Présentation de l'éditeur :
WINNER OF THE PULITZER PRIZE
" The Goldfinch is a rarity that comes along perhaps half a dozen times per decade, a smartly written literary novel that connects with the heart as well as the mind....Donna Tartt has delivered an extraordinary work of fiction."-- Stephen King, The New York Times Book Review
Theo Decker, a 13-year-old New Yorker, miraculously survives an accident that kills his mother. Abandoned by his father, Theo is taken in by the family of a wealthy friend. Bewildered by his strange new home on Park Avenue, disturbed by schoolmates who don't know how to talk to him, and tormented above all by his longing for his mother, he clings to the one thing that reminds him of her: a small, mysteriously captivating painting that ultimately draws Theo into the underworld of art.
As an adult, Theo moves silkily between the drawing rooms of the rich and the dusty labyrinth of an antiques store where he works. He is alienated and in love--and at the center of a narrowing, ever more dangerous circle.
The Goldfinch is a mesmerizing, stay-up-all-night and tell-all-your-friends triumph, an old-fashioned story of loss and obsession, survival and self-invention, and the ruthless machinations of fate.
Revue de presse :
PRAISE FOR THE SECRET HISTORY
"The Secret History succeeds magnificently....A remarkably powerful novel [and] a ferociously well-paced entertainment...Forceful, cerebral, and impeccably controlled."--New York Times
"Tartt's voice is unlike that of any of her contemporaries. Her beautiful language, intricate plotting, fascinating characters, and intellectual energy make her debut by far the most interesting work yet from her generation."--Boston Globe
"Enthralling. . . . A remarkably powerful novel [and] a ferociously well-paced entertainment. . . . Forceful, cerebral, and impeccably controlled."--New York Times Book Review
"Donna Tartt is clearly a gifted writer. . . . The cadence of her sentences, the authority with which she shaped 500-plus pages of an erudite page-turner indicate she has the ability to leave her literary contemporaries standing in the road. . . . The decision to murder has about it the inevitability of classical Greek tragedy."--Miami Herald
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