Custer - Couverture rigide

McMurtry, Larry

Couverture rigide

ISBN 10 : 1451626207 ISBN 13 : 9781451626209

Editeur : Simon & Schuster, 2012

Synopsis

In this lavishly illustrated volume, Larry McMurtry, the greatest chronicler of the American West, tackles for the first time one of the paramount figures of Western and American history. On June 25, 1876, General George Armstrong Custer and his 7th Cavalry attacked a large Lakota Cheyenne village on the Little Bighorn River in Montana Territory. He lost not only the battle but his life--and the lives of his entire cavalry. "Custer's Last Stand" was a spectacular defeat that shocked the country and grew quickly into a legend that has reverberated in our national consciousness to this day. Pulitzer Prize winner Larry McMurtry has long been fascinated by the "Boy General" and his rightful place in history. In "Custer, "he delivers an expansive, agile, and clear-eyed reassessment of the iconic general's life and legacy--how the legend was born, the ways in which it evolved, what it has meant--told against the broad sweep of the American narrative. We see Custer in all his contradictions and complexity as the perpetually restless man with a difficult marriage, a hunger for glory, and an unwavering confidence in his abilities. McMurtry explores how the numerous controversies that grew out of the Little Bighorn combined with a perfect storm of technological developments--the railroad, the camera, and the telegraph--to fan the flames of his legend. He shows how Custer's wife, Libbie, worked for decades after his death to portray Major Marcus Reno as the cause of the disaster of the Little Bighorn, and how Buffalo Bill Cody, who ended his Wild West Show with a valiant reenactment of Custer's Last Stand, played a pivotal role in spreading Custer's notoriety. While "Custer "is first and foremost an enthralling story filled with larger-than-life characters--Ulysses S. Grant, William Tecumseh Sherman, William J. Fetterman, Sitting Bull, Crazy Horse, Red Cloud--McMurtry also argues that Little Bighorn should be seen as a monumental event in our nation's history. Like all great b

A propos du livre

Extrait :

AT ONE TIME A PICTURE called Custer’s Last Stand hung in virtually every saloon in the land, and quite a few barbershops too. I first saw it in our small barbershop, in Archer City, Texas. A painting by Cassilly Adams, lithographed by Otto Becker, was given away by the thousands by Anheuser-Busch, the great brewing enterprise of St. Louis: General George Armstrong Custer, long locks flying, was fighting on staunchly against terrible—in fact impossible—odds. And when he fell, along with some 250 of his men, the world was no longer the same.

Buffalo Bill Cody often used a skit called “Custer’s Last Rally,” as the finale of his Wild West Show, bringing the notion of long flowing locks and also the notion of a last stand to much of the civilized world. Adams’s painting and Becker’s lithograph are among the most famous images to come out of America. They brought the tragedy of the Little Bighorn alive to people not yet born.

George Armstrong Custer usually wore his hair long, but on the day of the famous battle—June 25, 1876—he sported a fresh haircut. The Indian who killed him—there are several candidates—may not immediately have known who they killed. But the women of the Sioux and Cheyenne, who soon came along and pierced Custer’s eardrums with awls because he had disobeyed a perfectly clear warning from the Cheyenne chief Rock Forehead to respect the peace pipe, which Custer had smoked with him, knew exactly who they were working on. They were working on Long Hair, whose hair just didn’t happen to be long on the day he met his death.|TO SAY THAT THE LITERATURE on Custer—Custerology, Michael Elliott calls it, in a fine book of that name—is large would be to understate by a considerable measure. As a rare book dealer I once owned a collection of Custerology numbering more than one thousand items: scrapbooks, diaries, trial transcripts, regimental histories, publications of learned societies, reprints of reprints, and so on. And this collection was compiled long before the cyber-experts weighed in. It could easily be three times as large today, and the same could be said for the bibliography of Billy the Kid, which is now up there with Napoleon and Jesus when it comes to inflated coverage.

If the Battle of the Little Bighorn is rightly judged to be one of the most significant battles in history, then its significance comes from something other than body count.

The loss of life—about 250 men—was minute compared to the carnage of the Civil War, not to mention the terrible European battles of World War I and World War II. Yet even the stiff British military historian John Keegan considers the Little Bighorn to have been a major battle. I do too, because it closed a great narrative: the narrative of American settlement. I have just read four long books about Custer and his fate: Evan Connell’s Son of the Morning Star, Robert Utley’s Cavalier in Buckskin, James Donovan’s A Terrible Glory, and Nathaniel Philbrick’s The Last Stand: all of them are valuable books, but none of them says what I just said; at least they don’t say it plainly. One reason I prefer the short life to the long life is that in the former plain speaking is usually required.

Another factor that these admirable books fail to stress is the element of surprise in the outcome of the battle itself. The Indians had not expected the whites to attack when they were gathered in such numbers, and Custer, despite vehement warnings from scouts and colleagues, still expected the Indians to run, not fight. And, again, despite all the warnings, Custer just did not expect to find so many Indians.

Surprise, surprise, you’re dead!

Several times, over the years, I have been asked to write a life of Custer, and have declined mainly because I found Evan Connell’s Son of the Morning Star to be a masterpiece that is unlikely to be bettered: a literary mosaic on the one hand and a feat of literary archaeology on the other, with Connell working patiently in the inexhaustible dig of the Little Bighorn, where he frequently unearths shards of commentary that no one else has found.

In my recent rereading of the book, I found it still brilliant but with perhaps too many shards of commentary. Thanks to all the Native American memories that have emerged in recent decades, it is possible to wind up with a great many shards, some of only distant relevance to the main question. So one corpse had 105 arrows in him? So what?

There are a number of historians who believe that history’s great enigmas should be revisited by each successive generation in turn. These revisitings may produce new insights and possibly lead to new conclusions. Maybe that’s true, or maybe it’s just an excuse to write more about Custer. It’s been twenty-five years since Connell’s book was published, years during which much has happened in the world that once was Custer’s and his foes’.

I was attracted to the notion of a short life of Custer in part because the short life is itself a lovely form, a form that once was common in English letters: there’s Henry James on Hawthorne, Rebecca West on Augustine, Nabokov on Gogol, Edmund White on Proust, and myself on Crazy Horse.

No matter what I write here, Custer’s fights will continue to engage historians. One of the duties of the short life is to bring clarity to the subject. A historian, of course, can be clear and wrong, but clarity, in my view, is the one thing the historian or biographer owes his or her reader. I hope I can achieve it here.|BY 1876, THE YEAR THE Battle of the Little Bighorn was fought, the United States had become a nation of some forty million people, the vast majority of whom had never seen a fighting Indian—not, that is, unless they happened to glimpse one or another of the powerful Indian leaders whom the government periodically paraded through Washington or New York, usually Red Cloud, the powerful Sioux diplomat, who made a long-winded speech at Cooper Union in 1870. Or, it might be Spotted Tail, of the Brulé Sioux; or American Horse, or even, if they were lucky, Sitting Bull, who hated whites, the main exceptions being Annie Oakley, his “Little Sure Shot,” or Buffalo Bill Cody, who once described Sitting Bull as “peevish,” surely the understatement of the century. Sitting Bull often tried to marry Annie Oakley, who was married; he did not succeed.

The main purpose of this parading of Native American leaders—better not call them chiefs, not a title the red man accepted, or cared to use in their tribal life—was to overwhelm the Indians with their tall buildings, large cannon, and teeming masses, so they would realize the futility of further resistance. The Indians saw the point with perfect clarity, but continued to resist anyway. They were fighting for their culture, which was all they had.

One white who recognized this was the young cavalry officer George Armstrong Custer himself, who, in his flamboyant autobiography, My Life on the Plains, makes this point:

If I were an Indian I think that I would greatly prefer to cast my lot with those of my people who adhered to the free life of the plains rather than to the limits of a reservation, there to be the recipient of the blessed benefits of civilization, with the vices thrown in without stint or measure.

Captain Frederick Benteen, who hated Custer and made no secret of it, called Custer’s book My Lie on the Plains. Yet the book, despite its inaccuracies, is still readable today.

Ulysses S. Grant, who didn’t like Custer either, had this to say about the dreadful loss of life at the Little Bighorn:

I regard Custer’s massacre as a sacrifice of troops, brought on by Custer himself, that was wholly unnecessary. . . . He was not to have made the attack before effecting the juncture with Generals Terry and Gibbon. Custer had been notified to meet them, but instead of marching slowly, as his orders required, in order to effect that juncture on the 26th, he entered upon a forced march of eighty-three miles in twenty-four hours, and thus had to meet the Indians alone.

That comment made Custer’s widow, Libbie Custer, an enemy of Grant for life.

Thinking back on a number of important issues, Red Cloud of the Oglala Sioux made this comment: “The Whites made us many promises, more than I can remember,” he said. “But they only kept one. They said they would take our land and they took it.”

RED CLOUD ADDRESSING A NEW YORK AUDIENCE.

Crazy Horse, now thought by many to be the greatest Sioux warrior, refused to go to Washington. He didn’t need to see tall buildings, big cannon, or teeming masses to know that his people’s situation was dire. After the victory at the Little Bighorn the smart Indians all knew that they were playing an endgame. The white leaders—Crook, Miles, Terry, Mackenzie—especially Mackenzie—were even so impolite as to fight in the dead of winter, something they didn’t often do, although the Sioux Indians did wipe out the racist Captain Fetterman and his eighty men on the day of the winter solstice in 1866.

In Texas the so-called Red River War had ended in 1875 and some of its fighting talent, especially Ranald Slidell Mackenzie, went north to help out and did help out.

LINCOLN MEETS CUSTER, OCT. 3, 1862, AT ANTIETAM.

In the East and Midwest, as people became increasingly urbanized or suburbanized, these settled folk developed a huge appetite for stories of Western violence. Reportage suddenly surged; the New York Times and other major papers kept stringers all over the West, to report at once Sitting Bull’s final resistance, or some mischief of Billy the Kid’s or the Earps’ revenge or any other signal violence that might have occurred. Publicity from the frontier helped keep Buffalo Bill’s Wild West Show thriving. For a time the railroad bookstores groaned with dime novels describing Western deeds, the bloodier the better. (See Richard Slotkin’s masterpiece The Fatal Environment for a brilliant analysis of how the frontier affected our increasing urbanization.)

By Cody’s day, indeed, the press had the power to make legends, names with an almost worldwide resonance. One of the legends that hasn’t faded was that of the scruffy New Mexico outlaw Bill Bonney (one of several names he used), or Billy the Kid—no angel, it is true, but by no means the most deadly outlaw of his time. That was probably the sociopath John Wesley Hardin.

The other legend that remains very much alive is Custer’s. The Battle of the Little Bighorn is considered by able historians to be one of the most important battles in world history, a claim we’ll deal with in due course.

What Billy the Kid and Custer had in common was fighting; it’s what we remember them for. Both died young, Billy the Kid at twenty-two and Custer at a somewhat weathered thirty-seven. Custer had barely managed to graduate from the military academy (34th out of 34) and then walked right into one of the biggest fights of all time, the American Civil War, a conflict in which 750,000 men lost their lives—warfare on a scale far different from the small-scale range wars that Billy the Kid engaged in.

In the Civil War, Custer’s flair as a cavalry officer was immediately manifest; it found him at war’s end the youngest major general in the U.S. Army. Custer’s ambition, throughout his career, was furthered by the short, brusque General Philip Sheridan, of whom it was said that his head was so lumpy that he had trouble finding a hat that fit.

PHILIP HENRY SHERIDAN.

Not only did Custer have disciplinary problems at West Point, he continued to have disciplinary problems until the moment of his death, June 25, 1876. One thing was for sure: Custer would fight. Time after time his dash and aggression was rewarded, by Sheridan and others.

Ulysses Grant, also a man who would fight, came to distrust Custer—or maybe he just didn’t like him. Grant was never convinced that Custer’s virtues offset his liabilities.

Before the Battle of the Washita (1868), Custer was court-martialed on eight counts, the most serious being his abandonment of his command—he drifted off in search of his wife. He was convicted on all eight counts and put on the shelf for a year; though long before the year was up Sheridan was lobbying to get him back in the saddle.

SHERIDAN WITH CUSTER, THOMAS DEVIN, JAMES FORSYTH, AND WESLEY MERRITT, BY MATTHEW BRADY.

Revue de presse :

“A brief, breezy tour of the man and the conflict, complete with an astonishing variety of photographs and artistic renderings. . . . The reader is in good hands; it’s as if McMurtry invited a customer to the back of his Texas bookstore to spend an afternoon going through his collection.” (Timothy Egan The New York Times Book Review)

“The celebrated novelist offers . . . fresh insights on the Custer story. . . . The distilled perceptions of a lifetime of study, beautifully illustrated.” (Kirkus Review)

“Pulitzer Prize-winner McMurtry continues to be an outstanding chronicler of Western legend and lore.” (Booklist)

“One of America’s great storytellers.” (The Wall Street Journal)

“Larry McMurtry has the power to clutch the heart and also to exhilarate.” (The New Yorker)

“Few authors match McMurtry’s voice of unsentimental authority.” (Chicago Tribune)

“McMurtry has reminded us that, in the hands of a maser, entertaining, old-fashioned storytelling rooted firmly in uniquely American experiences and landscape is pretty darn hard to beat.” (The Washington Post)

“McMurtry’s book does what dozens of others on Custer have not. It cuts through many of the myths. . . . It’s entertaining and educational at the same time.” (USA Today (3.5 out of 4 stars))

“It is plain speaking that McMurtry delivers . . . the same laconic, whimsical voice that makes his novels so entertaining and readable. The effect is as if one is sitting in a small lecture hall, listening as McMurtry tells his stories from a few notes in a rambling style . . . often revealing and insightful as well as wry and funny.” (The Star Tribune (Minneapolis))

“Larry McMurtry, chronicler of the American West, takes on the controversial figure of Lt. Col. George Armstrong Custer in his newest book . . . to contribute to the canon with a short biography that would help bring the complex man into focus.” (The Wall Street Journal)

À propos de cette édition

• Éditeur: Simon & Schuster
• Date d'édition: 2012
• ISBN 10: 1451626207
• ISBN 13: 9781451626209
• Reliure: Relié
• Nombre de pages: 192