The Experimental Music of Hermeto Pascoal and Group, 1981-1993: Conception and Language (Lives in Music)

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9781576472248: The Experimental Music of Hermeto Pascoal and Group, 1981-1993: Conception and Language (Lives in Music)

The Brazilian multi-instrumentalist, composer, and bandleader Hermeto Pascoal produces music that is unmistakably individual, drawing on a kaleidoscopic variety of influences, including contemporary jazz and the popular musical styles of the Northeast of Brazil, such cocos, emboladas and repentes, as well as baião, frevo and choro, with results verging on contemporary art music. His complex compositions are highly demanding of the performer, with use of dissonant harmonies, polyrhythms, unconventional timbres, atonal improvisations, aleatory techniques and more. He became known to American musicians and music-lovers through a brief period working with the late Miles Davis, and through a remarkable series of recordings for Warner and the Brazilian label Som Da Gente. Luiz Costa-Lima Neto's book is the first publication in English focusing on the work of this musical genius, looking at music produced between 1981 and 1993. During this period Hermeto worked with a group of five musicians in an ensemble that was called "Hermeto Pascoal e Grupo". Working with Hermeto were Itibere Luis Zwarg (electric bass, tuba and bombardon), Jovino Santos Neto (piano, keyboard, flutes), Antonio Luis Santana ("Pernambuco") - (percussion), Carlos Daltro Malta (saxophones, flutes, piccolo) and Marcio Villa Bahia (drum kit and percussion). Luiz Costa-Lima Neto explores the sources of Hermeto's experimental music, their development and characteristics, and describes how these were transformed into a musical system. He reconstructs the processes of creation and music-making by the group, with analysis of a selection of the ensemble's pieces, and demonstrates the innovative role played by Hermeto Pascoal in the history of popular music in Brazil, fusing regional, national, and international l elements to create a universal music which continues to affirm it roots.

Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.

About the Author :

Luiz Costa-Lima Neto has a Bachelor's Degree in Music Composition from University of Estacio de Sa, Brazil graduated in Musical Education from the Brazilian Music Conservatory, obtained his MA and PhD in Musicology from the Federal University of the State of Rio de Janeiro, Brazil. He is a Lecturer of Popular Music at the Martins Penna School of Theatre and in the Postgraduate Course in Art Therapy at Clinica Pomar/ISEPE. His ethnomusicological articles on the musical system of Hermeto Pascoal have been published in Brazil and abroad. As a composer he participated in Festivals of Brazilian Contemporary Music, in addition to having won theatrical awards for best original soundtrack.

Review :

(T)he author suggests that Hermeto Pascoal's music occupies a place within serious, modernist compositional techniques, and invites us to re-think his stylistic inclusion in Brazilian popular music and to consider him to be an important and interesting exception within popular music. The analysis of the elements of environmental and unconventional sources found in the traditional-cosmopolitan elements of Hermeto's music is used to place it within modern experimental music." (MUSIC REFERENCE QUARTERLY)

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Description du livre Paperback. État : New. Paperback. The Brazilian multi-instrumentalist, composer, and bandleader Hermeto Pascoal produces music that is unmistakably individual, drawing on a kaleidoscopic variety of influences, including co.Shipping may be from multiple locations in the US or from the UK, depending on stock availability. 248 pages. 0.294. N° de réf. du libraire 9781576472248

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Description du livre Boydell & Brewer Ltd, 2015. État : Brand new. The Brazilian multi-instrumentalist, composer, and bandleader Hermeto Pascoal produces music that is unmistakably individual, drawing on a kaleidoscopic variety of influences, including contemporary jazz and the popular musical st yles of the Northeast of Brazil, such cocos, emboladas and repentes, as well as baio, frevo and choro, with results verging on contemporary art music. His complex compositions are highly demanding of the performer, with use of di ssonant harmonies, polyrhythms, unconventional timbres, atonal improvisations, aleatory techniques and more. He became known to American musicians and music-lovers through a brief period working with the late Miles Davis, and thro ugh a remarkable series of recordings for Warner and the Brazilian label Som Da Gente. Luiz Costa-Lima Neto's book is the first publication in English focusing on the work of this musical genius, looking at music produced between 1981 and 1993. During this period Hermeto worked with a group of five musicians in an ensemble that was called "Hermeto Pascoal e Grupo". Working with Hermeto were Itibere Luis Zwarg (electric bass, tuba and bombardon), Jovino San tos Neto (piano, keyboard, flutes), Antonio Luis Santana ("Pernambuco") - (percussion), Carlos Daltro Malta (saxophones, flutes, piccolo) and Marcio Villa Bahia (drum kit and percussion). Luiz Costa-Lima Neto explores the sources of Hermeto's experimental music, their development and characteristics, and describes how these were transformed into a musical system. He reconstructs the processes of creation and music-making by the group, with analysis of a se lection of the ensemble's pieces, and demonstrates the innovative role played by Hermeto Pascoal in the history of popular music in Brazil, fusing regional, national, and international l elements to create a universal music which continues to affirm it roots. N° de réf. du libraire 10792

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