The Curatorial: A Philosophy of Curating

ISBN 13 : 9781474229210

The Curatorial: A Philosophy of Curating

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9781474229210: The Curatorial: A Philosophy of Curating

Stop curating! And think what curating is all about. This book starts from this simple premise: thinking the activity of curating. To do that, it distinguishes between 'curating' and 'the curatorial'. If 'curating' is a gamut of professional practices for setting up exhibitions, then 'the curatorial' explores what takes place on the stage set up, both intentionally and unintentionally, by the curator. It therefore refers not to the staging of an event, but to the event of knowledge itself. In order to start thinking about curating, this book takes a new approach to the topic. Instead of relying on conventional art historical narratives (for example, identifying the moments when artistic and curatorial practices merged or when the global curator-author was first identified), this book puts forward a multiplicity of perspectives that go from the anecdotal to the theoretical and from the personal to the philosophical. These perspectives allow for a fresh reflection on curating, one in which, suddenly, curating becomes an activity that implicates us all (artists, curators, and viewers), not just as passive recipients, but as active members. As such, the Curatorial is a book without compromise: it asks us to think again, fight against sweeping art historical generalizations, the sedimentation of ideas and the draw of the sound bite. Curating will not stop, but at least with this book it can begin to allow itself to be challenged by some of the most complex and ethics-driven thought of our times.

Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.

Biographie de l'auteur :

Jean-Paul Martinon is Programme Leader of the MPhil/PhD in Visual Cultures and Senior Lecturer in the Department of Visual Cultures at Goldsmiths College, University of London, UK.

Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.

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Martinon Jean-Paul
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Description du livre Bloomsbury Publishing PLC, United Kingdom, 2015. Paperback. État : New. Reprint. 232 x 156 mm. Language: English . Brand New Book. Stop curating! And think what curating is all about. This book starts from this simple premise: thinking the activity of curating. To do that, it distinguishes between curating and the curatorial . If curating is a gamut of professional practices for setting up exhibitions, then the curatorial explores what takes place on the stage set up, both intentionally and unintentionally, by the curator. It therefore refers not to the staging of an event, but to the event of knowledge itself. In order to start thinking about curating, this book takes a new approach to the topic. Instead of relying on conventional art historical narratives (for example, identifying the moments when artistic and curatorial practices merged or when the global curator-author was first identified), this book puts forward a multiplicity of perspectives that go from the anecdotal to the theoretical and from the personal to the philosophical. These perspectives allow for a fresh reflection on curating, one in which, suddenly, curating becomes an activity that implicates us all (artists, curators, and viewers), not just as passive recipients, but as active members. As such, the Curatorial is a book without compromise: it asks us to think again, fight against sweeping art historical generalizations, the sedimentation of ideas and the draw of the sound bite. Curating will not stop, but at least with this book it can begin to allow itself to be challenged by some of the most complex and ethics-driven thought of our times. N° de réf. du libraire AAU9781474229210

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Edité par Bloomsbury Publishing PLC, United Kingdom (2015)
ISBN 10 : 1474229212 ISBN 13 : 9781474229210
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Description du livre Bloomsbury Publishing PLC, United Kingdom, 2015. Paperback. État : New. Reprint. 232 x 156 mm. Language: English . Brand New Book. Stop curating! And think what curating is all about. This book starts from this simple premise: thinking the activity of curating. To do that, it distinguishes between curating and the curatorial . If curating is a gamut of professional practices for setting up exhibitions, then the curatorial explores what takes place on the stage set up, both intentionally and unintentionally, by the curator. It therefore refers not to the staging of an event, but to the event of knowledge itself. In order to start thinking about curating, this book takes a new approach to the topic. Instead of relying on conventional art historical narratives (for example, identifying the moments when artistic and curatorial practices merged or when the global curator-author was first identified), this book puts forward a multiplicity of perspectives that go from the anecdotal to the theoretical and from the personal to the philosophical. These perspectives allow for a fresh reflection on curating, one in which, suddenly, curating becomes an activity that implicates us all (artists, curators, and viewers), not just as passive recipients, but as active members. As such, the Curatorial is a book without compromise: it asks us to think again, fight against sweeping art historical generalizations, the sedimentation of ideas and the draw of the sound bite. Curating will not stop, but at least with this book it can begin to allow itself to be challenged by some of the most complex and ethics-driven thought of our times. N° de réf. du libraire AAU9781474229210

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Jean-Paul Martinon
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Description du livre Bloomsbury Publishing PLC. Paperback. État : new. BRAND NEW, The Curatorial: A Philosophy of Curating, Jean-Paul Martinon, Stop curating! And think what curating is all about. This book starts from this simple premise: thinking the activity of curating. To do that, it distinguishes between 'curating' and 'the curatorial'. If 'curating' is a gamut of professional practices for setting up exhibitions, then 'the curatorial' explores what takes place on the stage set up, both intentionally and unintentionally, by the curator. It therefore refers not to the staging of an event, but to the event of knowledge itself. In order to start thinking about curating, this book takes a new approach to the topic. Instead of relying on conventional art historical narratives (for example, identifying the moments when artistic and curatorial practices merged or when the global curator-author was first identified), this book puts forward a multiplicity of perspectives that go from the anecdotal to the theoretical and from the personal to the philosophical. These perspectives allow for a fresh reflection on curating, one in which, suddenly, curating becomes an activity that implicates us all (artists, curators, and viewers), not just as passive recipients, but as active members. As such, the Curatorial is a book without compromise: it asks us to think again, fight against sweeping art historical generalizations, the sedimentation of ideas and the draw of the sound bite. Curating will not stop, but at least with this book it can begin to allow itself to be challenged by some of the most complex and ethics-driven thought of our times. N° de réf. du libraire B9781474229210

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Description du livre Bloomsbury Academic, 2015. État : New. Editor(s): Martinon, Jean-Paul. Num Pages: 280 pages, 5 illus. BIC Classification: ABA; GM; HPN. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 157 x 234 x 13. Weight in Grams: 442. . 2015. Reprint. Paperback. . . . . . N° de réf. du libraire V9781474229210

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Martinon, Jean-Paul
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Jean-Paul Martinon
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Description du livre Bloomsbury Academic. État : New. Editor(s): Martinon, Jean-Paul. Num Pages: 280 pages, 5 illus. BIC Classification: ABA; GM; HPN. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 157 x 234 x 13. Weight in Grams: 442. . 2015. Reprint. Paperback. . . . . Books ship from the US and Ireland. N° de réf. du libraire V9781474229210

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