This volume contains the original, overtly homoerotic version of the book that first appeared in 1890. Following the novel is a series of critical reviews of the book along with letters defending his work, which Wilde wrote to the various publication editors. There is also a detailed list of the passages expurgated from this first edition along with an account of Wilde's trial, in which the prosecutor constantly refers, quite naturally, to the original edition in trying to portray Wilde as homosexual. Other material regarding the novel is presented, as well. The foreword by John Cowper Powys is an inspired defense of Wilde himself and the genius of his personality.
A lush, cautionary tale of a life of vileness and deception or a loving portrait of the aesthetic impulse run rampant? Why not both? After Basil Hallward paints a beautiful, young man's portrait, his subject's frivolous wish that the picture change and he remain the same comes true. Dorian Gray's picture grows aged and corrupt while he continues to appear fresh and innocent. After he kills a young woman, "as surely as if I had cut her little throat with a knife," Dorian Gray is surprised to find no difference in his vision or surroundings. "The roses are not less lovely for all that. The birds sing just as happily in my garden."
As Hallward tries to make sense of his creation, his epigram-happy friend Lord Henry Wotton encourages Dorian in his sensual quest with any number of Wildean paradoxes, including the delightful "When we are happy we are always good, but when we are good we are not always happy." But despite its many languorous pleasures, The Picture of Dorian Gray is an imperfect work. Compared to the two (voyeuristic) older men, Dorian is a bore, and his search for ever new sensations far less fun than the novel's drawing-room discussions. Even more oddly, the moral message of the novel contradicts many of Wilde's supposed aims, not least "no artist has ethical sympathies. An ethical sympathy in an artist is an unpardonable mannerism of style." Nonetheless, the glamour boy gets his just deserts. And Wilde, defending Dorian Gray, had it both ways: "All excess, as well as all renunciation, brings its own punishment."From the Publisher :
Here in one volume are his immensely popular novel, The Picture Of Dorian Gray ; his last literary work, the Ballad Of Reading Goal, a product of his own prison experience; and four complete plays:Lady Windermere's Fan, his first dramatic success; An Ideal Husband, which continued to poke fun at conventional morality; The Importance Of Being Earnest, his finest comedy; and Salome, a portrait of uncontrollable love originally written in French, now in a new translation by Richard Elman. Every selection appears in its entirely--a marvelous collection of outstanding works by the incomparable Oscar Wilde, whom Max Beerbohm so aptly labeled "a lord of language."
Description du livre CreateSpace Independent Publishing Platform, 2015. État : VERY GOOD. little to no wear, pages are clean. The cover and binding are crisp with next no creases. N° de réf. du libraire 2758305138
Description du livre État : Very Good. Book Condition: Very Good. N° de réf. du libraire 97815089982113.0