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Gregory, Philippa Three Sisters, Three Queens ISBN 13 : 9781476758572

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Three Sisters, Three Queens BAYNARD’S CASTLE, LONDON, ENGLAND, NOVEMBER 1501




I am to wear white and green, as a Tudor princess. Really, I think of myself as the one and only Tudor princess, for my sister Mary is too young to do more than be brought in by her nurse at suppertime, and taken out again. I make sure Mary’s nursemaids are quite clear that she is to be shown to our new sister-in-law, and then go. There is no profit in letting her sit up at the table, or gorge on crystallized plums. Rich things make her sick and if she gets tired she will bawl. She is only five years old, far too young for state occasions. Unlike me; I am all but twelve. I have to play my part in the wedding; it would not be complete without me. My lady grandmother, the king’s mother, said so herself.

Then she said something that I couldn’t quite hear, but I know that the Scots lords will be watching me to see if I look strong and grown-up enough to be married at once. I am sure I am. Everyone says that I am a bonny girl, stocky as a Welsh pony, healthy as a milkmaid, fair, like my younger brother Harry, with big blue eyes.

“You’ll be next,” she says to me with a smile. “They say that one wedding begets another.”

“I won’t have to travel as far as Princess Katherine,” I say. “I’ll come home on visits.”

“You will.” My lady grandmother’s promise makes it a certainty. “You are marrying our neighbor, and you will make him our good friend and ally.”

Princess Katherine had to come all the way from Spain, miles and miles away. Since we are quarreling with France, she had to come by sea, and there were terrible storms and she was nearly wrecked. When I go to Scotland to marry the king, it will be a great procession from Westminster to Edinburgh of nearly four hundred miles. I shan’t go by sea, I won’t arrive sick and sopping wet, and I will come and go from my new home to London whenever I like. But Princess Katherine will never see her home again. They say she was crying when she first met my brother. I think that is ridiculous. And babyish as Mary.

“Shall I dance at the wedding?” I ask.

“You and Harry shall dance together,” my lady grandmother rules. “After the Spanish princess and her ladies have shown us a Spanish dance. You can show her what an English princess can do.” She smiles slyly. “We shall see who is best.”

“Me,” I pray. Out loud I say: “A basse danse?” It is a slow grand grown-up dance which I do very well, actually more walking than dancing.

“A galliard.”

I don’t argue; nobody argues with my lady grandmother. She decides what happens in every royal household, in every palace and castle; my lady mother the queen just agrees.

“We’ll have to rehearse,” I say. I can make Harry practice by promising him that everyone will be watching. He loves to be the center of attention and is always winning races and competing at archery and doing tricks on his pony. He is as tall as me, though he is only ten years old, so we look well together if he doesn’t play the fool. I want to show the Spanish princess that I am just as good as the daughter of Castile and Aragon. My mother and father are a Plantagenet and a Tudor. Those are grand enough names for anyone. Katherine needn’t think that we are grateful for her coming. I, for one, don’t particularly want another princess at court.



It is my lady mother who insists that Katherine visit us at Baynard’s Castle before the wedding, and she is accompanied by her own court, who have come all the way from Spain—at our expense, as my father remarks. They enter through the double doors like an invading army, their clothes, their speech, their headdresses completely unlike ours and, at the center of it all, beautifully gowned, is the girl that they call the “infanta.” This too is ridiculous, as she is fifteen and a princess, and I think that they are calling her “baby.” I glance across at Harry to see if he will giggle if I make a face and say “ba-aby,” which is how we tease Mary, but he is not looking at me. He is looking at her with goggle-eyes, as if he is seeing a new horse, or a piece of Italian armor, or something that he has set his heart on. I see his expression, and I realize that he is trying to fall in love with her, like a knight with a damsel in a story. Harry loves stories and ballads about impossible ladies in towers, or tied to rocks, or lost in woods, and somehow Katherine impressed him when he met her before her entry into London. Perhaps it was her ornate veiled litter, perhaps it was her learning, for she speaks three languages. I am so annoyed—I wish he was close enough for me to pinch him. This is exactly why no one younger than me should play a part in royal occasions.

She is not particularly beautiful. She is three years older than me but I am as tall as her. She has light brown hair with a copper tinge to it, only a little darker than mine. This is, of course, irritating: who wants to be compared to a sister-in-law? But I can hardly see it, for she wears a high headpiece and a thick concealing veil. She has blue eyes like mine too, but very fair eyebrows and lashes; obviously, she’s not allowed to color them in like I do. She has pale creamy skin, which I suppose is admirable. She is tiny: tiny waist pinched in by tight lacing so she can hardly breathe, tiny feet with the most ridiculous shoes I have ever seen, gold-embroidered toes and gold laces. I don’t think that my lady grandmother would let me wear gold laces. It would be vanity and worldly show. I am sure that the Spanish are very worldly. I am sure that she is.

I make certain that my thoughts don’t show on my face as I examine her. I think she is lucky to come here, lucky to be chosen by my father to marry my elder brother Arthur, lucky to have a sister-in-law like me, a mother-in-law like my mother and—more than anything else—a grandmother-in-law like Lady Margaret Beaufort, who will make very sure that Katherine does not exceed her place which has been appointed by God.

She curtseys and kisses my lady mother and, after her, my lady grandmother. This is how it should be; but she will soon learn that she had better please my lady grandmother before anybody. Then my lady mother nods to me and I step forward, and the Spanish princess and I curtsey together at the same time, to exactly the same depth, and she steps forward and we kiss on one cheek and then the other. Her cheeks are warm and I see that she is blushing, her eyes filling with tears as if she is missing her real sisters. I show her my stern look, just like my father when someone is asking him for money. I am not going to fall in love with her for her blue eyes and pretty ways. She need not imagine she is going to come into our English court and make us look fat and stupid.

She is not at all rebuffed; she looks right back at me. Born and raised in a competitive court with three sisters, she understands rivalry. Worse, she looks at me as if she finds my stern look to be not at all chilling, perhaps even a little comical. That is when I know that this is not a young woman like my ladies-in-waiting who has to be pleasant to me whatever I do, or like Mary, who has to do whatever I say. This young woman is an equal, she will consider me, she might even be critical. I say in French: “You are welcome to England,” and she replies in stilted English: “I am pleased to greet my sister.”

My lady mother lays herself out to be kind to this, her first, daughter-in-law. They talk together in Latin and I cannot follow what they are saying so I sit beside my mother and look at Katherine’s shoes with the gold laces. My mother calls for music, and Harry and I start a round, an English country song. We are very tuneful and the court takes up the chorus and it goes round and round until people start to giggle and lose their places. But Katherine does not laugh. She looks as if she is never silly and merry like Harry and me. She is overly formal, of course, being Spanish. But I note how she sits—very still, and with her hands folded in her lap as if she were sitting for a portrait—and I think: actually, that looks rather queenly. I think I will learn to sit like that.

My sister Mary is brought in to make her curtsey, and Katherine makes herself ridiculous by going down on her knees so their faces are level and she can hear her childish whisper. Of course Mary cannot understand a word of either Latin or Spanish, but she puts her arms around Katherine’s neck and kisses her and calls her “thithter.”

“I am your sister,” I correct her, giving her little hand a firm tug. “This lady is your sister-in-law. Can you say sister-in-law?”

Of course, she can’t. She lisps, and everyone laughs again and says how charming, and I say: “Lady Mother, shouldn’t Mary be in bed?” Then everyone realizes how late it is and we all go out with bobbing torches to see Katherine leave, as if she were a queen crowned and not merely the youngest daughter of the King and Queen of Spain, and very lucky to marry into our family: the Tudors.

She kisses everyone good night and when it is my turn, she puts her warm cheek to mine and says: “Good night, Sister” in that stupid accent, in her patronizing way. She draws back and sees my cross face and she gives a little ripple of laughter. “Oho!” she says, and pats my cheek as if my bad temper does not trouble her. This is a real princess, as naturally royal as my mother; this is the girl who will be Queen of England; and so I don’t resent the pat, more like a caress. I find that I like her and dislike her, all together, all at once.



“I hope you will be kind to Katherine,” my mother says to me as we come out of her private chapel after Prime the next morning.

“Not if she thinks she’s going to come here and lord it over all of us,” I say briskly. “Not if she thinks she is going to act as if she is doing us a favor. Did you see her shoelaces?”

My mother laughs with genuine amusement. “No, Margaret. I did not see her shoelaces, nor did I ask you for your opinion of her. I told you of my hope: that you will be kind to her.”

“Of course,” I say, looking down at my missal with the jeweled cover. “I hope that I am gracious to everyone.”

“She is far from her home and accustomed to a big family,” my mother says. “She will certainly need a friend, and you might enjoy the company of an older girl. I had lots of sisters at home when I was growing up, and I value them, more and more every year. You too might find that your women friends are your truest friends, your sisters are the keepers of your memories and hopes for the future.”

“She and Arthur will stay here?” I ask. “They will live with us?”

My mother rests her hand on my shoulder. “I wish they could stay; but your father thinks they should go to Arthur’s principality and live at Ludlow.”

“What does my lady grandmother think?”

My mother gives a little shrug. That means it has been decided. “She says the Prince of Wales must govern Wales.”

“You’ll still have me at home.” I put my hand over hers to keep her beside me. “I’ll still be here.”

“I count on you,” she says reassuringly.



I have only one moment alone with my brother Arthur before the wedding. He walks with me in the long gallery. Below, we can hear the musicians striking up another dance, and the buzz of people drinking and chattering and laughing. “You don’t have to bow so low to her,” I say abruptly. “Her father and mother are new-come to their thrones just like our father. She has nothing to be so very proud of. They’re no better than us. They’re not an ancient line.”

He flushes. “You think her proud?”

“Without reason.” I heard my grandmother say exactly this to my lady mother so I know it is right.

But Arthur argues. “Her parents conquered Spain and took it back from the Moors. They are the greatest crusaders in the world. Her mother is a queen militant. They have extraordinary wealth and own half of the unmapped world. Some grounds for pride there, surely?”

“There’s that, I suppose,” I say begrudgingly. “But we are Tudors.”

“We are,” he agrees with a little laugh. “But that doesn’t impress everyone.”

“Of course it does,” I say. “Especially now . . .”

Neither of us says any more; we are both aware that there are many heirs to the English throne, dozens of Plantagenet boys, our mother’s kinsmen, still living at our court, or run away to exile. Father has killed my mother’s cousins in battles, and destroyed more than one pretender: he executed our cousin Edward two years ago.

“Do you think her proud?” he challenges me. “Has she been rude to you?”

I spread my hands in the gesture of surrender that my mother makes when she is told that my lady grandmother has overruled her. “Oh, she doesn’t bother to talk to me, she has no interest in a mere sister. She is too busy being charming, especially to Father. Anyway, she can hardly speak English.”

“Isn’t she just shy? I know that I am.”

“Why would she be shy? She’s going to be married, isn’t she? She’s going to be Queen of England, isn’t she? She’s going to be your wife. Why would she be anything but completely delighted with herself?”

Arthur laughs and hugs me. “D’you think that there is nothing better in the world but to be Queen of England?”

“Nothing,” I say simply. “She should realize it and be grateful.”

“But you will be Queen of Scotland,” he points out. “That’s grand too. You have that to look forward to.”

“I do, and I certainly won’t ever be anxious and homesick or lonely.”

“King James will be a lucky man to have such a contented bride.”

That is the closest I get to warning him that Katherine of Aragon is looking down her long Spanish nose at us. But I nickname her Katherine of Arrogant and Mary hears me say it, since she is everywhere, always eavesdropping on her elders and betters. She catches it up, and it makes me laugh every time I hear her and see my mother’s quick frown and quiet correction.



The wedding passes off very brilliantly, arranged by my lady grandmother, of course, to show the world just how wealthy and grand we are now. Father has spent a fortune on a week of jousting and celebration and feasting, the fountains flow with wine, they roast oxen in Smithfield Market, and the people tear up the wedding carpet so that they can all have a little piece of Tudor glory on their sideboards. This is my first chance to see a royal wedding and I inspect the bride from the top of her beautiful white lace headdress, which they call a mantilla, to the heels of her embroidered shoes.

She looks pretty, I cannot deny that, but there is no cause for everyone to behave as if she is a miracle of beauty. Her long hair is the color of gold and brass, and falls around her shoulders nearly to her waist. She is as dainty as a little picture, which makes me feel awkward, as if my feet and hands are too big. It would be petty and a sin to think badly of her because of this, but I admit to myself that it will be better for everyone when she conceives a son and a Tudor heir, disappears into confinement for months, and comes out fat.

As soon as the feast is over, the double doors at the end of the hall open and a great float comes in, pulled by dancers in Tudor green. It is a huge castle, beautifully decorated with eight ladies inside, the princ...
Revue de presse :
"Mesmerizing, intimate...Gregory defines what it means to be a writer of historical fiction. She lures readers straight into the hearts and minds of her characters by masterful storytelling and brilliant reimagination blended with historical fact. She brings history to life." (RT Book Reviews)

"A fictional tale as steeped in history as it is in intrigue and family dysfunction....Gregory excels in plucking real-life women out of their secondary places in the historical chorus and placing them stage center in starring roles." (Booklist)

"Philippa Gregory’s historical fiction about the Tudors, including the best-seller The Other Boleyn Girl, has earned her a devoted following, and Three Sisters, Three Queens is sure to bring her more." (St. Paul Pioneer Press)

“The ultimate job in centuries past was ruling. Historical fiction maven Gregory (The Other Boleyn Girl) takes on three women, all part of King Henry VIII’s world, who serve as queens of England, France, and Scotland.” (Library Journal)

"Spellbinding." (Shelf Awareness)

"By the time I had read the first few pages of Three Sisters, Three Queens, I knew that once again Gregory had grabbed me by the collar and simply wouldn't let me go. . . . Although the urge to race through the novel to see what happens next is strong, smart readers will read slowly and savor the chance to travel back in time and live in an era that can now be found only in the pages of such a magical book.” (Book Reporter)

Praise for The Taming of the Queen:

“Who’s ever heard of Kateryn Parr? Henry VIII’s sixth wife was smart, independent—and managed to outlive him. In historical-fiction-queen Gregory’s latest, she’s unforgettable.” (People Magazine)

“Full of vivid details and fraught with the constant tension of a court run by a madman, this novel will appeal most to historical fiction readers and those who enjoyed Wolf Hall. . . . Gregory beautifully builds the suspense.”Library Journal

“Gregory does her usual excellent job of ratcheting up the intrigue and suspense as another intelligent and strong-willed heroine fights for her life and her legacy.”—Booklist

“Gregory puts readers at the scene with visceral details.” (Kirkus Reviews)

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  • ÉditeurAtria Books
  • Date d'édition2016
  • ISBN 10 1476758573
  • ISBN 13 9781476758572
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