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Book by Twain Mark
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Camelot-Camelot," said I to myself. "I don't seem to remember hearing of it before. Name of the asylum, likely."
It was a soft, reposeful summer landscape, as lovely as a dream, and as lonesome as Sunday. The air was full of the smell of flowers, and the buzzing of insects, and the twittering of birds, and there were no people, no wagons, there was no stir of life, nothing going on. The road was mainly a winding path with hoofprints in it, and now and then a faint trace of wheels on either side in the grass-wheels that apparently had a tire as broad as one's hand.
Presently a fair slip of a girl, about ten years old, with a cataract of golden hair streaming down over her shoulders, came along. Around her head she wore a hoop of flame-red poppies. It was as sweet an outfit as ever I saw, what there was of it. She walked indolently along, with a mind at rest, its peace reflected in her innocent face. The circus man paid no attention to her; didn't even seem to see her. And she-she was no more startled at his fantastic make-up than if she was used to his like every day of her life. She was going by as indifferently as she might have gone by a couple of cows; but when she happened to notice me, then there was a change! Up went her hands, and she was turned to stone; her mouth dropped open, her eyes stared wide and timorously, she was the picture of astonished curiosity touched with fear. And there she stood gazing, in a sort of stupefied fascination, till we turned a corner of the wood and were lost to her view. That she should be startled at me instead of at the other man, was too many for me; I couldn't make head or tail of it. And that she should seem to consider me a spectacle, and totally overlook her own merits in that respect, was another puzzling thing, and a display of magnanimity, too, that was surprising in one so young. There was food for thought here. I moved along as one in a dream.
As we approached the town, signs of life began to appear. At intervals we passed a wretched cabin, with a thatched roof, and about it small fields and garden patches in an indifferent state of cultivation. There were people, too; brawny men, with long, coarse, uncombed hair that hung down over their faces and made them look like animals. They and the women, as a rule, wore a coarse tow-linen robe that came well below the knee, and a rude sort of sandals, and many wore an iron collar. The small boys and girls were always naked; but nobody seemed to know it. All of these people stared at me, talked about me, ran into the huts and fetched out their families to gape at me; but nobody ever noticed that other fellow, except to make him humble salutation and get no response for their pains.
In the town were some substantial windowless houses of stone scattered among a wilderness of thatched cabins; the streets were mere crooked alleys, and unpaved; troops of dogs and nude children played in the sun and made life and noise; hogs roamed and rooted contentedly about, and one of them lay in a reeking wallow in the middle of the main thoroughfare and suckled her family. Presently there was a distant blare of military music; it came nearer, still nearer, and soon a noble cavalcade wound into view, glorious with plumed helmets and flashing mail and flaunting banners and rich doublets and horse-cloths and gilded spearheads; and through the muck and swine, and naked brats, and joyous dogs, and shabby huts it took its gallant way, and in its wake we followed. Followed through one winding alley and then another,-and climbing, always climbing-till at last we gained the breezy height where the huge castle stood. There was an exchange of bugle blasts; then a parley from the walls, where men-at-arms, in hauberk and morion marched back and forth with halberd at shoulder under flapping banners with the rude figure of a dragon displayed upon them; and then the great gates were flung open, the drawbridge was lowered, and the head of the cavalcade swept forward under the frowning arches; and we, following, soon found ourselves in a great paved court, with towers
and turrets stretching up into the blue air on all the four sides; and all about us the dismount was going on, and much greeting and ceremony, and running to and fro, and a gay display of moving and intermingling colors, and an altogether pleasant stir and noise and confusion.
King Arthur's Court
The moment I got a chance I slipped aside privately and touched an ancient common looking man on the shoulder and said, in an insinuating, confidential way-
"Friend, do me a kindness. Do you belong to the asylum, or are you just here on a visit or something like that?"
He looked me over stupidly, and said-
"Marry, fair sir, me seemeth-"
"That will do," I said; "I reckon you are a patient."
I moved away, cogitating, and at the same time keeping an eye out for any chance passenger in his right mind that might come along and give me some light. I judged I had found one, presently; so I drew him aside and said in his ear-
"If I could see the head keeper a minute-only just a minute-"
"Prithee do not let me."
"Let you what?"
"Hinder me, then, if the word please thee better." Then he went on to say he was an under-cook and could not stop to gossip, though he would like it another time; for it would comfort his very liver to know where I got my clothes. As he started away he pointed and said yonder was one who was idle enough for my purpose, and was seeking me besides, no doubt. This was an airy slim boy in shrimp-colored tights that made him look like a forked carrot; the rest of his gear was blue silk and dainty laces and ruffles; and he had long yellow curls, and wore a plumed pink satin cap tilted complacently over his ear. By his look, he was good-natured; by his gait, he was satisfied with himself. He was pretty enough to frame. He arrived, looked me over with a smiling and impudent curiosity; said he had come for me, and informed me that he was a page.
"Go 'long," I said; "you ain't more than a paragraph."
It was pretty severe, but I was nettled. However, it never phazed him; he didn't appear to know he was hurt. He began to talk and laugh, in happy, thoughtless, boyish fashion, as we walked along, and made himself old friends with me at once; asked me all sorts of questions about myself and about my clothes, but never waited for an answer-always chattered straight ahead, as if he didn't know he had asked a question and wasn't expecting any reply, until at last he happened to mention that he was born in the beginning of the year 513.
It made the cold chills creep over me! I stopped, and said, a little faintly:
"Maybe I didn't hear you just right. Say it again-and say it slow. What year was it?"
"513! You don't look it! Come, my boy, I am a stranger and friendless: be honest and honorable with me. Are you in your right mind?"
He said he was.
"Are these other people in their right minds?"
He said they were.
"And this isn't an asylum? I mean, it isn't a place where they cure crazy people?"
He said it wasn't.
"Well, then," I said, "either I am a lunatic, or something just as awful has happened. Now tell me, honest and true, where am I?"
"In King Arthur's Court."
I waited a minute, to let that idea shudder its way home, and then said:
"And according to your notions, what year is it now?"
"528-nineteenth of June."
I felt a mournful sinking at the heart, and muttered: "I shall never see my friends again-never, never again. They will not be born for more than thirteen hundred years yet."
I seemed to believe the boy, I didn't know why. Something in me seemed to believe him-my consciousness, as you may say; but my reason didn't. My reason straightway began to clamor; that was natural. I didn't know how to go about satisfying it, because I knew that the testimony of men wouldn't serve-my reason would say they were lunatics, and throw out their evidence. But all of a sudden I stumbled on the very thing, just by luck. I knew that the only total eclipse of the sun in the first half of the sixth century occurred on the 21st of June, a.d. 528, o.s., and began at 3
minutes after 12 noon. I also knew that no total eclipse of the sun was due in what to me was the present year-i.e., 1879. So, if I could keep my anxiety and curiosity from eating the heart out of me for forty-eight hours, I should then find out for certain whether this boy was telling me the truth or not.
Wherefore, being a practical Connecticut man, I now shoved this whole problem clear out of my mind till its appointed day and hour should come, in order that I might turn all my attention to the circumstances of the present moment, and be alert and ready to make the most out of them that could be made. One thing at a time, is my motto-and just play that thing for all it is worth, even if it's only two pair and a jack. I made up my mind to two things; if it was still the nineteenth century and I was among lunatics and couldn't get away, I would presently boss that asylum or know the reason why; and if on the other hand it was really the sixth century, all right, I didn't want any softer thing: I would boss the whole country inside of three months; for I judged I would have the start of the best-educated man in the kingdom by a matter of thirteen hundred years and upwards. I'm not a man to waste time after my mind's made up and there's work on hand; so I said to the page-
"Now, Clarence, my boy-if that might happen to be your name-I'll get you to post me up a little if you don't mind. What is the name of that apparition that brought me here?"
"My master and thine? That is the good knight and great lord Sir Kay the Seneschal, foster brother to our liege the king."
"Very good; go on, tell me everything."
He made a long story of it; but the part that had immediate interest for me was this. He said I was Sir Kay's prisoner, and that in the due course of custom I would be flung into a dungeon and left there on scant commons until my friends ransomed me-unless I chanced to rot, first. I saw that the last chance had the best show, but I didn't waste any bother about that; time was too precious. The page said, further, that dinner was about ended in the great hall by this time, and that as soon as the sociability and the heavy drinking should begin, Sir Kay would have me in and exhibit me before King Arthur and his illustrious knights seated at the Table Round, and would brag about his exploit in capturing me, and would probably exaggerate the facts a little, but it wouldn't be good form for me to correct him, and not over safe, either; and when I was done being exhibited, then ho for the dungeon; but he, Clarence, would find a way to come and see me every now and then, and cheer me up, and help me get word to my friends.
Get word to my friends! I thanked him; I couldn't do less; and about this time a lackey came to say I was wanted; so Clarence led me in and took me off to one side and sat down by me.
Well, it was a curious kind of spectacle, and interesting. It was an immense place, and rather naked-yes, and full of loud contrasts. It was very, very lofty; so lofty that the banners depending from the arched beams and girders away up there floated in a sort of twilight; there was a stone-railed gallery at each end, high up, with musicians in the one, and women, clothed in stunning colors, in the other. The floor was of big stone flags laid in black and white squares, rather battered by age and use, and needing repair. As to ornament, there wasn't any, strictly speaking; though on the walls hung some huge tapestries which were probably taxed as works of art; battle-pieces, they were, with horses shaped like those which children cut out of paper or create in gingerbread; with men on them in scale armor whose scales are represented by round holes-so that the man's coat looks as if it had been done with a biscuit-punch. There was a fireplace big enough to camp in; and its projecting sides and hood, of carved and pillared stone-work, had the look of a cathedral door. Along the walls stood men-at-arms, in breastplate and morion, with halberds for their only weapon-rigid as statues; and that is what they looked like.
In the middle of this groined and vaulted public square was an oaken table which they called the Table Round. It was as large as a circus ring; and around it sat a great company of men dressed in such various and splendid colors that it hurt one's eyes to look at them. They wore their plumed hats, right along, except that whenever one addressed himself directly to the king, he lifted his hat a trifle just as he was beginning his remark.
Mainly they were drinking-from entire ox horns; but a few were still munching bread or gnawing beef bones. There was about an average of two dogs to one man; and these sat in expectant attitudes till a spent bone was flung to them, and then they went for it by brigades and divisions, with a rush, and there ensued a fight which filled the prospect with a tumultuous chaos of plunging heads and bodies and flashing tails, and the storm of howlings and barkings deafened all speech for the time; but that was no matter, for the dog-fight was always a bigger interest anyway; the men rose, sometimes, to observe it the better and bet on it, and the ladies and the musicians stretched themselves out over their balusters with the same object; and all broke into delighted ejaculations from time to time. In the end, the winning dog stretched himself out comfortably with his bone between his paws, and proceeded to growl over it, and gnaw it, and grease the floor with it, just as fifty others were already doing; and the rest of the court resumed their previous industries and entertainments.
As a rule the speech and behavior of these people were gracious and courtly; and I noticed that they were good and serious listeners when anybody was telling anything-I mean in a dog-fightless interval. And plainly, too, they were a childlike and innocent lot; telling lies of the stateliest pattern with a most gentle and winning naivety, and ready and willing to listen to anybody else's lie, and believe it, too. It was hard to associate them with anything cruel or dreadful; and yet they dealt in tales of blood and suffering with a guileless relish that made me almost forget to shudder.
I was not the only prisoner present. There were twenty or more. Poor devils, many of them were maimed, hacked, carved, in a frightful way; and their hair, their faces, their clothing, were caked with black and stiffened drenchings of blood. They were suffering sharp physical pain, of course; and weariness, and hunger and thirst, no doubt; and at least none had given them the comfort of a wash, or even the poor charity of a lotion for their wounds; yet you never heard them utter a moan or a groan, or saw them show any sign of restlessness, or any disposition to complain. The thought was forced upon me: "The rascals-they have served other people so in their day; it being their own turn, now, they were not expecting any better treatment than this; so their philosophical bearing is not an outcome of mental training, intellectual fortitude, reasoning; it is mere animal training; they are white Indians."
Mark Twain was born Samuel Langhorne Clemens on November 30, 1835, in Florida, Missouri; his family moved to the port town of Hannibal four years later. His father, an unsuccessful farmer, died when Twain was eleven. Soon afterward the boy began working as an apprentice printer, and by age sixteen he was writing newspaper sketches. He left Hannibal at eighteen to work as an itinerant printer in New York, Philadelphia, St. Louis, and Cincinnati. From 1857 to 1861 he worked on Mississippi steamboats, advancing from cub pilot to licensed pilot. After river shipping was interrupted by the Civil War, Twain headed west with his brother Orion, who had been appointed secretary to the Nevada Territory. Settling in Carson City, he tried his luck at prospecting and wrote humorous pieces for a range of newspapers. Around this time he first began using the pseudonym Mark Twain, derived from a riverboat term. Relocating to San Francisco, he became a regular newspaper correspondent and a contributor to the literary magazine the Golden Era. He made a five-month journey to Hawaii in 1866 and the following year traveled to Europe to report on the first organized tourist cruise. The Celebrated Jumping Frog of Calaveras County and Other Sketches (1867) consolidated his growing reputation as humorist and lecturer. After his marriage to Livy Langdon, Twain settled first in Buffalo, New York, and then for two decades in Hartfort, Connecticut. His European sketches were expanded into The Innocents Abroad (1869), followed by Roughing It (1872), an account of his Western adventures; both were enormously successful. Twain's literary triumphs were offset by often ill-advised business dealings (he sank thousands of dollars, for instance, in a failed attempt to develop a new kind of typesetting machine, and thousands more into his own ultimately unsuccessful publishing house) and unrestrained spending that left him in frequent financial difficulty, a pattern that was to persist throughout his life. Following The Gilded Age (1873), written in collaboration with Charles Dudley Warner, Twain began a literary exploration of his childhood memories of the Mississippi, resulting in a trio of masterpieces--The Adventures of Tom Sawyer (1876), Life on the Mississippi (1883), and finally The Adventures of Huckleberry Finn (1885), on which he had been working for nearly a decade. Another vein, of historical romance, found expression in The Prince and the Pauper (1882), the satirical A Connecticut Yankee in King Arthur's Court (1889), and Personal Recollections of Joan of Arc (1896), while he continued to draw on his travel experiences in A Tramp Abroad (1880) and Following the Equator (1897). His close associates in these years included William Dean Howells, Bret Harte, and George Washington Cable, as well as the dying Ulysses S. Grant, whom Twain encouraged to complete his memoirs, published by Twain's publishing company in 1885. For most of the 1890s Twain lived in Europe, as his life took a darker turn with the death of his daughter Susy in 1896 and the worsening illness of his daughter Jean. The tone of Twain's writing also turned progressively more bitter. The Tragedy of Pudd'nhead Wilson (1894), a detective story hinging on the consequences of slavery, was followed by powerful anti-imperialist and anticolonial statements such as 'To the Person Sitting in Darkness' (1901), 'The War Prayer' (1905), and 'King Leopold's Soliloquy' (1905), and by the pessimistic sketches collected in the privately published What Is Man? (1906). The unfinished novel The Mysterious Stranger was perhaps the most uncompromisingly dark of all Twain's later works. In his last years, his financial troubles finally resolved, Twain settled near Redding, Connecticut, and died in his mansion, Stormfield, on April 21, 1910
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Description du livre Sterling Publishing. Etat : New. Brand New. N° de réf. du vendeur 159308210X
Description du livre Barnes & Noble Classics, 2005. Mass Market Paperback. Etat : New. Never used!. N° de réf. du vendeur 159308210X
Description du livre 2005. PAP. Etat : New. New Book.Shipped from US within 10 to 14 business days. Established seller since 2000. N° de réf. du vendeur IB-9781593082109
Description du livre Barnes & Noble Classics. PAPERBACK. Etat : New. 159308210X. N° de réf. du vendeur Z159308210XZN
Description du livre Barnes & Noble Classics. PAPERBACK. Etat : New. 159308210X. N° de réf. du vendeur Z159308210XZN
Description du livre Barnes & Noble Classics. PAPERBACK. Etat : New. 159308210X. N° de réf. du vendeur Z159308210XZN
Description du livre Barnes & Noble 9/1/2005, 2005. Paperback or Softback. Etat : New. A Connecticut Yankee in King Arthur's Court. Book. N° de réf. du vendeur BBS-9781593082109
Description du livre Barnes & Noble Classics, 2005. Soft cover. Etat : New. N° de réf. du vendeur 17SEPT0828
Description du livre Fine Communications,US, United States, 2005. Paperback. Etat : New. Language: English. Brand new Book. &&LDIV&&R&&LDIV&&R&&LDIV&&R&&LI&&RA Connecticut Yankee in King Arthur's Court&&L/I&&R, by &&LB&&RMark Twain&&L/B&&R, is part of the &&LI&&R&&LI&&RBarnes & Noble Classics&&L/I&&R &&L/I&&Rseries, which offers quality editions at affordable prices to the student and the general reader, including new scholarship, thoughtful design, and pages of carefully crafted extras. Here are some of the remarkable features of &&LI&&RBarnes & Noble Classics&&L/I&&R: &&LDIV&&RNew introductions commissioned from today's top writers and scholars Biographies of the authors Chronologies of contemporary historical, biographical, and cultural events Footnotes and endnotes Selective discussions of imitations, parodies, poems, books, plays, paintings, operas, statuary, and films inspired by the work Comments by other famous authors Study questions to challenge the reader's viewpoints and expectations Bibliographies for further reading Indices & Glossaries, when appropriateAll editions are beautifully designed and are printed to superior specifications; some include illustrations of historical interest. &&LI&&RBarnes & Noble Classics &&L/I&&Rpulls together a constellation of influences--biographical, historical, and literary--to enrich each reader's understanding of these enduring works.&&L/DIV&&R&&L/DIV&&R&&L/DIV&&R&&LDIV&&R &&L/DIV&&R&&LDIV&&ROne of the greatest satires in American literature, &&LB&&RMark Twain&&L/B&&R's &&LI&&RA Connecticut Yankee in King Arthur's Court&&L/I&&R begins when Hank Morgan, a skilled mechanic in a nineteenth-century New England arms factory, is struck on the head during a quarrel and awakens to find himself among the knights and magicians of King Arthur's Camelot.&&LBR&&R&&LBR&&RWhat follows is a culture clash of the first magnitude, as practical-minded Hank, disgusted with the ignorance and superstition of the people, decides to enlighten them with education and technology. Through a series of wonderfully imaginative adventures, Twain celebrates American homespun ingenuity and democracy as compared to the backward ineptitude of a chivalric monarchy. At the same time, however, Twain raises the question of whether material progress necessarily creates a better society. As Hank becomes more powerful and self-righteous, he also becomes more ruthless, more autocratic, and less able to control events, until the only way out is a massively destructive war.&&LBR&&R&&LBR&&RWhile the dark pessimism that would fully blossom in Twain's later works can be discerned in &&LI&&RA Connecticut Yankee in King Arthur's Court&&L/I&&R, the novel will nevertheless be remembered primarily for its wild leaps of imagination, brilliant wit, and entertaining storytelling.&&LBR&&R&&LBR&&R&&LB&&RWith over 200 of the original illustrations by Dan Beard.&&L/B&&R&&L/DIV&&R&&LDIV&&R&&LSTRONG&&R&&L/B&&R &&L/DIV&&R&&LDIV&&R&&LDIV&&R&&LB&&RStephen Railton&&L/B&&R teaches American literature at the University of Virginia. His most recent book is &&LI&&RMark Twain: A Short Introduction&&L/I&&R.&&L/DIV&&R&&L/DIV&&R&&L/DIV&&R. N° de réf. du vendeur AAC9781593082109