Revue de presse :
“If there's one thing Krys Lee knows how to do it's use history and culture as the boards and backdrop of a narrative while allowing her characters to take centre-stage. . . . The two finest stories in the collection, ‘Drifting House’ and ‘The Believer,’ achieve extraordinary feats within a few pages— murder, madness, haunting, loss of faith and more.”—The Guardian (London)
“In nine haunting tales, this Korean-born author . . . writes of the psychological fallout from Korea's troubled history and the toll on families living in a fractured world. . . . The metaphor of the drifting house serves as an apt, unifying roof over these harrowing, tragic stories about unmoored characters who find themselves neither here nor there. Lee . . . is well on her way to a promising literary career.”—NPR.org
“When reading the stories of debut author Krys Lee's Drifting House, the simplicity and restraint of the writer come to the fore: declarative sentences, no fulsome descriptions despite the exotic locales of some of her stories. It is in this quiet confidence that the true strangeness and beauty of the work can emerge. . . . It is the cool telling that allows the tectonic plates of history, social forces and circumstances to move beneath these stories, conveying the feeling that something urgent and profound is at stake, beyond the lives of these striving, damaged and unforgettable characters.”—Marie Myung-Ok Lee, The San Francisco Chronicle
“This powerful debut collection takes an unflinching look at the reality of life in Korea. . . . Lee plumbs the darkness on both sides of this divided nation. . . . Hers is a unique approach. . . . By showing these authentic, everyday people at dramatic and pivotal moments, Krys Lee strips them to the core of their humanity. Her vision is a solemn one, but an important one too.”—The Financial Times
“Krys Lee . . . is already a precise stylist and an unflinching observer of the unfortunate lot of her compatriots, those who stay [in Korea] and those who make it to the States. . . . In the best stories, like the tragic yet luminous ‘A Small Sorrow,’ the story of a flawed marriage and an artistic rivalry, Lee's psychological acuity is empathetic under its unsentimental portraiture.”—The Minneapolis Star Tribune
“Drifting House has shades of Jhumpa Lahiri’s Unaccustomed Earth in its rendering of split cultural identities. But even more, it recalls Alice Munro’s Too Much Happiness, holding beauty and brutality in an elegant equipoise. . . . In her textured, knowing and brilliant debut, Lee tells hard truths, tenderly.”—The Kansas City Star
“Insightful. . . . A keen observation of the layers of Korean society the past few generations, and of the dualities that have shaped the peninsula and its people. . . . The collection is at its best in exploring the duality of past and future, of memory and hope. And it is often at its best. . . . A part tragic and part nostalgic perspective of modern Korea.”—The Pittsburgh Post-Gazette
“Drifting House offers a rare look at how damaging politics takes a personal turn, undermining even what we are able to call home. . . . The greatest strength of these nine stories is Lee’s ability to locate them in the strange and brutal dimensions of lives distorted by dictatorship, exile, expatriation, and even hunger. Her stories also slide through the quiet violence of divorce, loneliness, parenthood, and erotic attraction. . . . Lee is a patient storyteller with a distanced, mostly omniscient point of view. Such a sweeping, plain-style narration is essential for lacing together a collection that unfolds in three countries. The even tone lifts these stories out of melodrama and turns them instead into pristine things that are as unsparing as they are compassionate.”—The Daily Beast
“If you are a short story lover, a reader who isn't afraid of true things, a person who knows every other person around them hides multitudes of both light and dark secrets, read Drifting House.”—The Seattle Post Intelligencer
“However dark their fates might be, Lee blesses her characters with passions forged from the flames of suffering. The survivors of Drifting House are those who dare to find their salvation in small moments of beauty and connection, who have endured great losses, but pick themselves up and keep moving forward. . . . Drifting House reminds us of the illumination that comes from recognizing the shakiness of the ground under our feet. We tell ourselves that we are in control of our stories, but we never are. Lee’s survivors know the truth: Control isn’t possible. Once we accept that, we take our first, small steps toward grace.”—Heather Havrilesky, The Los Angeles Review of Books
Présentation de l'éditeur :
An unflinching portrayal of the Korean immigrant experience from an extraordinary new talent in fiction.
Spanning Korea and the United States, from the postwar era to contemporary times, Krys Lee's stunning fiction debut, Drifting House, illuminates a people torn between the traumas of their collective past and the indignities and sorrows of their present.
In the title story, children escaping famine in North Korea are forced to make unthinkable sacrifices to survive. The tales set in America reveal the immigrants' unmoored existence, playing out in cramped apartments and Koreatown strip malls. A makeshift family is fractured when a shaman from the old country moves in next door. An abandoned wife enters into a fake marriage in order to find her kidnapped daughter.
In the tradition of Chang-rae Lee's Native Speaker and Jhumpa Lahiri's Interpreter of Maladies, Drifting House is an unforgettable work by a gifted new writer.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.