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All the Single Ladies CHAPTER ONE

Watch Out for That Woman: The Political and Social Power of an Unmarried Nation


The contemporary wave of single women was building in the very same years that I was heading off to college, though I hadn’t realized it. The early 1990s was the period in which reverberations of the social and political revolutions of my mother’s generation were manifesting as swiftly changing marriage and reproductive patterns, which, in turn, would create a current of political possibility for independent women in America.

On October 11, 1991, a thirty-five-year-old law professor, Anita Faye Hill, appeared before the Senate Judiciary Committee to testify about the sexual harassment she’d experienced while working for Clarence Thomas, a D.C. Circuit Judge nominated by President George H. W. Bush to fill the Supreme Court seat of the retiring civil rights hero, Thurgood Marshall. A native of rural Lone Tree, Oklahoma, Hill was the youngest of thirteen children raised by Baptist farmers; her grandfather and great-grandparents had been slaves in Arkansas. She was valedictorian of her high-school class and attended Yale Law School, worked for Thomas at both the Department of Education and the Equal Employment Opportunity Commission, and taught contract law at the University of Oklahoma. She was not married.

As cameras recorded every second, broadcasting to a rapt and tense nation, Hill sat before the all-white, all-male Senate Judiciary Panel and told them in a careful, clear voice of the sexually crude ways in which Thomas had spoken to her during the years she worked for him; she detailed her former boss’s references to pornographic movie stars, penis size, and pubic hair in professional contexts. In turn, she was pilloried by the conservative press, spoken to with skepticism and insult by many on the committee, and portrayed by other witnesses as irrational, sexually loose, and perhaps a sufferer of erotomania,1 a rare psychological disorder that causes women to fantasize sexual relationships with powerful men.

Wyoming Senator Alan Simpson questioned Hill’s “proclivities” (a term that the conservative columnist William Safire suggested was “a code word for homosexuality”2). One pundit, David Brock, called Hill “a little bit nutty and a little bit slutty.” Called in front of the committee after her testimony, John Doggett, a former classmate of Thomas’s and an acquaintance of Hill’s, described Hill as “somewhat unstable” and surmised that she had “fantasized about my being interested in her romantically.” He guessed, based on their brief social interactions, “that she was having a problem with being rejected by men she was attracted to;” at another point, Doggett noted that Hill “seemed to be lonely in this town.”

As Hill would later write of her experience, “Much was made in the press of the fact that I was single, though the relevance of my marital status to the question of sexual harassment was never articulated.”3

The relevance of her single status was how it distinguished her from established expectations of femininity. Hill had no husband to vouch for her virtue, no children to affirm her worth, as women’s worth had been historically understood. Her singleness, Hill felt at the time, allowed her detractors to place her “as far outside the norms of proper behavior as they could.” Members of the Judiciary, she wrote, “could not understand why I was not attached to certain institutions, notably marriage,” and were thus left to surmise that she was single “because I was unmarriageable or opposed to marriage, the fantasizing spinster or the man-hater.”

The lingering assumption—born of the same expectations that I had chafed at as a kid, reading novels—was that the natural state of adult womanhood involved being legally bound to a man. Perhaps especially in the comparatively new world of female professional achievement, in which a woman might be in a position, as an equivalently educated professional peer of a judicial nominee to the Supreme Court, to offer testimony that could imperil his career, marriage remained the familiar institution that might comfortably balance out this new kind of parity, and would offer the official male validation and abrogate her questioners’ ability to depict her as a spinster fantasist.

In raising questions about her marital status and her mental stability, Hill wrote, senators were “attempting to establish a relationship between marriage, values, and credibility” and prompt people to wonder “why I, a thirty-five-year-old Black woman, had chosen to pursue a career and to remain single—an irrelevant shift of focus that contributed to the conclusion that I was not to be believed.”

Indeed, Hill’s testimony was not believed by the members of the committee, at least not enough to make an impact on their decision. Clarence Thomas was confirmed to the Supreme Court days after her appearance before the Judiciary.

But Hill was not some contemporary Hester Prynne, doomed to a life in exile. Instead, her appearance had a lasting impact on the country and its power structures. The term sexual harassment entered the lexicon and the American consciousness, allowing women, married and single, to make sense of and lodge objections to workplace harassment; it offered us a view of how behavior long viewed as harmless was actually a form of discrimination and subjugation that hurt women as a class.

Just as long-lasting was the impact that the vision of Hill’s being grilled by a panel of white men had on America’s representative politics. In 1991, there had been only two women serving in the United States Senate, an embarrassing circumstance that the hearings put in stark national relief. A photograph published by the New York Times showed a group of Congress’s few female representatives, including Patricia Schroeder and Eleanor Holmes Norton, running up the Capitol steps to stop the proceedings to demand that Hill be allowed to testify.

The spectacle of Hill’s treatment by the committee spurred a reckoning with the nation’s monochromatic and male representative body. The year after her testimony, an unprecedented number of women ran for the Senate. Four of them won. One, Washington’s Patty Murray, has repeatedly explained that the Thomas hearings had helped spur her to political action; “I just kept looking at this committee, going ‘God, who’s saying what I would say if I was there,’?” she’s said. “I mean, all men, not saying what I would say. I just felt so disoriented.”4 Another, Carole Moseley Braun of Illinois, became the first (and, so far, only) African-American woman elected to the Senate. They called 1992 “The Year of the Woman.”

Though Hill’s life and career were certainly upended by the attention (as well as by the death and rape threats) that came in the wake of her testimony, they were not cut short or ended. She was not permanently ostracized, professionally or personally. Today, she teaches law at Brandeis and lives in Boston with her partner of more than a decade.

Part of the reason that Hill was not wholly written off as a social aberration was because by the early 1990s, she wasn’t. A generation of women was, like Hill, living, working, and occupying public space on its own. The percentage of women between the ages of thirty-five and forty-four who were married had fallen from about 87 percent in 1960 and 1970 to 73 percent in 1990.5

“Women began, in the nineties, to embrace their own sexuality and sexual expression in a different way,” Hill told me in 2013. Hill may have looked little like the recent past, but she was very much the face of the future, surely part of what made her discomfiting enough to send senators into paroxysms. As Alan Simpson urged the committee, citing the many warnings he claimed to have received about Hill, “Watch out for this woman!”6

In the early 1990s, there were so many women to watch out for.
The Great Crossover


Less than a year after the Thomas hearings, Vice President Dan Quayle gave a campaign trail speech at the Commonwealth Club in San Francisco, during which he offered his theory on what was behind the Los Angeles race riots that had followed the verdict in the Rodney King trial. The “lawless social anarchy that we saw,” Quayle argued, “is directly related to the breakdown of the family structure.” To illustrate this point, Quayle took an unexpected turn, laying into a television character.

The eponymous heroine of CBS’s Murphy Brown, played by Candice Bergen, was about to give birth to a baby without being married—or romantically attached—to the child’s father. Quayle was concerned that in doing so, Murphy, who he noted “supposedly epitomizes today’s intelligent, highly paid professional woman,” was “mocking the importance of fathers by bearing a child alone and calling it just another lifestyle choice.”7 Quayle’s comments would land him, fictional Murphy Brown, and her fictional baby, Avery, on the front of the New York Times, making the character’s unmarried status far more emblematic than it would have been otherwise.

Of course, Quayle’s concern hadn’t really been about Murphy; he had been unspooling some classic conservative rhetoric about how welfare programs discourage marriage when he’d thrown his pop-culture curveball. Quayle’s anxiety over the possibility that new models of motherhood and womanhood, unhooked from marriage, might be taking hold across income brackets was palpable. A new reality was setting in: If women could live independently, many would do so, and as they did, men would become less central to economic security, social standing, sexual life, and, as it turned out, to parenthood.

Though Quayle surely didn’t realize it at the time, 1992 was at the heart of what researchers would later dub “the great crossover.”8 Not only were the early nineties the years during which the marriage age was rising; they were the point at which the marriage age was rising above the age of first birth.

It was the reversal of a very old cultural and religious norm, purportedly a bedrock of female identity and familial formation, though not always a reflection of real life, in which premarital sex and pregnant brides had always existed. However, officially, public codes of respectability had held that marriage was to precede childbearing. Now, that sequence was being scrambled, and amongst the many Americans panicking about it were the men who had long enjoyed relatively unchallenged control of politics.

Two years after Quayle’s speech, Pennsylvania senate candidate Rick Santorum gave a speech again emphasizing the link between unmarried motherhood and social chaos, claiming that “We are seeing the fabric of this country fall apart, and it’s falling apart because of single moms.” In 1994, Jeb Bush, son of former president George H. W. Bush, then running for governor in Florida, said that women on welfare “should be able to get their life together and find a husband” and, soon after, published a book in which he argued that the reason young women have babies outside of wedlock is because “there is no longer a stigma attached to this behavior,” suggesting that maybe the stigma should return.

In 1993, Bill Clinton appointed Joycelyn Elders, an outspoken advocate of humane drug laws and abortion rights, as Surgeon General of the United States. The following year, at a United Nations conference on AIDS, Elders caused a scandal by voicing her support of teaching masturbation as part of sex education. It was a perfectly sane message, especially in the context of the AIDS epidemic. But so freighted was Elders’s simple advocacy of independent sexual pleasure, achievable without a partner and with no chance of procreation, that the president who had appointed her asked her to resign.

It was a fraught period, Anita Hill told me in 2013, in which some Americans were “still trying to hold on to the idea that we lived in the 1950s, this Leave It to Beaver world.” This imagined white universe, in which sex was hetero and always procreative and women were wives and mothers who lived in middle-class comfort and embraced designated gender roles, had “never actually existed for most women,” Hill said, but was held up as an American ideal.

Now, even in pop culture, Leave It to Beaver had given way to the irreverent Roseanne, the sitcom about a working-class nuclear family in which the eponymous heroine joked of her (loving) marriage as “like a life sentence with no hope for parole.” More broadly, nuclear families were being joined on television by a flood of images of women unbound from marriages and families altogether. Beginning in 1993, Queen Latifah anchored a group of Brooklyn roommates on FOX’s Living Single; the next year, NBC answered with the white, Manhattan version: Friends. From 1994 to 1996, journalist Candace Bushnell penned a weekly newspaper column called “Sex and the City;” it would go on to become a book and a smash HBO series.

Terri McMillan’s Waiting to Exhale, a 1992 novel about four female friends, some recently jilted, juggling the personal and the professional, remained on the bestseller list for months, and would be made into a movie. Four years later, British writer Helen Fielding published Bridget Jones’s Diary, and was credited with kicking off a new publishing genre, “chick lit,” devoted to the stories of women, whom Bridget’s best friend would, in self-parody, describe as “a pioneer generation daring to refuse to compromise in love and relying on our own economic power.”

As the millennium dawned, it was impossible to watch out for all the women who were coming to change America.
Strange Stirrings


If women slowed their rush to the altar in huge numbers starting in the 1990s, their ability to do so was built directly on political, economic, social, and sexual victories won by the previous generation, during what is commonly known as the Second Wave of the women’s movement. Several Second Wave feminists would remind me pointedly during my research for this book that my generation had far from invented contemporary habits of marital abstinence or delay; by many measures, theirs had.

And, to some degree, they’re right: Many women whose consciousness had been raised and opportunities expanded by feminism actively decided, for political and personal reasons, to postpone or forego marriage.

They didn’t do so in numbers large enough to create a demographic earthquake, to change the marrying behaviors of the masses, at least not right away. Because while its victories would transform the landscape in ways that would make it far more possible for my generation to delay marriage, the Second Wave was not built on opposition to marriage, but rather a desire to address its suffocating circumstances.

The problem lay buried, unspoken, for many years in the minds of American women. It was a strange stirring, a sense of dissatisfaction, a yearning that women suffered in the middle of the twentieth century in the Unites States. Each suburban wife struggled with it alone. As she made the beds, shopped for groceries, matched slipcover material, ate peanut-butter sandwiches with her children, chauffeured Cub Scouts and Brownies, lay beside her husband at night, she was afraid to ask even of herself the silent question “Is this all?”9

Is this all? Betty Friedan’s first paragraph sliced the mid-century American situation for middle-class white women to its quick: asserting that the ennui, anger, and unhappiness experienced by millions of American women was the product of the “millions of words” spilled by experts assuring women that “their role was to s...
Revue de presse :
PRAISE FOR ALL THE SINGLE LADIES

*** A Best Books of 2016 So Far select by Entertainment Weekly ***

“Fascinating, entertaining, surprising—and heartening. A brilliant book that is also warm, funny, and a pleasure to read.”
Katha Pollitt

"Traister is a triple threat--essayist, journalist, and polemicist--bringing a seismic shift to light, hunting down its implications, and showing how it changes politics, and how policy needs to change to reflect it. Her book demands not just reading but discussion and debate. 
Boris Kachka, Vulture

“A singularly triumphant work of women presented in beautiful formation... Keenly mindful of race, ethnicity and socioeconomic status...[Traister] is both deliberate and conversant in her language of inclusion...As impressively well researched as All the Single Ladies is...it's the personal narratives drawn from more than 100 interviews she conducted with all manner of women that make the book not just an informative read but also an entirely engaging one.”
Los Angeles Times

“A well-researched, deeply informative examination of women’s bids for independence, spanning centuries...Traister provides a thoughtful culling of history to help bridge the gap between, on the one hand, glib depictions of single womanhood largely focused on sexual escapades and, on the other, grave warnings that female independence will unravel the very fabric of the country...[she] brings a welcome balance of critique and personal reflection to a conversation that is often characterized more by advocacy and moral policing than honest discovery...All The Single Ladies is arriving just in time. This is an informative and thought-provoking book for anyone – not just the single ladies – who wants to gain a great understanding of this pivotal moment in the history of the United States.”
New York Times Book Review (Editor’s Choice)

“Powerful and convincing...we’re better off reading Rebecca Traister on women, politics, and America than pretty much anyone else. [Traister is] one of the nation’s smartest and most provocative feminist voices.”
The Boston Globe 

“The enormous accomplishment of Traister’s book is to show that the ranks of women electing for nontraditional lives...have also improved the lots of women who make traditional choices, blowing open the institutions of marriage and parenthood...This rich portrait of our most quietly explosive social force makes it clear that the ladies still have plenty of work to do.” 
Slate

“A monumental study of the political, economic, social, and sexual consequences of the rise of unmarried women.”
New Republic

“Lucid and well-researched...[Traister] vividly illustrates the collective power of single women in guiding legal, economic, and social progress and in ‘asserting themselves as citizens—full citizens—in ways that American men have for generations.’ A chapter on female friendships satisfyingly conveys the complexity of a significant, and often dismissed, relationship.”
The New Yorker

“Personal and relatable...[Traister’s] assessment of single women’s sex lives is so balanced and ordinary-sounding that it becomes extraordinary in a world where Tinder is supposedly bringing a dating apocalypse...I’ll swipe right on that message any day.”
Washington Post

“Though Traister is no longer one of us, she retains her memories and her empathy, as well as her feminist commitments...Drawing on, historical and contemporary sources, as well as her own reporting, she has produced a wide-ranging, insistently optimistic analysis of the role of single women in American society.”
Chicago Tribune

“I can’t begin to count the number of conversations I’ve had in my adult life about my lack of enthusiasm to marry... Thankfully, with the publication of Rebecca Traister’s All the Single Ladies: Unmarried Women and the Rise of an Independent Nation, I can stop explaining and buy her book for all the busybodies in my happily unmarried life. Traister blends history, reportage and personal memoir to propose that the notion of marriage in American life has been and will be written by unmarried women.”
The Guardian (US)

“Traister’s illuminating history of women who haven’t put a ring on it, whether by choice or by chance, is smartly placed in a larger historical context and enriched by compelling personal narratives.”
Entertainment Weekly, Best Books of 2016 So Far select

“Traister is one of the sharpest journalists writing about feminism today, and her look into the link between eras with large numbers of unmarried women and periods of drastic social change is absolutely riveting... It turns out the history of unmarried women in this country is a fascinating one, which Traister recounts in compulsively readable detail, combining facts with personal stories from single ladies across racial and financial spectrums. What’s left after she joyfully dismantles conservative arguments about the death of wifely servitude is hope: ‘Ring on it’ or not, the paths open to women today are varied and bright.”
Entertainment Weekly

In this intelligent book, Traister looks at the many reasons for choosing a patch that would have been cultural and economic suicide 50 years ago. She wants single women to recognize themselves as a political force and to celebrate unmarried life for what it can be: an excellent option.”
People Magazine

“Wonderfully inclusive, examining single women from all walks of life—working-, middle-, and upper-class women; women of color and white women; queer and straight ones...With All the Single Ladies, [Traister] brings her trademark intelligence and wit to bear, interspersing her own experiences and observations with dozens of interviews with women all over the country, plus historical context, from so-called Boston marriages (the nineteenth-century name for women who lived together) and the Brontë sisters to Murphy Brown and Sex and the City.”
Elle Magazine

“No husband, NP...In All The Single Ladies, an exhaustive examination of independent women and how they shaped the world we live (and date) in today, Rebecca Traister explodes the centuries-old notion that mirage is compulsory to living a happy, fulfilled life and reveals the inestimable power of being blissfully unattached.”
Cosmopolitan
 
All The Single Ladies is essential, careful, bold, and rigorous; it’s a warning and a celebration, and I loved it.”
Jezebel

“[All The Single Ladies] has the potential to become a seminal text on female identity in the West...Traister expertly paints a modern portrait of American life and how we got here, with an intersectional approach that accounts for class, race, and sexual orientation. Even more impressive is how Traister pushes a feminist agenda without the book ever feeling like it has an agenda, or that it's pointing the finger at the reader to make him or her feel guilty.”
VICE

 “A well-written and unabashedly feminist analysis of the history and current situation of single women in America.”
Newsday

“Exploring all aspects of single life—social, economic, racial, and sexual—Traister’s comprehensive volume, sure to be vigorously discussed, is truly impressive in scope and depth while always managing to be eminently readable and thoughtful.”
Booklist (starred review)

“[Traister is] a thoughtful journalist...This fast-paced, fascinating book will draw in fans of feminism, social sciences, and U.S. history, similar to Gail ­Collins’s When Everything Changed.”
Library Journal

“Incorporating a lively slew of perspectives of single ladies past and present, Traister conducts a nuanced investigation into the sexual, economic, and emotional lives of women in America and the opportunities available when marriage is no longer “the measure of female existence.”...Traister is funny and fair in how she deals with the prevalent stereotypes and remaining stigmas attached to being an unmarried woman in society...an invigorating study of single women in America with refreshing insight into the real life of the so-called spinster.”
Publishers Weekly

“Cogent and provocative...a persuasive case for why unmarried women have grown into a potent political and social force...Readers will also appreciate Traister's willingness to recount, with candor and humor, experiences in her own life that fit into the larger national story. This is a fascinating book—and an important one.”
Bookmark/Politics & Prose Blog

“Part social and cultural history, part anthropological and journalistic investigation, part memoir, and total investigation into the phenomenon and political power of single womanhood.”
Flavorwire

“Timely and important...a significant addition to the literature of sociology and women’s studies...Clearly this book belongs right up there with those by Gloria Steinem, Gail Collins, and other feminist writers who shine a light on contemporary life as few others can.”
New York Journal of Books

PRAISE FOR REBECCA TRAISTER

"Visionary."
--The New York Times Book Review

"One of the most powerful voices in a new generation of American feminist writers."
--Walter Russell Mead, Foreign Affairs

"The most brilliant voice on feminism in this country."
--Anne Lamott, author of Bird by Bird

"A clear-eyed, whip-smart observer of the political scene."
--Daphne Merkin, author of The Fame Lunches

"Brilliant."
--Maureen Corrigan, NPR's Fresh Air

"Clever, caustic, [and] wickedly funny."
--Slate.com

"The heir to the tradition of Mary McCarthy and Joan Didion."
--Eric Alterman, author of The Cause

"Provocative and insightful."
--Curtis Sittenfeld, author of American Wife

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  • ÉditeurSimon & Schuster
  • Date d'édition2016
  • ISBN 10 1476716560
  • ISBN 13 9781476716565
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