windows of the royal ftables at Stockholm. There is but one way for the moderns to become great, and perhaps unequalled 3I mean, by imitating the antients. And what we are told of Homer, that whoever underftands him well, admires him, we find no Jefs true in matters concerning the antienr, efpecially the Greek arts. But then we mufl a Plato in Timae .E dit. Francof. p. 1644.
(Typographical errors above are due to OCR software and don't occur in the book.)
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This book was originally published prior to 1923, and represents a reproduction of an important historical work, maintaining the same format as the original work. While some publishers have opted to apply OCR (optical character recognition) technology to the process, we believe this leads to sub-optimal results (frequent typographical errors, strange characters and confusing formatting) and does not adequately preserve the historical character of the original artifact. We believe this work is culturally important in its original archival form. While we strive to adequately clean and digitally enhance the original work, there are occasionally instances where imperfections such as blurred or missing pages, poor pictures or errant marks may have been introduced due to either the quality of the original work or the scanning process itself. Despite these occasional imperfections, we have brought it back into print as part of our ongoing global book preservation commitment, providing customers with access to the best possible historical reprints. We appreciate your understanding of these occasional imperfections, and sincerely hope you enjoy seeing the book in a format as close as possible to that intended by the original publisher.
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Vendeur : Forgotten Books, London, Royaume-Uni
Paperback. Etat : New. Print on Demand. This book presents a passionate argument for the study and imitation of ancient Greek art, particularly sculpture and painting. The author argues that Greek art, through its focus on ideal beauty, a mastery of form and contour, and a profound expression of character, provides an essential foundation for aspiring artists. The book sets out to explain the unique qualities of Greek art, exploring its origins and development within the context of ancient Greek culture. The author posits that the Greek climate, social values, and physical exercises fostered a unique appreciation for beauty, contributing to the remarkable artistic achievements of the era. He contends that the beauty of Greek art, surpassing even the most beautiful human forms, lies in its ideal nature - an elevated standard of beauty achieved through the thoughtful blending of natural observation and artistic inspiration. The book delves into the artistic techniques used by the Greeks, contrasting their methods with those of the author's own time. The author explores the complexities of replicating three-dimensional form in marble, examining the advantages and disadvantages of different techniques. He praises the precision of Greek sculpture and highlights the distinct qualities of Greek drapery, which effectively complements the underlying form. He argues that the expressiveness of Greek art, in both sculpture and painting, transcends mere physical representation and speaks to the power of the human spirit. The book ultimately suggests that, by immersing themselves in the study of Greek art, artists can develop their own creative vision and achieve a profound understanding of artistic excellence. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book. print-on-demand item. N° de réf. du vendeur 9781333612269_0
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Vendeur : PBShop.store US, Wood Dale, IL, Etats-Unis
PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000. N° de réf. du vendeur LW-9781333612269
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Vendeur : PBShop.store UK, Fairford, GLOS, Royaume-Uni
PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000. N° de réf. du vendeur LW-9781333612269
Quantité disponible : 15 disponible(s)