Biographie de l'auteur :
Tess Gallagher was born in Port Angeles, Washington, the daughter of a logger and a longshoreman. A poet, essayist, fiction writer and playwright, she has published many books, including three poetry titles in Britain with Bloodaxe: My Black Horse: New & Selected Poems (1995), Portable Kisses (1996) and Dear Ghosts, (2007). She has published two collections of stories, The Lover of Horses (1986) and At the Owl Woman Saloon (1997), and two books of essays, A Concert of Tenses: Essays on Poetry (1986) and Soul Barnacles: Ten More Years with Ray (2000). She co-authored two screenplays with Raymond Carver, and later contributed to the making of the Robert Altman lm Short Cuts, based on Carver's work. She has also written introductions to books such as A New Path to the Waterfall and All of Us by Raymond Carver and Carver Country. She spends parts of each year in the West of Ireland, near Sligo, where she bought lambs to save them from the butcher and has since begun weaving wall hangings from their fleeces. She recently completed a collection of oral stories from Ireland, Surrounded by Weasels, with Irish painter and storyteller Josie Gray.
Revue de presse :
Gallagher, a cherished poet and short story writer, evokes the power of the unseen as well as the seen with breathtaking clarity, creating metaphors so surprising, radiant, and apt that the world seems to expand in their wake...Substantial yet lambent, earthy and spiritual, these are her best works in an already incandescent oeuvre...So compelling are Gallagher's graceful poems, they leave the reader feeling "rearranged from the cells out". --Donna Seaman, Booklist
Gallagher's big, emotion-rich volume is her first in 14 years...Her own fight against cancer provides another subtext for many poems and the explicit subject for a few. She celebrates her survival while finding 'Time/to admit the limitations of death'. The many who cherished her earlier verse will find the new work profound. --Publishers Weekly
She is outstanding among her contemporaries in the naturalness of her inflection, the fine excess of her spirit, and the energy of her dramatic imagination. --Stanley Kunitz
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