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Gregory, Philippa The Kingmaker's Daughter ISBN 13 : 9781471128806

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The Kingmaker’s Daughter THE TOWER OF LONDON, MAY 1465




My lady mother goes first, a great heiress in her own right, and the wife of the greatest subject in the kingdom. Isabel follows, because she is the oldest. Then me: I come last, I always come last. I can’t see much as we walk into the great throne room of the Tower of London, and my mother leads my sister to curtsey to the throne and steps aside. Isabel sinks down low, as we have been taught, for a king is a king even if he is a young man put on the throne by my father. His wife will be crowned queen, whatever we may think of her. Then as I step forwards to make my curtsey I get my first good view of the woman that we have come to court to honor.

She is breathtaking: the most beautiful woman I have ever seen in my life. At once I understand why the king stopped his army at the first sight of her, and married her within weeks. She has a smile that grows slowly and then shines, like an angel’s smile. I have seen statues that would look stodgy beside her, I have seen painted Madonnas whose features would be coarse beside her pale luminous loveliness. I rise up from my curtsey to stare at her as if she were an exquisite icon; I cannot look away. Under my scrutiny her face warms, she blushes, she smiles at me, and I cannot help but beam in reply. She laughs at that, as if she finds my open adoration amusing, and then I see my mother’s furious glance and I scuttle to her side where my sister Isabel is scowling. “You were staring like an idiot,” she hisses. “Embarrassing us all. What would Father say?”

The king steps forwards and kisses my mother warmly on both cheeks. “Have you heard from my dear friend, your lord?” he asks her.

“Working well in your service,” she says promptly, for Father is missing tonight’s banquet and all the celebrations, as he is meeting with the King of France himself and the Duke of Burgundy, meeting with them as an equal, to make peace with these mighty men of Christendom now that the sleeping king has been defeated and we are the new rulers of England. My father is a great man; he is representing this new king and all of England.

The king, the new king—our king—does a funny mock bow to Isabel and pats my cheek. He has known us since we were little girls too small to come to such banquets and he was a boy in our father’s keeping. Meanwhile my mother looks about her as if we were at home in Calais Castle, seeking to find fault with something the servants have done. I know that she is longing to see anything that she can report later to my father as evidence that this most beautiful queen is unfit for her position. By the sour expression on her face I guess that she has found nothing.

Nobody likes this queen; I should not admire her. It shouldn’t matter to us that she smiles warmly at Isabel and me, that she rises from her great chair to come forwards and clasp my mother’s hands. We are all determined not to like her. My father had a good marriage planned for this king, a great match with a princess of France. My father worked at this, prepared the ground, drafted the marriage contract, persuaded people who hate the French that this would be a good thing for the country, would safeguard Calais, might even get Bordeaux back into our keeping, but then Edward, the new king, the heart-stoppingly handsome and glamorous new king, our darling Edward—like a younger brother to my father and a glorious uncle to us—said as simply as if he were ordering his dinner that he was married already and nothing could be done about it. Married already? Yes, and to Her.

He did very wrong to act without my father’s advice; everyone knows that. It is the first time he has done so in the long triumphant campaign that took the House of York from shame, when they had to beg the forgiveness of the sleeping king and the bad queen, to victory and the throne of England. My father has been at Edward’s side, advising and guiding him, dictating his every move. My father has always judged what is best for him. The king, even though he is king now, is a young man who owes my father everything. He would not have his throne if it were not for my father taking up his cause, teaching him how to lead an army, fighting his battles for him. My father risked his own life, first for Edward’s father, and then for Edward himself, and then, just when the sleeping king and the bad queen had run away, and Edward was crowned king, and everything should have been wonderful forever, he went off and secretly married Her.

She is to lead us into dinner, and the ladies arrange themselves carefully behind her; there is a set order and it is extremely important that you make sure to be in the right place. I am very nearly nine years old, quite old enough to understand this, and I have been taught the orders of precedence since I was a little girl in the schoolroom. Since She is to be crowned tomorrow, she goes first. From now on she will always be first in England. She will walk in front of my mother for the rest of her life, and that’s another thing that my mother doesn’t much like. Next should come the king’s mother but she is not here. She has declared her absolute enmity to the beautiful Elizabeth Woodville, and sworn that she will not witness the coronation of a commoner. Everyone knows of this rift in the royal family and the king’s sisters fall into line without the supervision of their mother. They look quite lost without the beautiful Duchess Cecily leading the way, and the king loses his confident smile for just a moment when he sees the space where his mother should be. I don’t know how he dares to go against the duchess. She is just as terrifying as my mother, she is my father’s aunt, and nobody disobeys either of them. All I can think is that the king must be very much in love with the new queen to defy his mother. He must really, really love her.

The queen’s mother is here though; no chance that she would miss such a moment of triumph. She steps into her place with her army of sons and daughters behind her, her handsome husband, Sir Richard Woodville, at her side. He is Baron Rivers, and everyone whispers the joke that the rivers are rising. Truly, there are an unbelievable number of them. Elizabeth is the oldest daughter and behind her mother come the seven sisters and five brothers. I stare at the handsome young man John Woodville, beside his new wife, looking like a boy escorting his grandmother. He has been bundled into marriage with the Dowager Duchess of Norfolk, my great-aunt Catherine Neville. This is an outrage; my father himself says so. My lady great-aunt Catherine is ancient, a priceless ruin, nearly seventy years old; few people have ever seen a living woman so old, and John Woodville is a young man of twenty. My mother says this is how it is going to be from now on: if you put the daughter of a woman little more than a witch on the throne of England, you will see some dark doings. If you crown a gannet, then she will gobble up everything.

I tear my eyes from the weary crinkled face of my great-aunt and concentrate on my own task. My job is to make sure that I stand beside Isabel, behind my mother, and do not step on her train, absolutely do not step on her train. I am only eight, and I have to make sure that I do this right. Isabel, who is thirteen, sighs as she sees me look down and shuffle my feet so that my toes are under the rich brocade to make sure that there is no possibility of mistake. And then Jacquetta, the queen’s mother, the mother of a gannet, peeps backwards around her own children to see that I am in the right place, that there is no mistake. She looks around as if she cares for my comfort and when she sees me, behind my mother, beside Isabel, she gives me a smile as beautiful as her daughter’s, a smile just for me, and then turns back and takes the arm of her handsome husband and follows her daughter in this, the moment of her utter triumph.

When we have walked along the center of the great hall through the hundreds of people who stand and cheer at the sight of the beautiful new queen-to-be and everyone is seated, I can look again at the adults at the high table. I am not the only one staring at the new queen. She attracts everyone’s attention. She has the most beautiful slanty eyes of gray and when she smiles she looks down as if she is laughing to herself about some delicious secret. Edward the king has placed her beside him, on his right hand, and when he whispers in her ear, she leans towards him as close as if they were about to kiss. It’s very shocking and wrong but when I look at the new queen’s mother I see that she is smiling at her daughter, as if she is happy that they are young and in love. She doesn’t seem to be ashamed of it at all.

They are a terribly handsome family. Nobody can deny that they are as beautiful as if they had the bluest blood in their veins. And so many of them! Six of the Rivers family and the two sons from the new queen’s first marriage are children, and they are seated at our table as if they were young people of royal blood and had a right to be with us, the daughters of a countess. I see Isabel look sourly at the four beautiful Rivers girls from the youngest, Katherine Woodville, who is only seven years old, to the oldest at our table, Martha, who is fifteen. These girls, four of them, will have to be given husbands, dowries, fortunes, and there are not so very many husbands, dowries, fortunes to be had in England these days—not after a war between the rival houses of Lancaster and York, which has gone on now for ten years and killed so many men. These girls will be compared with us; they will be our rivals. It feels as if the court is flooded with new clear profiles, skin as bright as a new-minted coin, laughing voices and exquisite manners. It’s as if we have been invaded by some beautiful tribe of young strangers, as if statues have come warmly to life and are dancing among us, like birds flown down from the sky to sing, or fish leapt from the sea. I look at my mother and see her flushed with irritation, as hot and cross as a baker’s wife. Beside her, the queen glows like a playful angel, her head always tipped towards her young husband, her lips slightly parted as if she would breathe him in like cool air.

The grand dinner is an exciting time for me, for we have the king’s brother George at one end of our table and his youngest brother Richard at the foot. The queen’s mother, Jacquetta, gives the whole table of young people a warm smile and I guess that she planned this, thinking it would be fun for us children to be together, and an honor to have George at the head of our table. Isabel is wriggling like a sheared sheep at having two royal dukes beside her at once. She doesn’t know which way to look, she is so anxious to impress. And—what is so much worse—the two oldest Rivers girls, Martha and Eleanor Woodville, outshine her without effort. They have the exquisite looks of this beautiful family and they are confident and assured and smiling. Isabel is trying too hard, and I am in my usual state of anxiety with my mother’s critical gaze on me. But the Rivers girls act as if they are here to celebrate a happy event, anticipating enjoyment, not a scolding. They are girls confident of themselves and disposed for amusement. Of course the royal dukes will prefer them to us. George has known us for all his life, we are not strange beauties to him. Richard is still in my father’s keeping as his ward; when we are in England he is among the half dozen boys who live with us. Richard sees us three times a day. Of course he is bound to look at Martha Woodville who is all dressed up, new to court, and a beauty like her sister, the new queen. But it is irritating that he totally ignores me.

George at fifteen is as handsome as his older brother the king, fair-headed and tall. He says: “This must be the first time you have dined in the Tower, Anne, isn’t it?” I am thrilled and appalled that he should take notice of me, and my face burns with a blush; but I say “yes” clearly enough.

Richard, at the other end of the table, is a year younger than Isabel, and no taller than her, but now that his brother is King of England he seems much taller and far more handsome. He has always had the merriest smile and the kindest eyes but now, on his best behavior at his sister-in-law’s coronation dinner, he is formal and quiet. Isabel, trying to make conversation with him, turns the talk to riding horses and asks him does he remember our little pony at Middleham Castle? She smiles and asks him wasn’t it funny when Pepper bolted with him and he fell off? Richard, who has always been as prickly in his pride as a game-cock, turns to Martha Woodville and says he doesn’t recall. Isabel is trying to make out that we are friends, the very best of friends; but really, he was one of Father’s half dozen wards that we hunted with and ate with at dinner in the old days when we were in England and at peace. Isabel wants to persuade the Rivers girls that we are one happy family and they are unwanted intruders, but in truth, we were the Warwick girls in the care of our mother and the York boys rode out with Father.

Isabel can gurn all she wants, but I won’t be made to feel awkward. We have a better right to be seated at this table than anyone else, far better than the beautiful Rivers girls. We are the richest heiresses in England, and my father commands the narrow seas between Calais and the English coast. We are of the great Neville family, guardians of the North of England; we have royal blood in our veins. My father has been a guardian to Richard, and a mentor and advisor to the king himself, and we are as good as anybody in the hall, richer than anyone in this hall, richer even than the king and a great deal better born than the new queen. I can talk as an equal to any royal duke of the House of York because without my father, their house would have lost the wars, Lancaster would still rule, and George, handsome and princely as he is, would now be brother to a nobody, and the son of a traitor.

It is a long dinner, though the queen’s coronation dinner tomorrow will be even longer. Tonight they serve thirty-two courses, and the queen sends some special dishes to our table, to honor us with her attention. George stands up and bows his thanks to her, and then serves all of us from the silver dish. He sees me watching him and he gives me an extra spoonful of sauce with a wink. Now and then my mother glances over at me like a watchtower beacon flaring out over a dark sea. Each time that I sense her hard gaze on me, I raise my head and smile at her. I am certain that she cannot fault me. I have one of the new forks in my hand and I have a napkin in my sleeve, as if I were a French lady, familiar with these new fashions. I have watered wine in the glass on my right, and I am eating as I have been taught: daintily and without haste. If George, a royal duke, chooses to single me out for his attention, then I don’t see why he should not, nor why anyone should be surprised by it. Certainly, it comes as no surprise to me.



I share a bed with Isabel while we are guests of the king at the Tower on the night before the queen’s coronation as I do in our home at Calais, as I have done every night of my life. I am sent to bed an hour before her, though I am too excited to sleep. I say my prayers and then lie in my bed and listen to the music drifting up from the hall below. They are still dancing; the king and his wife love to dance. When he takes her hand you can see that he ...
Revue de presse :
'Popular historical fiction at its finest, immaculately researched and superbly told' The Times
'The contemporary mistress of historical crime' - Kate Mosse
'Gregory at her engrossing, exhilarating, enlightening best' - Good Housekeeping
'Rarely has history been so seductive' - Tatler
'Like the previous novels, this cleverly blends fact with fiction and is full of the plotting, scheming and treachery that was life in court.' - Woman's Way
7 Books You Should Own: '...a must-read...her ability to evoke the lives of powerful and historic women...has provoked many imitators but, as yet, no superiors.' - Belfast Telegraph
"a love letter to the North of England" - Philippa Gregory at the Harrogate Theatre
'Anne Neville ... briefly Queen of England before she died in her 30s, is a shadowy figure ... Gregory reveals her as a woman whose love affair with Richard III was played out against a background of intrigue, battles, murders and betrayals' - The Lady
"All my novels are essentially about falling in love and getting a house - The Independent on Sunday
'Gregory creates ... a world in which all but the most determined women are tools in the hands of powerful men... past-paced, convincing, vivid and engrossing.' - Daily Express
'Philippa Gregory has another hit on her hands with this griping page-turner. Her novel simplifies and humanises the complex politics of the period and the bewildering cast of male characters (who all seem to be called Richard or Edward)... [and] shake[s] a romantic sprinkling of stardust over an era that was in reality cold, dark and scary ... with its heroes, villains and its modishly empowered feminist characters, this is a story which works brilliantly' - Sunday Express
MUST READ: 'the gripping and tragic story of Anne Neville, daughter of the Earl of Warwick' Saturday (Sunday Express)

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  • ÉditeurSimon & Schuster
  • Date d'édition2013
  • ISBN 10 1471128806
  • ISBN 13 9781471128806
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