"New York Times" bestseller James Lee Burke returns with his latest masterpiece, the story of a father and son separated by war and circumstance--and whose encounter with the legendary Holy Grail will change their lives forever.
From its opening scene in revolutionary Mexico to the Battle of the Marne in 1918, and on to the bordellos and saloons of San Antonio during the reign of the Hole in the Wall Gang, "House of the Rising Sun" is an epic tale of love, loss, betrayal, vengeance, and retribution that follows Texas Ranger Hackberry Holland on his journey to reunite with his estranged son, Ishmael, a captain in the United States Army.
After a violent encounter that leaves four Mexican soldiers dead, Hackberry escapes the country in possession of a stolen artifact, earning the ire of a bloodthirsty Austrian arms dealer who then places Hack's son Ishmael squarely in the cross hairs of a plot to recapture his prize, believed to be the mythic cup of Christ.
Along the way, we meet three extraordinary women: Ruby Dansen, the Danish immigrant who is Ishmael's mother and Hackberry's one true love; Beatrice DeMolay, a brothel madam descended from the crusader knight who brought the shroud of Turin back from the Holy Land; and Maggie Bassett, one-time lover of the Sundance Kid, whose wiles rival those of Lady Macbeth. In her own way, each woman will aid Hackberry in his quest to reconcile with Ishmael, to vanquish their enemies, and to return the Grail to its rightful place.
"House of the Rising Sun" is James Lee Burke's finest novel to date, and a thrilling entry into the Holland family saga that continued most recently with "Wayfaring Stranger," which "The ""New York Times Book Review" described as "saturated with the romance of the past while mournfully attuned to the unholy menace of the present."
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James Lee Burke is a New York Times bestselling author, two-time winner of the Edgar Award, and the recipient of the Guggenheim Fellowship for Creative Arts in Fiction. A legend of the mystery genre, he's authored thirty-two novels and two short story collections including Robicheaux, Light of the World, Creole Belle, Swan Peak, The Tin Roof Blowdown, and Feast Day of Fools. He lives in Misoula, Montana.Excerpt. © Reprinted by permission. All rights reserved. :
House of the Rising Sun
THE SUN HAD just crested on the horizon like a misplaced planet, swollen and molten and red, lighting a landscape that seemed sculpted out of clay and soft stone and marked by the fossilized tracks of animals with no names, when a tall barefoot man wearing little more than rags dropped his horse’s reins and eased himself off the horse’s back and worked his way down an embankment into a riverbed chained with pools of water that glimmered as brightly as blood in the sunrise. The sand was the color of cinnamon and spiked with green grass and felt cool on his feet, even though they were bruised and threaded with lesions that were probably infected. He got to his knees and wiped the bugs off the water and cupped it to his mouth with both hands, then washed his face in it and pushed his long hair out of his eyes. His skin was striped with dirt, his trousers streaked with salt from the dried sweat of the horse. For an instant he thought he saw his reflection in the surface of the pool. No, that was not he, he told himself. The narrow face and the shoulder-length hair and the eyes that were like cups of darkness belonged on a tray or perhaps to a crusader knight left to the mercies of Saracens.
“¡Venga!” he said to the horse. “You have to be instructed to drink? It is no compliment to me that the only horse I could steal is probably the dumbest in Pancho Villa’s army, a horse that didn’t even have the courtesy to wear a saddle.”
The horse made no reply.
“Or is stupidity not the problem?” the man said. “Do you simply consider me an ogre to be feared and avoided? Either way, my sensibilities are fragile right now, and I’d appreciate it if you would get your sorry ass down here.”
When the horse came down the embankment and began to drink, the man, whose name was Hackberry Holland, sat on a rock and placed his feet in a pool, shutting his eyes, breathing through his nose in the silence. It was a strange place indeed, one the Creator had shaped and beveled and backdropped with mountains that resembled sharks’ teeth, then had put away for purposes he did not disclose. There was no birdsong, no willow trees swelling with wind, no tinkle of cowbells, no windmill clanking to life, the spout drumming water into a galvanized tank. This was a feral land, its energies as raw and ravenous as a giant predator that ingested the naive and incautious, a place closer to hell than to heaven.
He longed for a firearm and a canteen sloshing with water and a tall-crown hat and a pair of boots and soft socks and a clean shirt. It was not a lot to ask. Death was bad only when it was degrading, when it caught you sick and alone and lying on sheets soiled with your smell, your fears assembling around you like specters in the darkness.
“You see those two strings of smoke up on that mountain?” he said to the horse. “I suspect those are cook fires built by your former owners. Or by banditos that got no use for gringos from Texas. That means we’re going to have to cross those mountains north of us, and other than the grass growing in this sand, there’s probably not a cupful of feed between here and the Rio Grande. You think you’re up to that?”
He rested his palms on his knees. “That’s what I thought,” he said. “So I guess the big question is: What are we going to do? The answer is: I got no idea.”
He stared at the water rippling across the tops of his feet. A great weariness seemed to seep through his body, not unlike a pernicious opiate that told him it was time to rest and not quarrel with his fate. But death was not supposed to come like this, he told himself again. His fingernails were rimmed with dirt, his belt taken from him by his captors, his toes blackened with blood where they had been systematically stomped. He looked up at the sky. “They’re already circling,” he said. “They’ll take me first, then they’ll get to you, poor horse, whether you’re breathing or not. I’m sorry it’s worked out this way. You didn’t do nothing wrong.”
The horse lifted his head, ears forward, skin wrinkling from a blowfly that had lit on his rump.
“What is it?” Hackberry said.
Then he turned his face to a breeze blowing down a slope not more than a hundred yards away. No, it wasn’t simply a breeze. It smelled of mist and trees, perhaps pines, and thunderheads forming a lid above canyon walls. It smelled of cave air and fresh water and flowers that bloomed only at night; it smelled of paradise in a mountain desert. “You reckon we found Valhalla? It’s either that or I’m losing my mind, because I hear music. You think you can make the climb up there, old pal?”
This time Hackberry didn’t wait for a response. He picked up the horse’s reins and led him up the embankment on the far side of the riverbed, convinced that his deliverance was at hand.
HE WORKED THE horse up the incline through the entrance of the canyon and followed a trail around a bend scattered with fallen stone. A paintless one-story Victorian house, with a wide veranda and cupolas on the corners and fruit trees and two cisterns in back, was perched on a grassy bench with the voice of Enrico Caruso coming from a gramophone inside. The incongruity of the scene did not end there. A hearse, outfitted with brass carriage lamps and scrolled with paintings of white and green lilies and drawn by four white horses, was parked in front. There were red sores the size of quarters under the animals’ harnesses.
At least a dozen horses were tethered to a rail, and others were picketed in the side yard. Some of the horses wore United States Army saddles. Beer and tequila bottles had been broken on the rocks along the trail that led to the yard. Just as the wind picked up, Hackberry’s horse spooked sideways, walleyed, pitching his head against the reins.
“It’s all right, boy,” Hackberry said. “We’ve probably ridden into a straddle house, although I must admit that hearse is a little out of the ordinary.”
The horse’s nostrils were dilated, ears back. Hackberry dismounted and walked him up the grade, trying to see inside the hearse. Someone had restarted the recording. He could see no one through the windows. Directly above, the clouds had turned a shade of yellow that was almost sulfurous. The wind was cooler and blowing harder, creating a sound in the trees like water rushing through a riverbed. He seemed to have wandered into a magical place that had nothing to do with its surroundings. But he knew, just as the horse did, that sentiments of this kind about Mexico had no credibility and served no purpose. The campesinos were kept poor and uneducated; the police were corrupt; and the aristocracy was possessed of the same arrogance and cruelty that had given the world the Inquisition. Anyone who believed otherwise invited the black arts of both the savage and the imperialist into his life.
He gave up on the hearse. The trees in the rear of the house had thick, dark green, waxy leaves and were shadowed by the canyon’s walls. But something was wrong with the image, something that didn’t fit with the ambiance that Gauguin would have tried to catch with his oils. Hackberry closed and opened and wiped his eyes to make sure his hunger and dysentery had not impaired his vision or released images that he kept walled away in his mind. No, there was no mistaking what had transpired in the canyon lidded by yellow clouds that seemed to billow like thick curds from a chemical factory. Four black men in army uniforms, two of them with their trousers pulled to their ankles, all of them in their socks, their hands bound behind them, had been hanged from the tree limbs, each dying on a separate tree, as though someone had used their death as part of an ornamental display.
Hackberry turned the horse in a circle and began leading it back down the slope.
“Hey, hombre! ¿A dónde vas?” a man’s voice said.
A Mexican soldier in a khaki uniform had stepped out on the porch. He was thin and sun-browned and wore a stiff cap with a black bill and a gun belt he had cinched tightly into the flaps of his jacket. He had a narrow face and pits in his skin and teeth that were long and wide-set and the color of decayed wood. “You look like a gringo, man,” the soldier said. “¿No hablas español?”
Hackberry gazed idly around the yard. “I cain’t even habla inglés,” he said. “At least not too good.”
“You are a funny man.”
“Not really.” Hackberry paused and squinted innocuously at the sky. “What is this place?”
“You don’t know a casa de citas when you see one? How do you like what has been hung in the trees back there?”
“I mind my own business and don’t study on other people’s grief.”
“You know you got a Mexican brand on your horse?”
“I found him out in the desert. If you know the owner, maybe I can give him back. Can you tell me where I am?”
“You want to know where you are? You are in a big pile of shit.”
“I don’t know why. I don’t see myself as much of a threat to nobody.”
“I saw you looking at the hearse. You bothered by corpses, man?”
“Coffins and the like make me uneasy.”
“You’re a big liar, man.”
“Those are hurtful words, unkind and unfair, particularly to a man in my circumstances. I’d feel better if you would put that gun back in its holster.”
“You want to hold my gun, man?”
“No, cain’t say as I do.”
“Maybe I’ll give you the chance. Maybe you might beg to hold my gun. You get what I’m saying, gringo?” The officer’s mouth had become lascivious.
Hackberry stared at the figures suspended in the trees up the slope, at the way the limbs creaked and the figures swayed like shadows when the wind gusted. “What’d those colored soldiers do?”
“What did they do? They cried like children. What you think, man? What would you do?”
“Probably the same. Tell you what. I cain’t pay for food, but I’ll chop wood for it. I’d like to feed my horse, too. Then I’d like to be on my way and forget anything I saw here.”
The Mexican officer took a toothpick from his shirt pocket and put it in his mouth. His hair was black and thick and shiny and bunched out from under his hat. “Some Texas Rangers attacked one of our trains and killed a lot of our people. You heard about that?”
Hackberry glanced up at the clouds that were roiling like smoke. He rubbed the back of his neck as though he had a crick in it, his pale blue eyes empty. “What would provoke them to do such a thing?”
“I’d tell you to ask them. But they’re all dead. Except one. He got away. A tall man. Like you.”
“I still cain’t figure why you hung those colored soldiers. Y’all don’t let them use your cathouses?”
“You ever seen dead people tied on car fenders? Tied on like deer full of holes? Americans did that in the village I come from. I saw it, gringo.” The Mexican soldier drew down the skin below his right eye to emphasize the authenticity of his statement.
“Never heard of that one.”
“You’re a tall gringo, even without boots. If we hang you up, you’re gonna barely touch the ground. You’re gonna take a long time dying.”
“I guess that’s my bad luck. Before you do that to me, maybe you can he’p me out on something. Those soldiers back there were members of the Tenth or Eleventh Cavalry. There’s a white captain with the Tenth I’ve been looking for. You seen a young captain, not quite as tall as me, but with the same features?”
The Mexican removed the toothpick from his mouth and shook it playfully at Hackberry. “You’re lots of fun, man. But now we’re going inside and meet General Lupa. Don’t talk shit to him. This is one guy you never talk shit to, you hear me?”
“You’re saying he’s not quite mature, even though he’s a general in your army?”
“That’s one way to put it, if you want to get your head blown off. The Texas Rangers I was talking about? They killed his son when they attacked the train.”
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Description du livre 2015. Paperback. État : New. Paperback. From its opening scene in revolutionary Mexico to the Battle of the Marne in 1918, and on to the bordellos and saloons of San Antonio during the reign of the Hole in the Wall Gang, House o.Shipping may be from multiple locations in the US or from the UK, depending on stock availability. 448 pages. 0.596. N° de réf. du libraire 9781409163459
Description du livre 2015. Paperback. État : New. Paperback. From its opening scene in revolutionary Mexico to the Battle of the Marne in 1918, and on to the bordellos and saloons of San Antonio during the reign of the Hole in the Wall .Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. 448 pages. 0.596. N° de réf. du libraire 9781409163459
Description du livre Orion (an Imprint of The Orion. Paperback. État : New. N° de réf. du libraire P111409163458