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Dark Hollow: Private Investigator Charlie Parker hunts evil in the second novel in the globally bestselling series - Couverture souple

 
9781444704693: Dark Hollow: Private Investigator Charlie Parker hunts evil in the second novel in the globally bestselling series
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Dark Hollow The terrifying thriller from the acclaimed and bestselling author of Every Dead Thing Full description

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Dark Hollow CHAPTER

I


Billy Purdue’s knife bit deeper into my cheek, sending a trickle of blood down my face. His body was pressed hard against mine, his elbows pinning my arms to the wall, his legs tensed against mine so I couldn’t go for his groin. His fingers tightened on my neck and I thought:

Billy Purdue. I should have known better . . .

BILLY PURDUE WAS POOR; poor and dangerous with some bitterness and frustration added to spice up the pot. The threat of violence was always imminent with him. It hung around him like a cloud, obscuring his judgment and influencing the actions of others, so that when he stepped into a bar and took a drink, or picked up a pool cue for a game, trouble would inevitably start. Billy Purdue didn’t have to pick fights. Fights picked him.

It acted like a contagion, so that even if Billy himself managed to avoid conflict—he generally didn’t seek it, but when he found it he rarely walked away—five would get you ten that he would have raised the testosterone level in the bar sufficiently to cause someone else to consider starting something. Billy Purdue could have provoked a fight at a conclave of cardinals just by looking into the room. Whatever way you considered it, he was bad news.

So far, he hadn’t killed anybody and nobody had managed to kill him. The longer a situation like that goes on, the more the odds are stacked in favor of a bad end, and Billy Purdue was a bad beginning looking for a worse end. I’d heard people describe him as an accident waiting to happen, but he was more than that. He was a constantly evolving disaster, like the long, slow death of a star. His was an ongoing descent into the maelstrom.

I didn’t know a whole lot about Billy Purdue’s past, not then. I knew that he’d always been in trouble with the law. He had a rap sheet that read like a catalog entry for minor crimes, from disrupting school and petty larceny to DWD, receiving stolen goods, assault, trespassing, disorderly conduct, nonpayment of child support . . . The list went on and on; sometimes, it seemed like half the cops in Maine must have cuffed Billy at some point. He was an adopted child and had been through a succession of foster homes in his youth, each one keeping him for only as long as it took the foster parents to realize that Billy was more trouble than the money from social services was worth. That’s the way some foster parents are: they treat the kids like a cash crop, like livestock or chickens, until they realize that if a chicken acts up you can cut its head off and eat it for Sunday dinner, but the options are more limited in the case of a delinquent child. There was evidence of neglect by many of Billy Purdue’s foster parents, and suspicion of serious physical abuse in at least two cases.

Billy had at last found some kind of home with an old guy and his wife up in the north of the state, a couple that specialized in tough love. The guy had been through about twenty foster kids by the time Billy arrived and, when he got to know Billy a little, maybe he figured that this was one more too many. But he’d tried to straighten Billy out and, for a time, Billy was happy, or as happy as he could ever be. Then he started to drift a little. He moved to Boston and fell in with Tony Celli’s crew, until he stepped on the wrong toes and got parceled back to Maine again, where he met Rita Ferris, seven years his junior, and they married. They had a son together, but Billy was always the real child in the relationship.

He was now thirty-two and built like a bull, the muscles on his arms like huge hams, his hands thick and broad, the fingers almost swollen in their muscularity. He had small pig eyes and uneven teeth, and his breath smelled of malt liquor and sourdough bread. There was dirt under his nails and a raised rash on his neck, the heads white, where he had shaved himself with an old, worn blade.

I was given the opportunity to observe Billy Purdue from close quarters after I failed to put an armlock on him and he pushed me hard against the wall of his silver Airstream trailer, a run-down thirty-footer out by the Scarborough Downs racetrack, that stank of unwashed clothes, rotting food, and stale seed. One of his hands was clasped hard around my neck as he forced me upward, my toes barely touching the floor. The other held the short-bladed knife an inch beneath my left eye. I could feel the blood dripping from my chin.

The armlock probably hadn’t been a good idea. In fact, on the scale of good ideas, it ranked somewhere between voting for Pat Buchanan and invading Russia in the winter. I would have had a better chance of successfully armlocking the trailer itself; even with all of my strength pulling on it, Billy Purdue’s arm had stayed as rigid and immobile as the statue of the poet in Longfellow Square. While my mind was registering just how bad an idea it had been to go for the lock, Billy had pulled me forward and slapped me hard across the head, open palmed, with his enormous right hand, then pushed me up against the side wall of the trailer, his huge forearms holding my arms in place. My head was still ringing from the blow and my ear ached. I thought my eardrum had burst but then the pressure on my neck started to increase and I realized that I might not have to worry about my eardrum for much longer.

The knife twisted in his hand and I felt a fresh burst of pain. The blood was running freely now, dripping from my chin onto the collar of my white shirt. Billy’s face was almost purple with rage and he was breathing heavily through clenched teeth, spittle erupting as he wheezed out.

He was completely focused on squeezing the life from me as I moved my right hand inside my jacket and felt the cool grip of the Smith & Wesson. I thought I was about to black out when I managed to wrench it free and move my arm enough to stick the muzzle into the soft flesh beneath Billy’s jaw. The red light in his eyes flared briefly and then began to fade. The pressure on my neck eased, the knife slid out of the wound, and I slumped to the floor. My throat ached as I pulled shallow, rattling breaths into my starved lungs. I kept the gun on Billy but he had turned away. Now that his tide of rage had begun to ebb, he seemed unconcerned about the gun, and about me. He took a cigarette from a pack of Marlboros, lit up, then offered the pack to me. I shook my head in refusal until the pain in my ear started raging again. I decided to stop shaking my head.

“Why’d you put the lock on me?” asked Billy in an aggrieved tone. He looked at me and there was genuine hurt in his eyes. “You shouldn’t have put the lock on me.”

The guy was certainly a character. I drew some more breaths, deeper now, and spoke. My voice sounded hoarse and my throat felt as if someone had rubbed grit into it. If Billy had been less of a child, I might have used the butt of the gun on him.

“You said you were going to get a baseball bat and beat the living shit out of me, as I recall,” I said.

“Hey, you were being rude,” he said and the red light seemed to glow again for a brief moment. I still had the gun pointed at him and he still didn’t seem concerned. I wondered if he knew something about the gun that I didn’t. Maybe the stench in the trailer was rotting the bullets as we spoke.

Rude. I was about to shake my head again when I remembered my ear and decided that it might be better, all things considered, to keep my head steady. I had come to visit Billy Purdue as a favor to Rita, now his ex-wife, who lived in a small apartment over on Locust Street in Portland with her two-year-old son, Donald. Rita had been granted her divorce six months before and since then Billy hadn’t paid over a nickel of child support. I knew Rita’s family when I was growing up in Scarborough. Her father had died in a botched bank raid in Bangor in ’83 and her mother had struggled and failed to keep her family together. One brother was in jail, another was on the run from drug charges, and Rita’s elder sister was living in New York and had cut off all contact with her siblings.

Rita was slim and pretty and blonde but already the raw deal life had dealt her was taking its toll on her looks. Billy Purdue had never hit her or physically abused her, but he was prone to black rages and had destroyed the two apartments in which they had lived during their marriage, setting fire to one after a three-day binge in South Portland. Rita had woken up just in time to get her then one-year-old son out, before hauling Billy’s unconscious body from the apartment and setting off the alarm to evacuate the rest of the building. She filed for divorce the next day.

Now Billy skulked in his bullet-shaped trailer and lived a life that was on nodding terms with poverty. During the winter he did some lumber work, cutting Christmas trees or heading farther north to the timber company forests. The rest of the time he did what he could, which wasn’t a lot. His trailer stood on a patch of land owned by Ronald Straydeer, a Penobscot Indian from Old Town who had settled in Scarborough after returning from Vietnam. Ronald was part of the K-9 corps during the war, leading army patrols down jungle trails with his German shepherd dog Elsa by his side. The dog could smell Vietcong on the wind, Ronald once told me, even found freshwater once when a platoon ran dangerously low. When the Americans pulled out, Elsa was left behind as “surplus equipment” for the South Vietnamese army. Ronald had a picture of her in his wallet, tongue lolling, a pair of dog tags hanging from her collar. He figured the Vietnamese ate her as soon as the Americans left, and he never got himself another dog. Eventually, he got Billy Purdue instead.

Billy knew his ex-wife wanted to move to the West Coast and start a new life and that she needed the money Billy owed her to do that. Billy didn’t want her to go. He still believed that he could salvage their relationship, and a divorce and an order preventing him from going within one hundred feet of his ex-wife hadn’t altered this belief.

It was about the time that I told Billy Purdue that she wasn’t coming back to him and that he had a legal obligation to pay her the money she was owed that Billy had gone for the baseball bat and things had fallen apart.

“I love her,” he said, puffing on his cigarette and sending twin columns of smoke shooting from his nostrils like the exhalations of a particularly mean-tempered bull. “Who’s gonna look out for her in San Francisco?”

I struggled to my feet and wiped some of the blood from my cheek. The sleeve of my jacket came back damp and stained. It was lucky my jacket was black, although the fact that I considered that lucky said a lot about the kind of day I was having.

“Billy, how can she and Donald survive if you don’t pay her the money the judge told you to pay?” I replied. “How’s she going to get by without that? If you do care about her, then you have to pay her.”

He looked at me and then looked at his feet. His toe shifted on the filthy linoleum.

“Sorry I hurt you, man, but . . .” He reached behind his neck and scratched at his dark, unruly hair. “You gonna go to the cops?”

If I was going to the cops, I wouldn’t tell Billy Purdue. Billy’s regret was about as genuine as Exxon’s when the Valdez went down. Plus, if I went to the cops Billy would be locked up and Rita still wouldn’t get her money. But there was something in his tone when he asked about the cops, something that I should have picked up on but didn’t. His black T-shirt was soaked with sweat, and there was mud caked at the cuffs of his pants. He had so much adrenaline coursing through his system, he made ants look calm. I should have known that Billy wasn’t concerned about the cops because of some assault beef, or unpaid child support. Hindsight: it’s a wonderful thing.

“If you pay the cash, I’ll let it go,” I said.

He shrugged. “I ain’t got much. Ain’t got a thousand dollars.”

“Billy, you owe nearly two thousand dollars. I think you’re missing the point here.”

Or maybe he wasn’t. The trailer was a dump, he drove a Toyota with holes in the floor, and he made one hundred, maybe one-fifty, each week hauling junk and lumber. If he had two thousand dollars, he’d be someplace else. He’d also be somebody else, because Billy Purdue was never going to have two thousand dollars to his name.

“I got five hundred,” he said eventually, but there was something new in his eyes as he said it, a kind of low cunning.

“Give it to me,” I replied.

Billy didn’t move.

“Billy, if you don’t pay me the cops are going to come and lock you up until you do pay. If you’re locked up, you can’t make any cash to pay anyone and that looks like a vicious circle to me.”

He considered that for a time, then reached beneath the filthy sofa at the end of the trailer and produced a crumpled envelope. He turned his back to me and counted out five hundred-dollar bills, then replaced the envelope. He handed over the cash with a flourish, like a magician producing someone’s wristwatch after a particularly impressive conjuring trick. The bills were brand new, consecutively numbered. From the look of the envelope, they had left a lot of friends behind.

“You go to the cash machine over at Fleet Bank, Billy?” I asked. It seemed unlikely. The only way Billy Purdue would get money from a cash machine was by breaking it out of the wall with a bulldozer.

“You tell her something from me,” he said. “You tell her that maybe there’s more where this came from, understand? You tell her that maybe I ain’t such a loser no more. You hear me?” He smiled a knowing smile, the kind of smile someone really dumb shoots at you when he thinks he knows something that you don’t. I figured that if Billy Purdue knew it, then it wasn’t anything that should concern me. I was wrong.

“I hear you, Billy. Tell me you’re not still doing work for Tony Celli. Tell me that.”

His eyes retained that gleam of dim cunning, but the smile faltered a little. “I don’t know no Tony Celli.”

“Let me refresh your memory. Tall wiseguy out of Boston, calls himself Tony Clean. Started off running whores, now he wants to run the world. He’s into drugs, porn, shylocking, anything there’s a statute against, so his hopes of a good citizen award are currently so low they’re off the scale.” I paused. “You used to work for him, Billy. I’m asking if you still do.”

He twitched his head as if trying to dislodge water from his ears, then looked away. “Y’know, I did stuff, maybe, sometimes, y’know, for Tony. Sure, sure I did. It beat hauling junk. But I ain’t seen Tony in a long time. Long time.”

“You’d better be telling the truth, Billy, or else a lot of people are going to have some harsh words to say to you.”

He didn’t respond and I didn’t push it. As I took the bills from his hand he moved closer to me and I brought the gun up again. His face was an inch from mine, the muzzle of the gun against his chest.

“Why are you doing this?” he asked, and I could smell his breath and see the embers of that red glare flickering into life again. The smile was gone now. “She can’t afford no private dick.”

“It’s a favor,” I said. “I knew her family.”

I don’t think he even heard me.

“How’s she gonna pay you?” His head turned to one side as he considered his own question. Then: “You fucking her?”

I held his gaze. “No. Now back off.”

He stayed where he was, then scowled and moved slowly away.

“You better not be,” he said, as I backed out of the trailer and into the dark December nig...
Présentation de l'éditeur :

Charlie Parker returns in a gruesome new thriller, not to be missed for fans of Stephen King and Michael Connelly.

Still raw from the brutal slayings of his wife and daughter, and the events surrounding the capture of their killer, The Travelling Man, Charlie Parker retreats to the wintry Maine landscape of his childhood. By following in the steps of his beloved grandfather, Parker hopes to heal his spirit and get through the bitter anniversary of Jennifer and Susan's murder. But the echoes of the past that await him are not all benign. In a gruesome re-enactment of Parker's own nightmares, another young woman is killed with her child and his brief involvement in their lives impels Parker to hunt their vicious murderer. As the death toll mounts, Parker comes to realise that the true answer to the puzzle lies thirty years in the past, in a tree with strange fruit, in his own grandfather's history, and in the perverted desires of a monster incarnate - Caleb Kyle.

Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.

  • ÉditeurHodder Paperbacks
  • Date d'édition2000
  • ISBN 10 1444704699
  • ISBN 13 9781444704693
  • ReliureBroché
  • Nombre de pages416
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9781501122637: Dark Hollow: A Charlie Parker Thriller

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ISBN 10 :  1501122630 ISBN 13 :  9781501122637
Editeur : Emily Bestler Books, 2015
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  • 9780743203326: Dark Hollow

    Simon ..., 2001
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  • 9780743410229: Dark Hollow: A Charlie Parker Thriller

    Pocket..., 2002
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  • 9780340729007: Dark Hollow: A Charlie Parker Thriller: 2

    Hodder..., 2000
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  • 9781416595991: Dark Hollow

    Pocket..., 2009
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Description du livre Paperback. Etat : new. Paperback. Still raw from the brutal slayings of his wife and daughter, and the events surrounding the capture of their killer, The Travelling Man, Charlie Parker retreats to the wintry Maine landscape of his childhood. By following in the steps of his beloved grandfather, Parker hopes to heal his spirit and get through the bitter anniversary of Jennifer and Susan's murder. But the echoes of the past that await him are not all benign. In a gruesome re-enactment of Parker's own nightmares, another young woman is killed with her child and his brief involvement in their lives impels Parker to hunt their vicious murderer. As the death toll mounts, Parker comes to realise that the true answer to the puzzle lies thirty years in the past, in a tree with strange fruit, in his own grandfather's history, and in the perverted desires of a monster incarnate - Caleb Kyle. Unnerving. Unpredictable. Unforgettable: JOHN CONNOLLY IS THE MASTER OF THE SUPERNATURAL THRILLER.Join Charlie Parker as he returns to the dark side for another chilling case. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781444704693

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Description du livre Paperback. Etat : new. Paperback. Still raw from the brutal slayings of his wife and daughter, and the events surrounding the capture of their killer, The Travelling Man, Charlie Parker retreats to the wintry Maine landscape of his childhood. By following in the steps of his beloved grandfather, Parker hopes to heal his spirit and get through the bitter anniversary of Jennifer and Susan's murder. But the echoes of the past that await him are not all benign. In a gruesome re-enactment of Parker's own nightmares, another young woman is killed with her child and his brief involvement in their lives impels Parker to hunt their vicious murderer. As the death toll mounts, Parker comes to realise that the true answer to the puzzle lies thirty years in the past, in a tree with strange fruit, in his own grandfather's history, and in the perverted desires of a monster incarnate - Caleb Kyle. Unnerving. Unpredictable. Unforgettable: JOHN CONNOLLY IS THE MASTER OF THE SUPERNATURAL THRILLER.Join Charlie Parker as he returns to the dark side for another chilling case. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. N° de réf. du vendeur 9781444704693

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Description du livre Paperback. Etat : new. Paperback. Still raw from the brutal slayings of his wife and daughter, and the events surrounding the capture of their killer, The Travelling Man, Charlie Parker retreats to the wintry Maine landscape of his childhood. By following in the steps of his beloved grandfather, Parker hopes to heal his spirit and get through the bitter anniversary of Jennifer and Susan's murder. But the echoes of the past that await him are not all benign. In a gruesome re-enactment of Parker's own nightmares, another young woman is killed with her child and his brief involvement in their lives impels Parker to hunt their vicious murderer. As the death toll mounts, Parker comes to realise that the true answer to the puzzle lies thirty years in the past, in a tree with strange fruit, in his own grandfather's history, and in the perverted desires of a monster incarnate - Caleb Kyle. Unnerving. Unpredictable. Unforgettable: JOHN CONNOLLY IS THE MASTER OF THE SUPERNATURAL THRILLER.Join Charlie Parker as he returns to the dark side for another chilling case. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. N° de réf. du vendeur 9781444704693

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