Articles liés à Semiotics and Pragmatics of Stage Improvisation
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Présentation de l'éditeur :
Analysis of improvisation as a compositional practice in the Commedia dell'Arte and related traditions from the Renaissance to the 21st century. Domenic Pietropaolo takes textual material from the stage traditions of Italy, France, Germany and England, and covers comedic drama, dance, pantomime and dramatic theory, and more. He shines a light onto 'the signs of improvised communication'.
The book is comprehensive in its analysis of improvised dramatic art across theatrical genres, and is multimodal in looking at the spoken word, gestural and non-verbal signs. The book focusses on dramatic text as well as:
- The semiotics of stage discourse, including semantic, syntactic and pragmatic aspects of sign production
- The physical and material conditions of sign-production including biomechanical limitations of masks and costumes.
Semiotics and Pragmatics of Stage Improvisation is the product of an entire career spent researching the semiotics of the stage and it is essential reading for semioticians and students of performance arts.
Biographie de l'auteur :
The book is comprehensive in its analysis of improvised dramatic art across theatrical genres, and is multimodal in looking at the spoken word, gestural and non-verbal signs. The book focusses on dramatic text as well as:
- The semiotics of stage discourse, including semantic, syntactic and pragmatic aspects of sign production
- The physical and material conditions of sign-production including biomechanical limitations of masks and costumes.
Semiotics and Pragmatics of Stage Improvisation is the product of an entire career spent researching the semiotics of the stage and it is essential reading for semioticians and students of performance arts.
Domenico Pietropaolo is Professor of Italian Studies and Drama at the University of Toronto, Canada, where he is also Principal of St. Michael's College and Senior Fellow of Massey College.
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- ÉditeurBloomsbury Academic
- Date d'édition2016
- ISBN 10 1474225802
- ISBN 13 9781474225809
- ReliureRelié
- Nombre de pages160
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Semiotics and Pragmatics of Stage Improvisation (Bloomsbury Advances in Semiotics)
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Semiotics and Pragmatics of Stage Improvisation (Hardcover)
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Description du livre Hardcover. Etat : new. Hardcover. Analysis of improvisation as a compositional practice in the Commedia dell'Arte and related traditions from the Renaissance to the 21st century. Domenic Pietropaolo takes textual material from the stage traditions of Italy, France, Germany and England, and covers comedic drama, dance, pantomime and dramatic theory, and more. He shines a light onto 'the signs of improvised communication'.The book is comprehensive in its analysis of improvised dramatic art across theatrical genres, and is multimodal in looking at the spoken word, gestural and non-verbal signs. The book focusses on dramatic text as well as:- The semiotics of stage discourse, including semantic, syntactic and pragmatic aspects of sign production- The physical and material conditions of sign-production including biomechanical limitations of masks and costumes.Semiotics and Pragmatics of Stage Improvisation is the product of an entire career spent researching the semiotics of the stage and it is essential reading for semioticians and students of performance arts. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781474225809
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Semiotics and Pragmatics of Stage Improvisation
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Description du livre Hardcover. Etat : Brand New. 154 pages. 9.50x6.50x0.75 inches. This item is printed on demand. N° de réf. du vendeur zk1474225802
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