Listening to Noise and Silence: Towards a Philosophy of Sound Art

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9781441162076: Listening to Noise and Silence: Towards a Philosophy of Sound Art


Listening to Noise and Silence engages with the emerging practice of sound art and the concurrent development of a discourse and theory of sound. In this original and challenging work, Salomé Voegelin immerses the reader in concepts of listening to sound artwork and the everyday acoustic environment, establishing an aesthetics and philosophy of sound and promoting the notion of a sonic sensibility.

A multitude of sound works are discussed, by lesser known contemporary artists and composers (for example Curgenven, Gasson and Federer), historical figures in the field (Artaud, Feldman and Cage), and that of contemporary canonic artists such as Janet Cardiff, Bill Fontana, Bernard Parmegiani, and Merzbow.

Informed by the ideas of Adorno, Merleau-Ponty and others, the book aims to come to a critique of sound art from its soundings rather than in relation to abstracted themes and pre-existing categories. Listening to Noise and Silence broadens the discussion surrounding sound art and opens up the field for others to follow.

Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.

About the Author :

Salomé Voegelin is a Reader in Sound Arts at the London College of Communication, UAL. An artist and writer, she is the author of Listening to Noise and Silence.

Review :

"The examples under discussion range from by-now canonical soundworks...to recent works by a clutch of lesser known artists...Voegelin's critical style is so singular that she avoids cliche in the treatment of all these artists, prising them out of a conversation about music and into a challenging treatise on the art of listening." - The Wire

"The book's arguments are complex and developed with rigour, making a perceptive contribution to an emerging debate. In its favour, the work consistently forces the listener off-track to think critically about just what it is that makes listening so powerful and so elusive."
-Will Montgomery, The Wire, August 2010

Reviewed in the London Review of Books 23 September (UK)

'Listening to Noise and Silence will beof interest to a great many people following breakthrough trends within art andphilosophy.' - Art Monthly

'Listening to Noise and Silence will be of interest to a great many people following breakthrough trends in art and philosophy.' (Art Monthly)

Listening to Noise and Silence will be of interest to a great many people following breakthrough trends in art and philosophy.’ (Sanford Lakoff)

Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.

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Description du livre Continuum Publishing Corporation, United States, 2010. Paperback. État : New. Language: English . Brand New Book. This is a fresh, bold study of the emerging field of Sound Art, informed by the ideas of Adorno, Merleau Ponty and others. Listening to Noise and Silence engages with the emerging practice of sound art and the concurrent development of a discourse and theory of sound. In this original and challenging work, Salome Voegelin immerses the reader in concepts of listening to sound artwork and the everyday acoustic environment, establishing an aesthetics and philosophy of sound and promoting the notion of a sonic sensibility. A multitude of sound works are discussed, by lesser known contemporary artists and composers (for example Curgenven, Gasson and Federer), historical figures in the field (Artaud, Feldman and Cage), and that of contemporary canonic artists such as Janet Cardiff, Bill Fontana, Bernard Parmegiani, and Merzbow. Informed by the ideas of Adorno, Merleau-Ponty and others, the book aims to come to a critique of sound art from its soundings rather than in relation to abstracted themes and pre-existing categories. Listening to Noise and Silence broadens the discussion surrounding sound art and opens up the field for others to follow. N° de réf. du libraire AAU9781441162076

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Description du livre Continuum Publishing Corporation, United States, 2010. Paperback. État : New. Language: English . Brand New Book. This is a fresh, bold study of the emerging field of Sound Art, informed by the ideas of Adorno, Merleau Ponty and others. Listening to Noise and Silence engages with the emerging practice of sound art and the concurrent development of a discourse and theory of sound. In this original and challenging work, Salome Voegelin immerses the reader in concepts of listening to sound artwork and the everyday acoustic environment, establishing an aesthetics and philosophy of sound and promoting the notion of a sonic sensibility. A multitude of sound works are discussed, by lesser known contemporary artists and composers (for example Curgenven, Gasson and Federer), historical figures in the field (Artaud, Feldman and Cage), and that of contemporary canonic artists such as Janet Cardiff, Bill Fontana, Bernard Parmegiani, and Merzbow. Informed by the ideas of Adorno, Merleau-Ponty and others, the book aims to come to a critique of sound art from its soundings rather than in relation to abstracted themes and pre-existing categories. Listening to Noise and Silence broadens the discussion surrounding sound art and opens up the field for others to follow. N° de réf. du libraire AAU9781441162076

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Description du livre Continuum Publishing Corporation. Paperback. État : new. BRAND NEW, Listening to Noise and Silence: Toward a Philosophy of Sound Art, Salome Voegelin, This is a fresh, bold study of the emerging field of Sound Art, informed by the ideas of Adorno, Merleau Ponty and others. "Listening to Noise and Silence" engages with the emerging practice of sound art and the concurrent development of a discourse and theory of sound. In this original and challenging work, Salome Voegelin immerses the reader in concepts of listening to sound artwork and the everyday acoustic environment, establishing an aesthetics and philosophy of sound and promoting the notion of a sonic sensibility. A multitude of sound works are discussed, by lesser known contemporary artists and composers (for example Curgenven, Gasson and Federer), historical figures in the field (Artaud, Feldman and Cage), and that of contemporary canonic artists such as Janet Cardiff, Bill Fontana, Bernard Parmegiani, and Merzbow. Informed by the ideas of Adorno, Merleau-Ponty and others, the book aims to come to a critique of sound art from its soundings rather than in relation to abstracted themes and pre-existing categories. "Listening to Noise and Silence" broadens the discussion surrounding sound art and opens up the field for others to follow. N° de réf. du libraire B9781441162076

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Description du livre Continuum, 2010. État : New. 2010. 1st Edition. Paperback. A study of the field of Sound Art, informed by the ideas of Adorno, Merleau Ponty and others. It engages with the practice of sound art and the concurrent development of a discourse and theory of sound. It establishes an aesthetics and philosophy of sound and promotes the notion of a sonic sensibility. Num Pages: 250 pages, black & white illustrations. BIC Classification: AVA; HPN. Category: (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 230 x 155 x 17. Weight in Grams: 398. . . . . . . N° de réf. du libraire V9781441162076

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Description du livre Continuum. État : New. 2010. 1st Edition. Paperback. A study of the field of Sound Art, informed by the ideas of Adorno, Merleau Ponty and others. It engages with the practice of sound art and the concurrent development of a discourse and theory of sound. It establishes an aesthetics and philosophy of sound and promotes the notion of a sonic sensibility. Num Pages: 250 pages, black & white illustrations. BIC Classification: AVA; HPN. Category: (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 230 x 155 x 17. Weight in Grams: 398. . . . . . Books ship from the US and Ireland. N° de réf. du libraire V9781441162076

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