Music and Institutions in Nineteenth-Century Britain (Music in Nineteenth-Century Britain)

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9781409405832: Music and Institutions in Nineteenth-Century Britain (Music in Nineteenth-Century Britain)

In nineteenth-century British society music and musicians were organized as they had never been before. This organization was manifested, in part, by the introduction of music into powerful institutions, both out of belief in music's inherently beneficial properties, and also to promote music occupations and professions in society at large. This book provides a representative and varied sample of the interactions between music and organizations in various locations in the nineteenth-century British Empire, exploring not only how and why music was institutionalized, but also how and why institutions became 'musicalized'. Individual essays explore amateur societies that promoted music-making; institutions that played host to music-making groups, both amateur and professional; music in diverse educational institutions; and the relationships between music and what might be referred to as the 'institutions of state'. Through all of the essays runs the theme of the various ways in which institutions of varying formality and rigidity interacted with music and musicians, and the mutual benefit and exploitation that resulted from that interaction.

Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.

About the Author :

Paul Rodmell is a Senior Lecturer at the University of Birmingham, UK. He is the author of Charles Villiers Stanford (Ashgate, 2002) and has also written on music-making in nineteenth-century Dublin and opera in late-Victorian Britain.

About the Author :

Paul Rodmell, University of Birmingham, UK

Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.

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Paul Rodmell, Bennett Zon
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ISBN 10 : 1409405834 ISBN 13 : 9781409405832
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Description du livre Ashgate Publishing Group. Hardback. État : new. BRAND NEW PRINT ON DEMAND., Music and Institutions in Nineteenth-Century Britain (New edition), Paul Rodmell, Bennett Zon, In nineteenth-century British society music and musicians were organized as they had never been before. This organization was manifested, in part, by the introduction of music into powerful institutions, both out of belief in music's inherently beneficial properties, and also to promote music occupations and professions in society at large. This book provides a representative and varied sample of the interactions between music and organizations in various locations in the nineteenth-century British Empire, exploring not only how and why music was institutionalized, but also how and why institutions became 'musicalized'. Individual essays explore amateur societies that promoted music-making; institutions that played host to music-making groups, both amateur and professional; music in diverse educational institutions; and the relationships between music and what might be referred to as the 'institutions of state'. Through all of the essays runs the theme of the various ways in which institutions of varying formality and rigidity interacted with music and musicians, and the mutual benefit and exploitation that resulted from that interaction. N° de réf. du libraire B9781409405832

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Rodmell, Paul
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Description du livre Taylor Francis Ltd, United Kingdom, 2012. Hardback. État : New. Language: English . Brand New Book. In nineteenth-century British society music and musicians were organized as they had never been before. This organization was manifested, in part, by the introduction of music into powerful institutions, both out of belief in music s inherently beneficial properties, and also to promote music occupations and professions in society at large. This book provides a representative and varied sample of the interactions between music and organizations in various locations in the nineteenth-century British Empire, exploring not only how and why music was institutionalized, but also how and why institutions became musicalized . Individual essays explore amateur societies that promoted music-making; institutions that played host to music-making groups, both amateur and professional; music in diverse educational institutions; and the relationships between music and what might be referred to as the institutions of state . Through all of the essays runs the theme of the various ways in which institutions of varying formality and rigidity interacted with music and musicians, and the mutual benefit and exploitation that resulted from that interaction. N° de réf. du libraire AAS9781409405832

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Edité par Taylor Francis Ltd, United Kingdom (2012)
ISBN 10 : 1409405834 ISBN 13 : 9781409405832
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Description du livre Taylor Francis Ltd, United Kingdom, 2012. Hardback. État : New. Language: English . Brand New Book. In nineteenth-century British society music and musicians were organized as they had never been before. This organization was manifested, in part, by the introduction of music into powerful institutions, both out of belief in music s inherently beneficial properties, and also to promote music occupations and professions in society at large. This book provides a representative and varied sample of the interactions between music and organizations in various locations in the nineteenth-century British Empire, exploring not only how and why music was institutionalized, but also how and why institutions became musicalized . Individual essays explore amateur societies that promoted music-making; institutions that played host to music-making groups, both amateur and professional; music in diverse educational institutions; and the relationships between music and what might be referred to as the institutions of state . Through all of the essays runs the theme of the various ways in which institutions of varying formality and rigidity interacted with music and musicians, and the mutual benefit and exploitation that resulted from that interaction. N° de réf. du libraire AAS9781409405832

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RODMELL, PAUL
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Description du livre Routledge, 2012. Hardback. État : NEW. 9781409405832 This listing is a new book, a title currently in-print which we order directly and immediately from the publisher. N° de réf. du libraire HTANDREE01014069

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Description du livre Taylor Francis Ltd, United Kingdom, 2012. Hardback. État : New. Language: English . This book usually ship within 10-15 business days and we will endeavor to dispatch orders quicker than this where possible. Brand New Book. In nineteenth-century British society music and musicians were organized as they had never been before. This organization was manifested, in part, by the introduction of music into powerful institutions, both out of belief in music s inherently beneficial properties, and also to promote music occupations and professions in society at large. This book provides a representative and varied sample of the interactions between music and organizations in various locations in the nineteenth-century British Empire, exploring not only how and why music was institutionalized, but also how and why institutions became musicalized . Individual essays explore amateur societies that promoted music-making; institutions that played host to music-making groups, both amateur and professional; music in diverse educational institutions; and the relationships between music and what might be referred to as the institutions of state . Through all of the essays runs the theme of the various ways in which institutions of varying formality and rigidity interacted with music and musicians, and the mutual benefit and exploitation that resulted from that interaction. N° de réf. du libraire BTE9781409405832

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Rodmell, Paul (Editor)
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ISBN 10 : 1409405834 ISBN 13 : 9781409405832
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Description du livre Ashgate Pub Co, 2012. Hardcover. État : Brand New. new edition edition. 289 pages. 9.49x6.50x0.98 inches. In Stock. N° de réf. du libraire __1409405834

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