Opening Belle: A Novel - Couverture souple

Sherry, Maureen

Couverture souple

ISBN 10 : 1501110632 ISBN 13 : 9781501110634

Editeur : Simon & Schuster, 2016

A propos du livre

Extrait

Opening Belle CHAPTER 1

The Trouble with Barbie

I’VE BEEN to this holiday smackdown nine times. I know the drill: drink one glass of wine and lots of water. It’s not the place in 2007 where a thirty-six-year-old should be seen shaking her groove thing. I’ll swerve around the room, chat up some partners I don’t speak with often, then head for the door and be gone—slipping on home to Bruce and our diaper-clad chaos.

Steps from the entrance I instinctively pause, summoning a more impressive version of me, trying to get her to show up tonight. I stand taller, trying to find inner fabulousness, while I mentally tick off names of men, because they are all men, who will determine my fiscal year–end bonus. Which of the graying white guys on the executive committee have I not spoken with in the last few weeks and how can I casually remind them of my biggest deals?

I rehearse before the curtains rise. I think potential drama through and summon a false calm, just the way I do when my four-year-old’s shrieks threaten to shatter glass. I search for that kind of counter-Zen that gets the men to lean forward and listen. Avoiding the hysterical-female role—the stereotype men I work with have of women—is the key. Staying cool and professional and never slipping into some gossiping, pretty-girl mode is a strategy that’s gotten me places.

I mentally list the men with whom under any circumstances I shall not, will not, no matter what they can do for my bank account, dance with tonight. The inner caveman comes unleashed when all of us are together with an open bar and a closed stock market. I imagine every place of employment has a list of suspects to avoid at a party, but the problem with Feagin Dixon—or the problem with men making big money anywhere—is that they can get casual with wedding vows. It’s not that they don’t love their wives—I think they do—but the headiness of that money sucks the scruples right out of them. Any guy who was perhaps a geek in another life, hears the call of his near-celebrity status, and it makes him horny. If ever there was a time of year these men are in heat, it’s now, just a few months before bonus season.

Professionals on Wall Street get salaries to envy. Administrators get $50K to $200K a year; vice presidential salaries are about $250K, and mine at the managing director level is $500K. While that’s terrific, what comes next is the mind blower. At the end of our fiscal year, in just a few months, commissions will be divvied up and paid out to the people who reined them in: bankers get the commissions on investment banking deals, traders get the cents per share paid to them by the buyers and sellers of stocks and bonds, and nonproducing executives pilfer from every department they ever set foot in. These bonuses put us in the economic stratosphere, usually doubling, quadrupling, or making irrelevant the actual salary. By staying at the top of my game, I hope to work until I never have to work again, cashing in stock options in my wake and being young enough to do something meaningful. I’ll take my tribe of three kids and mostly nonemployed husband and go live in some suburb with cul-de-sacs where I will even enjoy using that word. I’ll join the PTA, put my kids on a school bus, give sizeable chunks of money to great causes, and learn how to be reverential to my husband and his esoteric interests known to him as “work.” But for now, I’m paying for three private school tuitions, a nanny salary, a dog walker, a housekeeper who only shows up on occasion, rental space to park our car, a mortgage on a family-sized apartment, and the rent on a Hamptons house we run to each weekend to exhale, all with after-tax dollars. I need to work the room tonight.

I stand at the top of the restaurant steps, inhaling the crisp December air, catching sight of myself in the glass doors. I’m not exactly a photo-ready hotshot. I’m an expensively dressed bag lady. Everyone else walking up the steps has primped for this moment. They smell good and their faces glow expectantly. If they’ve Christmas-shopped their way here, they hold elegant, quadruple-weighted shopping bags that scream the worth of the contents: Hermès, Mikimoto, Takashimaya, and Prada. I, on the other hand, have garbage bag–sized Toys “R” Us sacks that contain the plastic Rescue Bots figures, a giant Haircut Barbie head (think CPR mannequin head with blond wig), and oversized Fisher-Price Peek-a-Blocks. The whole spectacle doesn’t weigh much, but the bulk destroys my attempt at holiday elegance—the dress code for tonight. To add to my distress, I’ve managed to knock my Peek-a-Blocks into full song several times. They are possibly the first battery-included toy ever sold. Each time the sack bangs against my knee, I hear a rousing electronic rendition of “Open, shut them, open, shut them, give a little clap, clap, clap.”

I’m wondering just how far the public walk to the coat check will be when Ballsbridge swoops in behind me.

Marcus Ballsbridge, most often referred to as Ballsy, is a thirty-nine-year-old father of two. He has the sort of thick, dark hair women just want to tousle. Of course, if one of us ever were to do such a thing, it would be interpreted as some call-to-mate move. The news of her flirtation would be broadcast across the trading floor in minutes. A girl can think of tousling but she dare not do it. He has angular features and a southern drawl laced with charm that quiets the cackle of sales assistants and he’s probably the closest thing I have to a work friend. Ballsbridge and I sit back to back on the trading floor. We exchange work-related barbs for much of the day in sibling fashion. The second the market closes we don’t speak until the following morning. All our conversations occur between the opening bell at 9:30 a.m. and the close at 4 p.m., which makes this moment officially off-limits. Tonight he surprises me.

“Hey, darlin’ Isabelle, you and I hitting all the hot spots, huh?” He grins and holds up a sack that looks like mine only with more expensive packaging.

“We’re far more evolved,” I say, noting he talks more slowly when time isn’t money. From all appearances, Marcus is single-handedly keeping FAO Schwarz out of bankruptcy.

“Are you still in that purple dinosaur stage?” Ballsbridge has an unhealthy fascination with Barney the Dinosaur. He draws him into conversation noticeably often. It’s weird.

I proceed to reel off my kids’ Santa list, as if my life depended on it. “Bionicles, Peek-a-Blocks, Haircut Barbie, Transformers, and Yu-Gi-Oh! cards, plus baby books. I know I’m going to forget something and break someone’s heart,” I say, and I mean this.

“Honey, you’re actually reciting that alphabetically.”

Ballsy is happy, Christmassy. Usually when I overhear him talking to his wife on the phone he is fuming. His concerns stem from the fact she just bought something unnecessary, or had some enhancement or spa procedure that perhaps was necessary, but costly nonetheless. Tonight he’s different; he’s light and fun, while I’m feeling a tinge of panic. Tonight is important and I look bedraggled.

“Hide me, Marcus. I look like a mother, for God’s sake.” I nod toward my bags.

Without missing a beat he grabs my sacks, banging the Peek-a-Blocks hard, and we enter to the tune of “Triangle A-B-C, triangle 1-2-3.”

“Thanks,” I exhale, and watch his back disappear into the coatroom with our wares, and I wonder why he’s proud to carry toys around and why I’m not.

Metronome is a ten-thousand-square-foot restaurant that has been transformed into a dance hall this evening. It’s the early side of the party, when people get liquored up for confidence, so most are hanging around the bar. The DJ spins innocent tunes, wedding tunes: “Celebrate good times, come on!”

Will that song ever just curl up and die already?

A few women dance with each other, hoping to get the party started, but nobody is cutting loose just yet. The evening hangs in an awkward state of sobriety.

The trading floor, the place most of us work, sets the stage for a mating dance. Daily. A grid of attached desks sits in a space a quarter the size of a football field. There are no walls and no cubicles to separate us. During work hours, everyone is either on the phone or flirting. A trading floor has everything to keep adrenal glands pumping cortisol: breaking news, tragedy, money, racism, sexism, and a little less overt sex play than in the past. The blow-up dolls that floated around in the early nineties have been deflated, and the deliveries of erotic chocolates have ceased. As my closest friend, Elizabeth, says when she visits me at work, “I feel like you work in a nightclub.” She compares us to the technology start-up where she works and says that Wall Street’s just in a more evolved stage of lawlessness than her world.

So the holiday party, with its alcohol, low lights, and music, is a show waiting to start, a nostalgic one-night pass back to the old days, and it never disappoints.

I see my first target—Simon Greene, my direct boss. He’s a frumpy, oily, bald, hyperactive guy pushing sixty. He never talks to me unless it’s bad news. We haven’t spoken in ages, which is a positive sign for my pending bonus. But the time to let him know I’m expecting to be remembered is now. It’s time to talk to Simon.

“Merry Holiday,” I bumble out. I had started to say Christmas, did my millisecond correction because Simon is Jewish, and “Merry Holiday” was the result. I’m sure that cost me.

“Hey, Isabelle,” Simon says flatly.

“Cheetah Global is voting soon. I’d like to get you in front of them. Any chance we can visit them together?” I ask.

Who would I put my boss out in front of before payday but my best client? I envision the client singing my praises to Simon just as he inks my bonus check. I doubled the commissions Cheetah paid to Feagin this year. I shake Greene’s damp hand and head toward King McPherson, head trader and member of the compensation committee.

King is an excellent second choice to rub shoulders with early in the evening. A striking six-foot-four former Duke basketball player, he quickly becomes the center of any party once a woman’s inhibitions are numbed. In other words, if I don’t talk to him early, I’m not going anywhere near him later.

“Isabelle!” he yells as I make my way over. He is leaning against the bar with Ballsbridge.

“Happy holidays, sweetie,” King says while planting a kiss that includes a small lick on my cheek. I choose not to notice the lick. King is the kind of guy I dated before I took up the cause of the underemployed. He’s dashing and funny with an intimate manner that sucks people in. It didn’t take long to see a shiftiness I couldn’t trust. To compare? When my husband, Bruce, says he didn’t come home because an engine fell out of an airplane while he was flying home from a conference in St. Martin, and that he emergency-landed in St. Barths where the Sports Illustrated Swimsuit Edition was being shot, and that he didn’t call because he was sharing a room with [insert supermodel’s name], whom he was just friends with, and that he didn’t want to wake her, it is actually true. With a guy like King, it’s just not true. I knew I could handle being the breadwinner, but I couldn’t handle being the lied-to wife. I used to be the lied-to girlfriend and that life wasn’t for me.

King shifts his hand to the lower-back part of my skirt and presses into the small of my back while turning me around to face the bar. Marcus reaches over and pulls the hand off me, like some self-appointed big brother. This should make me feel cared for, but I hate it. I know how to take care of myself.

“Check out what Ballsy bought for his kids!” he says, now hanging his thumb on the back of my skirt. It’s distracting and infuriating at the same time but I just go with it and am glad that Marcus lets it go too. While I love his support, it sometimes feels patronizing, like he won’t let me fight my own fights.

I turn obligingly to face a coveted, hard-to-find, four-part Greybeards Castle. I know because my seven-year-old wanted one and I told him Santa doesn’t do $289 toys. I may be wealthy but I’m not spoiling my kids like that. But Ballsbridge does. The men giggle as they insert the batteries and put the giant plastic keys in the fortress doors (oh please, house keys for a castle?) and hear the castle screech, “Intruder! Intruder!” Bells and sirens roar and King’s hand heads farther south toward my ass, actually inside my skirt’s waistband. Each time the sirens go off he laughs and with each laugh he fans his hand to brush my ass.

I have two thoughts: I’m disgusted at myself for not walking away, for putting up with this stuff just to talk business, and second, I think of me dumping my toys to hide my other life while Marcus wants to show them off. He’s boasting that he went toy shopping, while King says, “That Ballsy, such a good family guy.”

“Hey, golden girl.” I’m pulled away from King, causing his hand to be caught on my skirt for a moment, by one of the guys on my Avoid list. This is the stuff I’ve rehearsed for.

He’s Salvatore Brody, whom everyone calls Sally, co-head of the over-the-counter desk, and right now he’s dancing like an Irish/Italian—a man bred from two cultures known for step-dancing and red wine, and from where I stand, he seems to be indulging in both. I try and follow his moronic motions, smiling all the while as I cross, hop, and 1, 2, 3, 4 while keeping my arms firmly at my side.

The song changes to House of Pain’s “Jump Around” and jump we do. I briefly entertain the idea of asking him about a block of stock that traded away from me (someone else bought stock my customer was trying to buy) but realize I’d be screaming in his ear while jumping, and I just don’t have that sort of energy right now and I don’t want to get closer to him. The song is mercifully short, and I bolt for the ladies’ room just to have someplace to go. It’s there I run into Amy Yapp.

Amy and I sit about five feet from each other but rarely speak. She’s slightly my junior and anxious to be promoted. She sneakily sniffs around my turf every time I have a baby so I usually keep my distance from her. Tonight, though, we stand together at the sink, awkwardly washing our hands in sync, and avoiding eye contact in the mirror in front of us. Her super-chic blond hair has been cut tight to her head, her average height raised significantly by tall, pointed heels, and her red cocktail dress tailored to within a millimeter of her skin. Everything about her is tightly wound. The sound of running water is too quiet and the absence of talk between us too weird. Why are we so uncomfortable with each other when there is no immediate business to discuss? Amy is recently divorced, childless, and seems to have no outside interests beyond work.

The voices of two sales assistants distract us. Sales assistants are support people who spend their day balancing trades. They match, buy, and sell orders for millions of dollars, which until a few years ago were physical tickets illegibly scribbled with account numbers. These assistants balance the piles of money moving around each day and pray they get it right. They are underpaid, abused women, constantly staring at the juicy carrot of a job like mine. It’s unclear to me who of us works harder, but they seem to have more fun, and I make more money. That’s the real trade between us.

Stall #1: “Did you see King pull me onto his lap?” [sighs.]

Stall #2: “Puh-leeze, those guys already gave me keys to the after-party.”

The after-party...

Revue de presse

“Compulsively readable...a cheeky—and at times, romantic—battle-cry for any woman who’s ever strived to have it all and been told by a man that she couldn’t.” (Entertainment Weekly)

"Funny, relevant and often shocking.... Even if your own life is far from a fairy tale, Opening Belle will allow you to laugh, learn and maybe even lean in — to hug your own family a little closer.” (Washington Post)

"Maureen Sherry’s comic novel unspools like a movie....I can just hear Cyndi Lauper’s version of 'Money Changes Everything' on the soundtrack." (Dallas Morning News)

"Corporate sexism and the mortgage crisis are a laugh a minute...in this delightful comic novel, at least....So much fun, and educational too." (Kirkus Reviews, starred review)

“A smart, biting and honest peek into what it means to be a woman on Wall Street. I loved this book.” (Reese Witherspoon)

"Working Girl meets Wolf of Wall Street in this in-depth, behind-the-pinstripe peek inside a temple of elite finance, navigated by a sharp, smart woman in an old boys' world." (Jill Kargman, author and creator of Odd Mom Out)

"Wow. This is the inside story we've been waiting for. Wall Street women never talk because their silence has been bought. Not Maureen Sherry. She tells her story of a working mother's battle against outrageous sexism and financial recklessness with laugh-out-loud insight and winning panache. Shocking and hilarious, Opening Belle is one woman's glorious revenge on the unreconstructed Tarzans of the corporate jungle. I don't know how she does it, but I'm really glad she did." (Allison Pearson, author of I Don't Know How She Does It)

"Opening Belle is an irresistibly Zeitgeist-y novel about motherhood, marriage, misogyny, lust, ambition, discovery, disappointment, entitled nannies, and Goldfish crackers on the floor that (and this is big) rings true. But that’s not all. Sherry’s novel is also a delightfully funny and frequently damning participant-observer’s dissection of the secretive codes and practices of an elite, socially antediluvian tribe of men who, in a very real sense, run the world. For them, the bell has sounded." (Wednesday Martin, author of Primates of Park Avenue)

"Rooting for our girl banker/mommy/wife Isabelle is not tough; she is so brilliantly breezy. This book reveals the honest reality of a woman working in a man's world and still being treated like she's in an updated version of the cult classic 9 - 5." (Lucy Sykes, author of The Knockoff)

“Maureen Sherry reveals what it’s like to be a woman working in the adrenaline-fueled, complex, exciting, rewarding, and demanding culture of Wall Street. You won't be bored on this roller coaster ride.” (Amy Goodfriend, CEO Goodfriend Partners, former Partner, Goldman Sachs)

À propos de cette édition

• Éditeur: Simon & Schuster
• Date d'édition: 2016
• ISBN 10: 1501110632
• ISBN 13: 9781501110634
• Reliure: Broché
• Nombre de pages: 352