Great Black Spider on Its Knock-Kneed Tripod: Reflections on Cinema in Early Twentieth-Century Italy

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9781442644014: Great Black Spider on Its Knock-Kneed Tripod: Reflections on Cinema in Early Twentieth-Century Italy

Book by Syrimis Michael

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Présentation de l'éditeur :

The emergence of cinema as a predominant form of mass entertainment in the 1910s inspired intellectuals to rethink their definitions of art. The Great Black Spider on Its Knock-Kneed Tripod traces the encounter of Italy's writers with cinema, and in doing so offers vibrant new perspectives on the country's early twentieth-century culture. This comparative study focuses on the immediate responses to this cultural phenomenon of three highly influential intellectuals, each with a competing aesthetic vision -- Filippo Tommaso Marinetti, founder of Futurism; Gabriele D'Annunzio, leader of Italian Decadentism; and Luigi Pirandello, a father of modern European theatre and theorist of humour. Along with demonstrating how the popularization of the feature-length narrative influenced each author's outlook and theories, Michael Syrimis unravels the extent to which cinema enforced or neutralized the ideological and aesthetic differences between them.

Biographie de l'auteur :

Michael Syrimis is an assistant professor in the Department of French and Italian at Tulane University.

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Michael Syrimis
Edité par University of Toronto Press, Canada (2012)
ISBN 10 : 144264401X ISBN 13 : 9781442644014
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Description du livre University of Toronto Press, Canada, 2012. Hardback. État : New. 231 x 155 mm. Language: English . Brand New Book. The emergence of cinema as a predominant form of mass entertainment in the 1910s inspired intellectuals to rethink their definitions of art. The Great Black Spider on Its Knock-Kneed Tripod traces the encounter of Italy s writers with cinema, and in doing so offers vibrant new perspectives on the country s early twentieth-century culture. This comparative study focuses on the immediate responses to this cultural phenomenon of three highly influential intellectuals, each with a competing aesthetic vision - Filippo Tommaso Marinetti, founder of Futurism; Gabriele D Annunzio, leader of Italian Decadentism; and Luigi Pirandello, a father of modern European theatre and theorist of humour. Along with demonstrating how the popularization of the feature-length narrative influenced each author s outlook and theories, Michael Syrimis unravels the extent to which cinema enforced or neutralized the ideological and aesthetic differences between them. N° de réf. du libraire AAR9781442644014

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Michael Syrimis
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ISBN 10 : 144264401X ISBN 13 : 9781442644014
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Description du livre University of Toronto Press. Hardback. État : new. BRAND NEW, The Great Black Spider on its Knock-Kneed Tripod: Reflections of Cinema in Early Twentieth-Century Italy, Michael Syrimis, The emergence of cinema as a predominant form of mass entertainment in the 1910s inspired intellectuals to rethink their definitions of art. The Great Black Spider on Its Knock-Kneed Tripod traces the encounter of Italy's writers with cinema, and in doing so offers vibrant new perspectives on the country's early twentieth-century culture. This comparative study focuses on the immediate responses to this cultural phenomenon of three highly influential intellectuals, each with a competing aesthetic vision - Filippo Tommaso Marinetti, founder of Futurism; Gabriele D'Annunzio, leader of Italian Decadentism; and Luigi Pirandello, a father of modern European theatre and theorist of humour. Along with demonstrating how the popularization of the feature-length narrative influenced each author's outlook and theories, Michael Syrimis unravels the extent to which cinema enforced or neutralized the ideological and aesthetic differences between them. N° de réf. du libraire B9781442644014

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Michael Syrimis
Edité par University of Toronto Press, Canada (2012)
ISBN 10 : 144264401X ISBN 13 : 9781442644014
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Description du livre University of Toronto Press, Canada, 2012. Hardback. État : New. 231 x 155 mm. Language: English . Brand New Book. The emergence of cinema as a predominant form of mass entertainment in the 1910s inspired intellectuals to rethink their definitions of art. The Great Black Spider on Its Knock-Kneed Tripod traces the encounter of Italy s writers with cinema, and in doing so offers vibrant new perspectives on the country s early twentieth-century culture. This comparative study focuses on the immediate responses to this cultural phenomenon of three highly influential intellectuals, each with a competing aesthetic vision - Filippo Tommaso Marinetti, founder of Futurism; Gabriele D Annunzio, leader of Italian Decadentism; and Luigi Pirandello, a father of modern European theatre and theorist of humour. Along with demonstrating how the popularization of the feature-length narrative influenced each author s outlook and theories, Michael Syrimis unravels the extent to which cinema enforced or neutralized the ideological and aesthetic differences between them. N° de réf. du libraire AAR9781442644014

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Description du livre État : New. Depending on your location, this item may ship from the US or UK. N° de réf. du libraire 97814426440140000000

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Syrimis, Michael
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Description du livre University of Toronto Press, Scholarly Publishing Division, 2012. Hardcover. État : New. book. N° de réf. du libraire 144264401X

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Syrimis, Michael
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Description du livre Univ of Toronto Pr, 2010. Hardcover. État : Brand New. 384 pages. 9.00x6.00x1.00 inches. In Stock. N° de réf. du libraire __144264401X

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Syrimis Michael
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Description du livre Guidance Centre, University of Toronto, Faculty of Education. État : New. pp. 376. N° de réf. du libraire 5453438

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