A comprehensive and absorbing look at the music of the twentieth century, with an introduction by Brian Eno.
The 20th Century saw two revolutionary changes in music. First music was deconstructed from its previously strict form, moving from formal constraints to more accessible melodies. Second, the way in which music was generated radically changed as new electronic equipment inspired experiments with sound divorced from traditional acoustic instruments.
More and more, innovative musical ideas became intertwined with technological change. Multi-track recording, editing, and improved microphones allowed for quieter, experimental elements to gain prominence. And with the advent of digital synthesizers, new music could be made by anyone and sound like almost anything.
The Ambient Century is the definitive chronicle of a century of musical change. It reveals the drift from composers to non-musicians, from the single note to the sample. Encyclopedic, yet with a strong narrative, The Ambient Century covers hundreds of artists, including such diverse artists as Gustav Mahler (the pioneer of modern music), Phillip Glass, New Order, and Moby. Lively, compelling, and authoritative-and boasting an unmatched discography. The Ambient Century is a treat for music lovers of all kinds.
Mark Prendergast, born in Dublin, has written about classical music and rock for newspapers, journals, and magazines worldwide. Now resident in London, his Ambient Century is the culmination of two decades listening with 'all gates open'.
Brian Eno is a celebrated and innovative musician, producer, composer, and visual artist. He has produced albums for such legendary musical artists as U2, Talking Heads, and David Bowie, as well as recorded and played along with the Velvet Underground, John Cale, and Television. His solo experiments in the albums Music For Films and Music for Airports, among others, have established him as a pioneer of ambient music. Brian Eno remains true to his passion for ever-shifting musical styles and experimentation.
Just as anything evolves when its setting changes, 20th-century music mutated as it moved beyond the confines of concert halls and into listeners' everyday environs. Thanks to car stereos, headphones, even computers, people now move within their own soundtracks. In this chronology of compositional innovations, Prendergast, an internationally published music writer, details the widening of sonic possibilities with advancements in recording, amplification and electronic instruments, and with the creative talents of hundreds of bold, brilliant composers. He credits Mahler with first evoking the hypnotic "ambient experience of landscape and emotion," kicking off the century of "repetitive conceptual music." Prendergast describes how, after a four-day fast, the sound of a single piano tone proved revelatory for Karlheinz Stockhausen; how sitarist Ravi Shankar influenced everyone from minimalist Philip Glass to the Beatles; how Donna Summer "merged Germanicity with black music's long history"; and how scores of house and techno artists have "moved the focus of the music away from its creators towards the listener." Organized by artist, the book provides suggested "Listenings" for each one, as well as a list of the "Essential 100 Recordings," which recommends ambient guru John Cage's "In a Landscape," megastar Bowie's absorbing "Low" and Goldie's "Timeless," a debut that brought ambient jungle/drum and bass into the mainstream. Talking Heads' producer Brian Eno, a maverick whose own music heavily influenced New Age and ambient house music, gives the book his stamp of approval in his foreword. B&w photos. Agent, Simon Trewin of Drury House, London.
Copyright 2001 Cahners Business Information, Inc.
Description du livre Bloomsbury USA, 2001. Hardcover. État : New. N° de réf. du libraire P111582341346
Description du livre Bloomsbury USA. Hardcover. État : New. 1582341346 New Condition. N° de réf. du libraire NEW6.0776811