Présentation de l'éditeur :
Beautifully packaged reissue of Muriel Spark's best loved novel, The Prime of Miss Jean Brodie'You girls are my vocation . . . I am dedicated to you in my prime'Miss Jean Brodie is a schoolmistress with a difference. She is proud, cultured and romantic but her educational ideas are highly progressive and even deeply shocking. So when she decides to transform a group of 'special girls' into the crème de la crème at Marcia Blaine School they are soon known, perhaps suspiciously, as the Brodie set.Introduced to an unsettling world of adult games and curious intrigues, the Brodie Set know that they are honoured and privileged. Yet there is a price to pay - they must give Miss Brodie their undivided loyalty . . .'The most gifted and innovative British novelist of her generation' David Lodge, The New York Times'Spark's novels linger in the mind as brilliant shards' John Updike, New Yorker'One of the greatest books about growing up' James Wood, GuardianMuriel Spark was born and educated in Edinburgh. She was active in the field of creative writing since 1950, when she won a short-story writing competition in the Observer, and her many subsequent novels include Memento Mori (1959), The Ballad of Peckham Rye (1960), The Prime of Miss Jean Brodie (1961), The Girls of Slender Means (1963) and Aiding and Abetting (2000). She also wrote plays, poems, children's books and biographies. She became Dame Commander of the British Empire in 1993, and died in 2006.
Présentation de l'éditeur :
The brevity of Muriel Spark's novels is equaled only by their brilliance. These four novels, each a miniature masterpiece, illustrate her development over four decades. Despite the seriousness of their themes, all four are fantastic comedies of manners, bristling with wit.
Spark's most celebrated novel, THE PRIME OF MISS JEAN BRODIE, tells the story of a charismatic schoolteacher's catastrophic effect on her pupils. THE GIRLS OF SLENDER MEANS is a beautifully drawn portrait of young women living in a hostel in London in the giddy postwar days of 1945. THE DRIVER'S SEAT follows the final haunted hours of a woman descending into madness. And THE ONLY PROBLEM is a witty fable about suffering that brings the Book of Job to bear on contemporary terrorism.
Characters are vividly etched in a few words; earth-shaking events are lightly touched on. Yet underneath the glittering surface there is an obsessive probing of metaphysical questions: the meaning of good and evil, the need for salvation, the search for significance.
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