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If-and the thing is wildly possible-the charge of writing nonsense were ever brought against the author of this brief but instructive poem, it would be based, I feel convinced, on the line (in p.4) "Then the bowsprit got mixed with the rudder sometimes." In view of this painful possibility, I will not (as I might) appeal indignantly to my other writings as a proof that I am incapable of such a deed: I will not (as I might) point to the strong moral purpose of this poem itself, to the arithmetical principles so cautiously inculcated in it, or to its noble teachings in Natural History-I will take the more prosaic course of simply explaining how it happened.
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Lewis Carroll (1832-1898), the pen name of Oxford mathematician, logician, photographer and author Charles Lutwidge Dodgson, is famous the world over for his fantastic classics Alice in Wonderland, Through the Looking Glass, The Hunting of the Snark, Jabberwocky, and Sylvie and Bruno. Martin Gardner (1914-2010) is the author of more than seventy books, including Fads and Fallacies in the Name of Science, The Annotated Alice, The Annotated Hunting of the Snark, and The Colossal Book of Mathematics. English artist Henry Holiday (1839-1927) worked in the Pre-Raphaelite school and created many works of art, including over 300 commissioned stained-glass windows and the illustrations for Lewis Carroll's The Hunting of the Snark. Adam Gopnik, author of Paris to the Moon and The Table Comes First, is a staff writer for The New Yorker.
The definitive guide to one of the most baffling epics of nineteenth-century literature-a companion to The Annotated Alice.
"It's a Snark!"...for whatever else can it be?" Published on April Fools' Day in 1876, Lewis Carroll's The Hunting of the Snark remains one of the most amusing and bizarre works of modern verse. Carroll, who completed this classic poem eleven years after the publication of Alice in Wonderland, invites readers along on a fictitious hunt to determine who-or what-the Snark actually is. More than 130 years later, the indomitable Martin Gardner returns to the Snark with a trove of new annotations and illustrations, uncovering some of the most confounding literary, linguistic, and mathematical references embedded in any of Lewis Carroll's many works. Included in this gorgeous, two-color volume is an introduction by Adam Gopnik, as well as Henry Holiday's distinctive, original illustrations, a substantial bibliography, and a suppressed drawing of the infamous Boojum. With a host of other Snark resources, this is the most ambitious work on Lewis Carroll's masterpiece in many decades.
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