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Newly recruited Scotland Yard detective Gabriel Syme infiltrates a dangerous underworld anarchist group with the help of a poet he befriends, named Lucian Gregory. The taut adventure that ensues is part spy narrative, part dystopian novel and part Christian allegory.
Chesterton’s unconventional masterpiece has been described as "one of the hidden hinges of twentieth-century writing, the place where, before our eyes, the nonsense-fantastical tradition of Lewis Carroll and Edward Lear pivots and becomes the nightmare-fantastical tradition of Kafka and Borges."
“As The Man Who Was Thursday proceeds, it becomes a hilarious numbers game with a more serious undertone. Chesterton's thriller is best read slowly, so as to savor his highly anarchic take on anarchy.” (Kerry Fried).
"A powerful picture of the loneliness and bewilderment which each of us encounters in his single-handed struggle with the universe." (C. S. Lewis).
Chesterton routinely referred to himself as an "orthodox" Christian, and came to identify this position more and more with Catholicism, eventually converting to Roman Catholicism from High Church Anglicanism. George Bernard Shaw, Chesterton's "friendly enemy" according to Time, said of him, "He was a man of colossal genius." Biographers have identified him as a successor to such Victorian authors as Matthew Arnold, Thomas Carlyle, Cardinal John Henry Newman, and John Ruskin.
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