A Connecticut Yankee in King Arthur's Court: Barnes and Noble Classic

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9781593082109: A Connecticut Yankee in King Arthur's Court: Barnes and Noble Classic

Book by Twain Mark

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Extrait :

Chapter I
Camelot

Camelot-Camelot," said I to myself. "I don't seem to remember hearing of it before. Name of the asylum, likely."

It was a soft, reposeful summer landscape, as lovely as a dream, and as lonesome as Sunday. The air was full of the smell of flowers, and the buzzing of insects, and the twittering of birds, and there were no people, no wagons, there was no stir of life, nothing going on. The road was mainly a winding path with hoofprints in it, and now and then a faint trace of wheels on either side in the grass-wheels that apparently had a tire as broad as one's hand.

Presently a fair slip of a girl, about ten years old, with a cataract of golden hair streaming down over her shoulders, came along. Around her head she wore a hoop of flame-red poppies. It was as sweet an outfit as ever I saw, what there was of it. She walked indolently along, with a mind at rest, its peace reflected in her innocent face. The circus man paid no attention to her; didn't even seem to see her. And she-she was no more startled at his fantastic make-up than if she was used to his like every day of her life. She was going by as indifferently as she might have gone by a couple of cows; but when she happened to notice me, then there was a change! Up went her hands, and she was turned to stone; her mouth dropped open, her eyes stared wide and timorously, she was the picture of astonished curiosity touched with fear. And there she stood gazing, in a sort of stupefied fascination, till we turned a corner of the wood and were lost to her view. That she should be startled at me instead of at the other man, was too many for me; I couldn't make head or tail of it. And that she should seem to consider me a spectacle, and totally overlook her own merits in that respect, was another puzzling thing, and a display of magnanimity, too, that was surprising in one so young. There was food for thought here. I moved along as one in a dream.

As we approached the town, signs of life began to appear. At intervals we passed a wretched cabin, with a thatched roof, and about it small fields and garden patches in an indifferent state of cultivation. There were people, too; brawny men, with long, coarse, uncombed hair that hung down over their faces and made them look like animals. They and the women, as a rule, wore a coarse tow-linen robe that came well below the knee, and a rude sort of sandals, and many wore an iron collar. The small boys and girls were always naked; but nobody seemed to know it. All of these people stared at me, talked about me, ran into the huts and fetched out their families to gape at me; but nobody ever noticed that other fellow, except to make him humble salutation and get no response for their pains.

In the town were some substantial windowless houses of stone scattered among a wilderness of thatched cabins; the streets were mere crooked alleys, and unpaved; troops of dogs and nude children played in the sun and made life and noise; hogs roamed and rooted contentedly about, and one of them lay in a reeking wallow in the middle of the main thoroughfare and suckled her family. Presently there was a distant blare of military music; it came nearer, still nearer, and soon a noble cavalcade wound into view, glorious with plumed helmets and flashing mail and flaunting banners and rich doublets and horse-cloths and gilded spearheads; and through the muck and swine, and naked brats, and joyous dogs, and shabby huts it took its gallant way, and in its wake we followed. Followed through one winding alley and then another,-and climbing, always climbing-till at last we gained the breezy height where the huge castle stood. There was an exchange of bugle blasts; then a parley from the walls, where men-at-arms, in hauberk and morion marched back and forth with halberd at shoulder under flapping banners with the rude figure of a dragon displayed upon them; and then the great gates were flung open, the drawbridge was lowered, and the head of the cavalcade swept forward under the frowning arches; and we, following, soon found ourselves in a great paved court, with towers and turrets stretching up into the blue air on all the four sides; and all about us the dismount was going on, and much greeting and ceremony, and running to and fro, and a gay display of moving and intermingling colors, and an altogether pleasant stir and noise and confusion.

Biographie de l'auteur :

Mark Twain was born Samuel Langhorne Clemens on November 30, 1835, in Florida, Missouri; his family moved to the port town of Hannibal four years later. His father, an unsuccessful farmer, died when Twain was eleven. Soon afterward the boy began working as an apprentice printer, and by age sixteen he was writing newspaper sketches. He left Hannibal at eighteen to work as an itinerant printer in New York, Philadelphia, St. Louis, and Cincinnati. From 1857 to 1861 he worked on Mississippi steamboats, advancing from cub pilot to licensed pilot. After river shipping was interrupted by the Civil War, Twain headed west with his brother Orion, who had been appointed secretary to the Nevada Territory. Settling in Carson City, he tried his luck at prospecting and wrote humorous pieces for a range of newspapers. Around this time he first began using the pseudonym Mark Twain, derived from a riverboat term. Relocating to San Francisco, he became a regular newspaper correspondent and a contributor to the literary magazine the Golden Era. He made a five-month journey to Hawaii in 1866 and the following year traveled to Europe to report on the first organized tourist cruise. The Celebrated Jumping Frog of Calaveras County and Other Sketches (1867) consolidated his growing reputation as humorist and lecturer. After his marriage to Livy Langdon, Twain settled first in Buffalo, New York, and then for two decades in Hartfort, Connecticut. His European sketches were expanded into The Innocents Abroad (1869), followed by Roughing It (1872), an account of his Western adventures; both were enormously successful. Twain's literary triumphs were offset by often ill-advised business dealings (he sank thousands of dollars, for instance, in a failed attempt to develop a new kind of typesetting machine, and thousands more into his own ultimately unsuccessful publishing house) and unrestrained spending that left him in frequent financial difficulty, a pattern that was to persist throughout his life. Following The Gilded Age (1873), written in collaboration with Charles Dudley Warner, Twain began a literary exploration of his childhood memories of the Mississippi, resulting in a trio of masterpieces--The Adventures of Tom Sawyer (1876), Life on the Mississippi (1883), and finally The Adventures of Huckleberry Finn (1885), on which he had been working for nearly a decade. Another vein, of historical romance, found expression in The Prince and the Pauper (1882), the satirical A Connecticut Yankee in King Arthur's Court (1889), and Personal Recollections of Joan of Arc (1896), while he continued to draw on his travel experiences in A Tramp Abroad (1880) and Following the Equator (1897). His close associates in these years included William Dean Howells, Bret Harte, and George Washington Cable, as well as the dying Ulysses S. Grant, whom Twain encouraged to complete his memoirs, published by Twain's publishing company in 1885. For most of the 1890s Twain lived in Europe, as his life took a darker turn with the death of his daughter Susy in 1896 and the worsening illness of his daughter Jean. The tone of Twain's writing also turned progressively more bitter. The Tragedy of Pudd'nhead Wilson (1894), a detective story hinging on the consequences of slavery, was followed by powerful anti-imperialist and anticolonial statements such as 'To the Person Sitting in Darkness' (1901), 'The War Prayer' (1905), and 'King Leopold's Soliloquy' (1905), and by the pessimistic sketches collected in the privately published What Is Man? (1906). The unfinished novel The Mysterious Stranger was perhaps the most uncompromisingly dark of all Twain's later works. In his last years, his financial troubles finally resolved, Twain settled near Redding, Connecticut, and died in his mansion, Stormfield, on April 21, 1910

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Description du livre Fine Communications,US, United States, 2013. Paperback. État : New. 198 x 132 mm. Language: English . Brand New Book. A Connecticut Yankee in King Arthur s Court, by Mark Twain, is part of the Barnes Noble Classics series, which offers quality editions at affordable prices to the student and the general reader, including new scholarship, thoughtful design, and pages of carefully crafted extras. Here are some of the remarkable features of Barnes Noble Classics New introductions commissioned from today s top writers and scholars Biographies of the authors Chronologies of contemporary historical, biographical, and cultural events Footnotes and endnotes Selective discussions of imitations, parodies, poems, books, plays, paintings, operas, statuary, and films inspired by the work Comments by other famous authors Study questions to challenge the reader s viewpoints and expectations Bibliographies for further reading Indices Glossaries, when appropriateAll editions are beautifully designed and are printed to superior specifications; some include illustrations of historical interest. Barnes Noble Classics pulls together a constellation of influencesbiographical, historical, and literaryto enrich each reader s understanding of these enduring works.One of the greatest satires in American literature, Mark Twain s A Connecticut Yankee in King Arthur s Court begins when Hank Morgan, a skilled mechanic in a nineteenth-century New England arms factory, is struck on the head during a quarrel and awakens to find himself among the knights and magicians of King Arthur s Camelot. What follows is a culture clash of the first magnitude, as practical-minded Hank, disgusted with the ignorance and superstition of the people, decides to enlighten them with education and technology. Through a series of wonderfully imaginative adventures, Twain celebrates American homespun ingenuity and democracy as compared to the backward ineptitude of a chivalric monarchy. At the same time, however, Twain raises the question of whether material progress necessarily creates a better society. As Hank becomes more powerful and self-righteous, he also becomes more ruthless, more autocratic, and less able to control events, until the only way out is a massively destructive war. While the dark pessimism that would fully blossom in Twain s later works can be discerned in A Connecticut Yankee in King Arthur s Court, the novel will nevertheless be remembered primarily for its wild leaps of imagination, brilliant wit, and entertaining storytelling. With over 200 of the original illustrations by Dan Beard.Stephen Railton teaches American literature at the University of Virginia. His most recent book is Mark Twain: A Short Introduction. N° de réf. du libraire AAJ9781593082109

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Description du livre Fine Communications,US, United States, 2013. Paperback. État : New. 198 x 132 mm. Language: English . Brand New Book. A Connecticut Yankee in King Arthur s Court, by Mark Twain, is part of the Barnes Noble Classics series, which offers quality editions at affordable prices to the student and the general reader, including new scholarship, thoughtful design, and pages of carefully crafted extras. Here are some of the remarkable features of Barnes Noble Classics New introductions commissioned from today s top writers and scholars Biographies of the authors Chronologies of contemporary historical, biographical, and cultural events Footnotes and endnotes Selective discussions of imitations, parodies, poems, books, plays, paintings, operas, statuary, and films inspired by the work Comments by other famous authors Study questions to challenge the reader s viewpoints and expectations Bibliographies for further reading Indices Glossaries, when appropriateAll editions are beautifully designed and are printed to superior specifications; some include illustrations of historical interest. Barnes Noble Classics pulls together a constellation of influencesbiographical, historical, and literaryto enrich each reader s understanding of these enduring works.One of the greatest satires in American literature, Mark Twain s A Connecticut Yankee in King Arthur s Court begins when Hank Morgan, a skilled mechanic in a nineteenth-century New England arms factory, is struck on the head during a quarrel and awakens to find himself among the knights and magicians of King Arthur s Camelot. What follows is a culture clash of the first magnitude, as practical-minded Hank, disgusted with the ignorance and superstition of the people, decides to enlighten them with education and technology. Through a series of wonderfully imaginative adventures, Twain celebrates American homespun ingenuity and democracy as compared to the backward ineptitude of a chivalric monarchy. At the same time, however, Twain raises the question of whether material progress necessarily creates a better society. As Hank becomes more powerful and self-righteous, he also becomes more ruthless, more autocratic, and less able to control events, until the only way out is a massively destructive war. While the dark pessimism that would fully blossom in Twain s later works can be discerned in A Connecticut Yankee in King Arthur s Court, the novel will nevertheless be remembered primarily for its wild leaps of imagination, brilliant wit, and entertaining storytelling. With over 200 of the original illustrations by Dan Beard.Stephen Railton teaches American literature at the University of Virginia. His most recent book is Mark Twain: A Short Introduction. N° de réf. du libraire AAJ9781593082109

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