The Golden Days of the Renaissance in Rome: From the Pontificate of Julius II to That of Paul III - Couverture rigide
Présentation de l'éditeur
Paul III Frontispiece From Panyinio s Elogia et imarines, edited by Lafreri in 1568 Boniface VIII reading the Bxjll A ntiquorum from the Loggia of the Lateran 5T he Grave of Martin Vby Simone Ghini, in St. John THEL ateran 13 The Conventional View of Medieval Rome .. .25 With the Vatican Obelisk, the Torre delle Milizie, the Pantheon, and the Colnmn of Trajan in the backgroond of Ghirhuidajo s Rape of the Sabines, now in the Colonna gallery AB attle near the Gates op Rome, by Paolo Uccello .64 With a view of the leading monuments of the city, including the Torre delle Milizie, the A raoceli, the Coliseum, eta By permission The Remains of the Baths of Constantine in the Garden OF Bernardo A cciajuoli, on the Quirinal .. .71 AV iew of the Porto Leonino on the Tiber .. ..78 To show the place (marked --) where Santa Francesca Romana was rescued from drowning The Plague of Alexander VII, a. 1669 .. ..84 From a rare contemporary print representing the following scenes: (1) The inspection of the city gates by Prince Chigi. (2) Barge-loads of corpses from the Lazaret in the island of San Bartolomeo. (3-5) Various practices for fighting the plague in the infected districts. (6) The field of death, near St. Paul outside the Walls The Inundation of 1900 91 As seen in the Piazza della Bocca della Veritii The Monumental Group of San Lorenzo fuori le Mura 106 From an engving by Israel Silvestre The Loggia of Giovanni da Udine in the Villa Madama. Details of the Ceiling .. .. ..
(Typographical errors above are due to OCR software and don't occur in the book.)
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Présentation de l'éditeur
This book was originally published prior to 1923, and represents a reproduction of an important historical work, maintaining the same format as the original work. While some publishers have opted to apply OCR (optical character recognition) technology to the process, we believe this leads to sub-optimal results (frequent typographical errors, strange characters and confusing formatting) and does not adequately preserve the historical character of the original artifact. We believe this work is culturally important in its original archival form. While we strive to adequately clean and digitally enhance the original work, there are occasionally instances where imperfections such as blurred or missing pages, poor pictures or errant marks may have been introduced due to either the quality of the original work or the scanning process itself. Despite these occasional imperfections, we have brought it back into print as part of our ongoing global book preservation commitment, providing customers with access to the best possible historical reprints. We appreciate your understanding of these occasional imperfections, and sincerely hope you enjoy seeing the book in a format as close as possible to that intended by the original publisher.
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