Comics Alt Gary Panter Dal Tokyo

ISBN 13 : 9781560978862

Dal Tokyo

Note moyenne 3,7
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9781560978862: Dal Tokyo

Panter's long-running punk/sci-fi strip finally collected in one giant volume.

Gary Panter began imagining Dal Tokyo, a future Mars that is terraformed by Texan and Japanese workers, as far back as 1972, appropriating a friend’s idea about “cultural and temporal collision” (The “Dal” is short for Dallas).

Why Texan and Japanese? Panter says, “Because they are trapped in Texas, Texans are self-mythologizing. Because I was trapped in Texas at the time, I needed to believe that the broken tractor out back was a car of the future. Japanese, I’ll say, because of the exotic far-awayness of Japan from Texas, and because of the Japanese monster movies and woodblock prints that reached out to me in Texas. Japanese monster movies are part of the fabric of Texas.”

In 1983, Panter finally got a chance to fully explore this world, and share it with an audience, when the L.A. Reader published the first 63 strips. A few years later, the Japanese reggae magazine Riddim picked up the strip, and Panter continued the saga of Dal Tokyo in monthly installments for over a decade.

But none of these conceptual descriptions will prepare the reader for the confounding visual and verbal richness of Dal Tokyo, as Panter’s famous “ratty line” collides and colludes with near-Joycean wordplay, veering from more or less intelligible jokes to dizzying non-sequiturs to surreal eruptions that can engulf the entire panel in scribbles. One doesn't read Dal Tokyo; one is absorbed into it and spit out the other side.

Black & white throughout

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About the Author :

Gary Panter was born in Texas in 1950 and now lives in Brooklyn, NY. He is a three-time Emmy Award-winner for his work as the production designer of Pee-wee's Playhouse. As the creator of Jimbo, he is one of the pillars of the legendary RAW magazine. He lives in Brooklyn, NY.

From Booklist :

*Starred Review* Panter’s legendary Dal Tokyo comic strip has finally been collected in this landmark volume. The influential graphic artist, whose career has taken him from underground comix to fine-art galleries, began the strip in the Los Angeles Reader in 1983; after a 12-year hiatus, it was picked up by the Japanese reggae magazine Riddim, where it appeared monthly until its conclusion in 2007. The series is set in a futuristic martian colony founded by Japanese and Texan settlers (Dal is short for Dallas), with cultural elements from both Japan (robots, public baths) and Texas (omnipresent automobiles). Beginning with a relatively coherent story line (at least by Panter’s standards), the proceedings grow ever more surreal as the narrative takes a backseat to the hallucinogenic graphics, and Dalto becomes less a geographic locale than a feverish state of mind. The visual approach varies from bold, stripped-down figures to vague, disjointed scribblings, but Panter’s distinctive punk-influenced style remains always recognizable. This long-awaited collection of these rare strips is a bonanza for Panter’s dedicated followers. --Gordon Flagg

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Description du livre Fantagraphics, United States, 2012. Hardback. État : New. Language: English . Brand New Book. Gary Panter began imagining Dal Tokyo, a future Mars that is terraformed by Texan and Japanese workers, as far back as 1972, appropriating a friend s idea about cultural and temporal collision (The Dal is short for Dallas). Why Texan and Japanese? Panter says, Because they are trapped in Texas, Texans are self-mythologizing. Because I was trapped in Texas at the time, I needed to believe that the broken tractor out back was a car of the future. Japanese, I ll say, because of the exotic far-awayness of Japan from Texas, and because of the Japanese monster movies and woodblock prints that reached out to me in Texas. Japanese monster movies are part of the fabric of Texas. In 1983, Panter finally got a chance to fully explore this world, and share it with an audience, when the L.A. Reader published the first 63 strips. A few years later, the Japanese reggae magazine Riddim picked up the strip, and Panter continued the saga of Dal Tokyo in monthly installments for over a decade. But none of these conceptual descriptions will prepare the reader for the confounding visual and verbal richness of Dal Tokyo, as Panter s famous ratty line collides and colludes with near-Joycean wordplay, veering from more or less intelligible jokes to dizzying non-sequiturs to surreal eruptions that can engulf the entire panel in scribbles. One doesn t read Dal Tokyo; one is absorbed into it and spit out the other side. N° de réf. du libraire AAS9781560978862

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Gary Panter
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Description du livre Fantagraphics, United States, 2012. Hardback. État : New. Language: English . Brand New Book. Gary Panter began imagining Dal Tokyo, a future Mars that is terraformed by Texan and Japanese workers, as far back as 1972, appropriating a friend s idea about cultural and temporal collision (The Dal is short for Dallas). Why Texan and Japanese? Panter says, Because they are trapped in Texas, Texans are self-mythologizing. Because I was trapped in Texas at the time, I needed to believe that the broken tractor out back was a car of the future. Japanese, I ll say, because of the exotic far-awayness of Japan from Texas, and because of the Japanese monster movies and woodblock prints that reached out to me in Texas. Japanese monster movies are part of the fabric of Texas. In 1983, Panter finally got a chance to fully explore this world, and share it with an audience, when the L.A. Reader published the first 63 strips. A few years later, the Japanese reggae magazine Riddim picked up the strip, and Panter continued the saga of Dal Tokyo in monthly installments for over a decade. But none of these conceptual descriptions will prepare the reader for the confounding visual and verbal richness of Dal Tokyo, as Panter s famous ratty line collides and colludes with near-Joycean wordplay, veering from more or less intelligible jokes to dizzying non-sequiturs to surreal eruptions that can engulf the entire panel in scribbles. One doesn t read Dal Tokyo; one is absorbed into it and spit out the other side. N° de réf. du libraire AAS9781560978862

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