Enon - Couverture rigide

Harding, Paul

Couverture rigide

ISBN 10 : 1400069432 ISBN 13 : 9781400069439

Editeur : Random House Inc, 2013

Synopsis

Rare Book

A propos du livre

Extrait :

MOST MEN IN MY FAMILY MAKE WIDOWS OF THEIR WIVES AND orphans of their children. I am the exception. My only child, Kate, was struck and killed by a car while riding her bicycle home from the beach one afternoon in September, a year ago. She was thirteen. My wife, Susan, and I separated soon afterward.
 
 
I WAS WALKING IN the woods when Kate died. I’d asked her the day before if she wanted to pack a lunch and go to the Enon River to hike around and feed the birds and maybe rent a canoe. The birds were tame and ate seeds from people’s hands. From the first time I’d taken her she’d been enchanted with the chickadees and titmice and nuthatches that pecked seeds from her palm, and when she was younger she’d treated feeding the birds as if they depended on it.
 
Kate said going to the sanctuary sounded great, but she and her friend Carrie Lewis had made plans to go to the beach, and could she go if she was super careful.
 
“Especially around the lake, and the shore road,” I said.
 
“Especially there, Dad,” she said.
 
I remembered riding my rattly old bike to the beach with my friends when I was a kid. We wore cutoff shorts and draped threadbare bath towels around our necks. We never wore shirts or shoes. We would have laughed at the idea of bike helmets. I don’t remember locking our bikes when we got to the beach, although we must have. I told Kate, all right, she could go, and she told me she loved me and kissed me on the ear.
 
 
KATE DIED ON A Saturday afternoon. The date was September 1, three days before she would have begun ninth grade. I spent the day wandering the sanctuary without any plans. Enon had been in a heat wave for a week and I had been up late the night before watching West Coast baseball, so I took it slow and mostly kept to the shade. I thought about Kate going to the beach so much over the summer, working on her tan, suddenly conscious of her looks as she’d never been before. The milkweed in the sanctuary had begun to yellow, and the goldenrod to silver. The edges of the green grass were about to dry to straw. Silver and purple rain clouds rolled low across the sky and piled into towering massifs. The slightest wind pushed ahead of the weather, eddying over the meadow, lifting dragonflies from the high grass. Bumblebees worked on the fading wildflowers. I hoped for rain to break the heat.
 
Chickadees wove around one another, back and forth between the bushes along the path. I hadn’t brought any seeds to feed them. I remembered telling Kate about the first time I’d fed the birds from my hand, when I’d been in seventh grade, with my grandfather. We didn’t have seeds because he’d forgotten about the birds. When he remembered, he and I stood still on the path, with our hands out, and the birds came to us anyway. The episode had happened so long ago, and I’d told it to Kate so many times, since she’d been a little kid, that I thought it might be fun to try it again, just so I could tell her and bring up the story about my grandfather. (Kate said once, “I never met Gramps, but you talk about him so much I feel like he’s somebody I know.”) It was getting late and I still had to run to the market to buy food for dinner. Carrie’s coming home with Kate, I thought, if they’re both not too tired from being in the sun and the bike ride. I decided to buy salmon and asparagus and a lemon and potato salad, and the corn Kate had asked me to get. I figured that if she was hot and tired, she’d want something light. Susan’ll like that, too, I thought. I’ll get a carton of lemonade, pink if they have it. Kate always said it tastes sweeter, less tart than the yellow kind, although I could never taste the difference.
 
I had almost reached the end of the boardwalk, at the boundary of the marsh, where the path took up again through the trees and led back to the meadow, where by then swallows would be lacing through the sky, feeding. Although I felt like I didn’t have the time, because I didn’t want Kate to have to wait too long to eat, I stopped and stood still and held out my empty hand, like I had twenty-one years earlier, eight years before Kate was born, fifteen years before I brought her there. It suddenly seemed lovely, the thought of standing there, coaxing even a single bird, if only for a fluttering instant, just so I could go home and cook dinner and when Kate came out to the picnic table, fresh out of the shower, her hair still wet, maybe even staggering a little to be silly, groaning and saying something like “Argh, I’m so tired,” I could say, “Hey, I tried to feed the birds without any seeds, like that first time with Gramps, and it worked!” In the two or three minutes I allowed myself, one bird approached my hand and pulled up short and rolled off back into the bushes when it saw I had no food. I decided that that was close enough and hurried toward the car, glad at the prospect of making Kate a good meal that would comfort her after a long day.
 
I came out of the woods and hiked up the path alongside the meadow, which was studded with a grid of numbered birdhouses where swallows nested every year. The sun blazed behind the towering thunderheads and backlit their silhouettes. The sky above the clouds was a bright, whitish yellow. The birdhouses and goldenrod and milkweed were suffused in granular, golden, pollinated light, and the swallows spiraled through it, catching insects on the wing. I reached the gravel parking lot and smiled at a woman urging her young son the last few yards to their car. He looked about three or four years old. He tottered and whimpered. The woman stopped pleading and picked him up and murmured something soothing to him and squeezed him to her and kissed his cheek and carried him. I walked across the lot to my station wagon and when I reached it I dug into my pockets for my keys. I saw my cell phone on the passenger seat.
 
Stupid—lucky no one took it, I thought, but then laughed at the image of a mild, pale birdwatcher in a sun hat and khakis smashing out a window with his walking stick and making off with the phone.
 
Lightning forked into the meadow and thunder blasted over the field and parking lot. The little boy and his mother shrieked. Rain poured out of the sky as if from a toppled cistern.
 
I unlocked the door and ducked into the car. The rain sounded like buckets of nails being dropped onto the roof. The backs of my legs felt tight, as they always did after hiking. The screen on the cell phone showed there was a voice mail from Susan. I dialed for the message and wedged the phone between my ear and shoulder so I could unscrew the bottle of spring water I’d left in the car. The water had warmed in the heat so it tasted stale and slightly impure. The phone sounded the sequence of tones for the voice-mail number. I screwed the cap back on the water bottle and tossed it onto the passenger seat.
 
“Blech,” I said, irritated, and took the phone in my hand. I put the car into reverse and twisted around to back out of the parking space. Susan’s voice came over the phone. It was hard for me to hear what she was saying over the noise the rain made as it hit the car.
 
“Charlie, Kate was killed. She was on her bike, near the lake, and a car hit her and killed her, Charlie.” Susan’s voice broke. A car honked its horn behind me and a woman yelled. My car was moving backward. I stomped the brake. A woman out in the rain, with her hair pulled back in a ponytail, still wearing sunglasses for some reason, pounded on my window.
 
“What the hell do you think you’re doing? Are you crazy?” she yelled at me. “You nearly ran that mother and her kid over!” Susan’s voice started speaking again, telling me to get home, that she was there with two police officers. The woman in the rain looked ferocious, water soaking her hair and her clothes and her expensive training sneakers and streaming down her face. I felt as if I’d been struck on the head and could not shake my brain back into place.
 

Revue de presse :

“Harding conveys the common but powerful bond of parental love with devastating accuracy. . . . Enon confirms what the Pulitzer jury decided: Paul Harding—no longer a ‘find’—is a major voice in American fiction.”—Chicago Tribune
 
“Paul Harding’s novel Tinkers won the Pulitzer Prize; its stunning successor, Enon, only raises the bar.”—O: The Oprah Magazine
 
“An extraordinary follow-up to the author’s Pulitzer Prize–winning debut . . . Harding’s subject is consciousness rooted in a contemporary moment but bound to a Puritan past. His prose is steeped in a visionary, transcendentalist tradition that echoes Blake, Rilke, Emerson, and Thoreau, and makes for a darkly intoxicating read.”—The New Yorker
 
“So wild and riveting it’s practically an aria . . . Harding is a superb stylist.”—Entertainment Weekly

“Without blurring the sharply lucid nightmares and recollections, Mr. Harding pushes Charlie’s madness to a crisis point of destruction or renewal. The journey to the depths of his grief is unforgettably stark and sad. But that sadness, shaped by a gifted writer’s caressing attention, can also bring about moments of what Charlie calls ‘brokenhearted joy.’”—The Wall Street Journal
 
“Harding is an extraordinary writer, for the intoxicating power of his prose, the range of his imagination, and above all for the redemptive humanity of his vision. With painstaking brilliance, Enon charts one man’s attempt to salvage meaning from meaningless tragedy, to endure the ubiquitous presence of a loved one’s absence. A superb account of the banality and uniqueness of bereavement, it more than earns its place alongside such non-fictional classics as Joan Didion’s The Year of Magical Thinking and CS Lewis’s A Grief Observed. That Enon is a work of fiction that feels authentic as memoir makes it all the more astonishing.”—Rebecca Abrams, Financial Times
 
“Enon is Joan Didion’s Blue Nights on major meds. . . . Time was the subject of Tinkers as grief is the subject of Enon. The two are related, like father and sons. Read Enon to live longer in the harsh, gorgeous atmosphere that Paul Harding has created.”—San Francisco Chronicle
 
“Paul Harding’s excellent second novel . . . is a lovely book about grief, the ways in which we punish ourselves for feeling it, and, ultimately, how we rebuild our lives even when they seem unsalvageable.”—New York Daily News
 
“Harding’s mythic sensibility, soaring empathy for his devastated yet life-loving protagonist, comedic embrace of the absurd, and exquisite receptivity to the beauty and treachery of the living world make for one astonishingly daring, gripping, and darkly resplendent novel of all-out grief and crawling-from-the-ruins survival.”—Booklist (starred review)
 
“Drawing upon the same New England landscape and family as his Pulitzer Prize–winning debut Tinkers, Harding deftly captures loss and its consequences in this gorgeous and haunting follow-up. . . . Offering an elegiac portrait of a severed family and the town of Enon itself, Harding’s second novel again proves he’s a contemporary master and one of our most important writers.”—Publishers Weekly (starred review)
 
“As Charlie’s grief reaches its apex, he’s consumed by dark visions, and Harding’s skillful whipsawing of the reader from the surreal to the quotidian is the best writing he’s done.”—Kirkus Reviews (starred review)

À propos de cette édition

• Éditeur: Random House Inc
• Date d'édition: 2013
• ISBN 10: 1400069432
• ISBN 13: 9781400069439
• Reliure: Relié
• Nombre de pages: 238