Walking with Abel: Journeys with the Nomads of the African Savannah - Couverture rigide

Badkhen, Anna

Couverture rigide

ISBN 10 : 1594632480 ISBN 13 : 9781594632488

Editeur : Riverhead Books, 2015

A propos du livre

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THE HOPING

If you set out on a journey pray that the road is long

—ZBIGNIEW HERBERT

You could hear them from miles away. They went tprrr! tprrr! and they went jet jet jet! and they went jot jot jot! and they went ay, shht, shht, oy, trrrrrr, ’uh, ’uh! Repeating with proprietary virtuosity the calls their ancestors had used to talk to their own herds since the dawn of time. As if they journeyed not simply across distance but across eras and dragged with them through the land grooved with prehistoric cow paths all the cattle and all the herders who had laid tracks here before. You could almost make out all of them in the low scarf of shifting laterite dust, cowboys and ghosts of cowboys driving true and phantom herds on an ageless migration that stretched forever.

The Fulani and their cows tramped along the edge of the bone-white savannah, restless slatribbed wayfarers weaving among slow cattle just as slatribbed. Nomads chasing rain in the oceanic tracts of the Sahel. The cowboys wore soiled blue robes that luffed in the wind like sails, and their gait flowed smooth and footsure. Each step stitched the waking earth with a sound smoothed by millennia of repetition, a sound of sorrow and hope and loss and desire: the sound of walking.

They whistled and laughed and hurled their clubbed staffs underhand at the cows that were too hesitant or too distracted or out of step and they called “Girl! Shht!” and “Die! Die, bitch!” to such cows, but never in anger. They filled the soundscape with the chink of hooves and staffs upon filaments of shale, with yips and ululations, with incessant banter about cows and women and pontifications about God and swagger about migrations past. They moved in tinny bubbles of bootleg music that rasped from the cellphones they dangled on lanyards from their necks. Some had strapped to their chests boomboxes they had decorated with small mirrors, like disco balls. Their music said go on, go on, go on, go on, go on, in the same iambic beat as the songs of the Kel Tamashek camel riders of the Sahara, the Turkoman goatherds of the Khorasan, the horsemen of the Kazakh steppes. Music made for walking and cowbells. Music made out of walking and cowbells.

Their herds fell together and drifted apart and even when the cattle drive swelled to many thousand head, the Fulani always knew which cows belonged to whom. They seared lines and dots and crosses into the hides of their cattle with sickle-shaped branding irons, but these hieroglyphics mostly were of no need to them because they recognized their livestock and the livestock of others from the serrated silhouette of the herd, from the way dust billowed in its wake, from the particular gait of the bulls. You learned such knowledge somehow.

“Those are Afo’s cows, Papa.”

“No they aren’t.”

“How can you tell?”

“That’s just how it is.”

“But how can you tell?”

“When I see cattle, I know.”

—

Oumarou Diakayaté squinted at the procession of cattle and cattle drivers filing into the sunrise. He had risen in the cool blue predawn from the wide reed pallet he shared with his wife, Fanta, their youngest son and daughter, and two small grandchildren, and washed from a small plastic kettle and prayed while most of the camp still slept. In the modest manner of his generation he had wrapped his indigo turban three times around his head and under the gray stubble on his narrow chin and across his thin mouth, in which a few teeth still remained, and dragged his millet-straw mat out of the cold shadows of the hut.

Then day crashed into the Sahel in a crescendo of birds. A rooster crowed once and right away clouds of tiny passerines in twilit shrub let loose a delirious trill. Starlings shrieked the world’s oldest birthsong: alive, alive, alive, alive. A kingfisher warbled. The sun hurtled upward red and elliptic from beyond the sparse scrublands, grazed the low umbrella crowns of acacias, slowed down, and hung glaring in the fierce African sky.

Oumarou sat attentive and quite like a bird himself in the canted light of that July morning, with his knees drawn and a blue-checkered fleece blanket wrapped shoulder to toe around his tall and rawboned frame, and watched the herds pass. By the time the sun rose a palm above the treeline, his family would roll up their mats, pilfer the best thatch and rope from their shelters, pile calabashes and gunnysacks of blankets and clothes onto donkey carts, and join the other pilgrims ambling off from the Sahel’s most coveted pasturage to allow farmers a turn with the land.

—

Oumarou’s dry-season grazing grounds lay in the fecund seasonal swamplands in the crook of the Niger’s bend, in central Mali. The Fulani called the region the bourgou. Bourgou was hippo grass, Echinochloa stagnina, the sweet perennial semiaquatic species of barnyard grass that grew on the plains from late summer till winter’s end, when the anastomosing stream of the Bani River flooded the Inner Niger Delta. Hippo grass shot its spongy blades up to nine feet out of the wetlands. Its rhizomes floated. It was a drifter, like the Fulani. Cows went wild for it.

The Diakayatés had arrived in the bourgou in January, after the rice harvest. Oumarou and his sons and nephews and grandnephews had raised their domed grass huts in a slightly swerving line of six beneath a few contorted thorn trees on a strip of dry land that bulged out of a fen so deep that the cows had to swim to return to camp from pasture. The thorn trees had fingered the soft wind of early winter with feathery peagreen leaves.

By July the island was a cowtrodden knuckle barely manifest on an enormous spent plateau. The fen was a foul sike, fragmented and not ankle-deep. All about, the oldest continental crust in the world lay bare, its brittle rusted skin ground to red talc by cattle and the dry harmattan winds of February and the cruel spring heat. The three thorn trees that flanked Oumarou’s hut had no more leaves, and in the dusty naked branches agama lizards with orange heads rotated their eyes and pressed up and up in a laborious Triassic mating dance. To the northeast, the millet fields of slash-and-burn farmers smoked white against dark gray rainclouds that refused to break. The rain was late.

Oumarou had not heard the planetary-scale metastory of the most recent global warming. He had not heard much about the planet at all. He had not even heard about Africa. He could not read, did not listen to the radio. He took bearings by other coordinates calibrated in other ways, brought into existence billions of years before the Earth itself. He sought counsel from the stars.

For centuries the Fulani had aligned the annual movement of their livestock from rainy-season to dry-season pasture and back again with the orderly procession across the sky of twenty-six sequential constellations. Each signified the advent of a windy season, of weeks of drizzle or days of downpour, of merciless heat or relentless malarial mosquitoes that danced in humid nights. But for decades now the weather had been chaotic, out of whack with the stars. The rainy season had been starting early or late or not arriving at all. Oumarou was searching for the promise of rain conveyed across millions of light-years, and he could not reconcile the cycle.

In this part of the Sahel, the first week of June was the brief season the Fulani called the Hoping, when people looked at the sky expecting rain any day. This year the Hoping had stretched into two excruciating weeks, then three, then four. Oumarou’s cows hung deflated humps to the side and let down little milk. Milk made up most of the old man’s diet. He was nauseous with hunger.

“Three things make a man live a long and healthy life,” he would repeat over a succession of disappointing dinners of bland millet-flour porridge with sauce of pounded fish bones. “Milk, honey, and the meat of a cow that has never been sick.” Honey was a rare treat in the bush. As for beef, that was a conjecture, a hypothesis. The Fulani very seldom ate meat, and when they did, it usually was goat or lamb. No Fulani would readily slaughter a healthy cow.

—

Oumarou freed an arm from his blanket and paced off the sky to the sun with a narrow hand. Half a palm’s width. A flock of birds burst out of a low shrub, chirped, circled, settled again. The uninterrupted horizon quivered with birdsong, lizards’ click-tongue, the whimper of goats, the hoof-falls and lowing of moving cows. Eternal sounds. Ephemeral sounds. Three more fingers and the cows would be gone. Time to pack.

Oumarou looked at Fanta, his wife, his fellow rambler, who now stood by his side listening to the faraway herds also.

“Ready?” he said.

Oumarou’s restlessness dated back to the Neolithic, to the time when a man first took a cow out to graze.

It was an outsize brown cow that stood six feet front hoof to shoulder and bore a pair of forward-pointing, inward-curved horns such as the ones that eventually would gore tigers and bears in the coliseums of Rome. The last of her undomesticated tribe, a female wild aurochs, would die of disease or old age or hunger or loneliness in the Jaktorów forest in Poland in 1627. Around 10,000 BC, ancient humans began to encourage the Bos primigenius to stay close. How? Maybe they used salt to entice the massive ruminants, as people did in the twenty-first century with the wild mithans of the Assam hills, with northern reindeer. Or maybe, like the Diakayatés did on cattle drives, they simply sweet-talked the aurochs into sticking around. “Ay, ay, girl!” One way or another, sometime in the early Holocene a colossal proto-cow felt trusting enough around people that she allowed herself to be milked. Milking would become like walking: essential, innate. It was why God gave man opposable thumbs.

In Africa, herders preceded farmers by some three thousand years. In Asia, pastoralism evolved after agriculture. Anthropologists disagree whether people domesticated cattle on these two continents independently or whether itinerant Asian traders brought the cow to Africa, though DNA studies indicate that all taurine cattle came from eighty female wild aurochs. In any event, during the Agricultural Revolution, Cain and Abel parted ways, and from then on, “the nomadic alternative,” as the writer-wanderer Bruce Chatwin called it, developed parallel to, and in symbiosis with, the settled culture.

Antecedent herders grazed their kine in the lush pastures of East Africa. Around 8000 BC, people at Nabta Playa, an interglacial oasis in the Nubian Desert, littered their primeval hearths with pottery and bones of ovicaprids and cattle. Ten thousand years from now, archaeologists of the future will scrape the same refuse from the midden of Oumarou’s campsite—cow bone and goat crania and cracked bowls, plus some empty glass vials of commercially manufactured vermicide.

Around 6000 BC, some bands of nomads hit the road. Perhaps, as sedentary farmers carved pasturage into millet and sorghum fields, they had run out of country. They drove before them lyre-horned zebu cows: much smaller than the wild aurochs, requiring little water, able to withstand high temperatures, docile, and partially resistant to rinderpest. The herders were tolerant to lactose and lived mostly on milk. Their limbs were stretched by protein. Their bones were strong enough to chase clouds. Like Hollywood cowboys, they hooved it west.

Today the unlettered Fulani in the bourgou without effort can trace the beginning of their passage to the very birthplace of mankind. I don’t know how they know. Western anthropologists, linguists, and ethnographers have puzzled over Fulani origins for more than a hundred years, measuring skulls, divining cadences of language. But ask a cowherd in Mali where his people came from, and he will reply: “Ethiopia.”

—

The nomads marched their cattle through a Neolithic Sahara. The land was lush, sodden with the subpluvial that had followed the last glaciation. Herds of hippopotamus and giraffe and ostrich and zebra grazed along mighty rivers. The rivers were full of fish. You can still see their dry courses from space.

Around 4000 BC they stopped at the Paleozoic obelisk forest of Tassili n’Ajjer, the Plateau of the Rivers, a migrants’ oasis in what today is Algeria. There, on sandstone, the nomads painted and engraved Bovidian odes to cattle. Herds on the run. At pasture. Humped. Unhumped. Longhorned. Piebald. One painting shows a person milking a cow as a calf stands by, probably to encourage the cow to let down her milk. Someone picked into a rock a cow weeping rock tears. What was the artist’s dolor? The beautiful stones of Tassili are silent.

By 2000 BC a great drought had returned. The desert—in Arabic sahra, the Sahara—pushed the herders south. Perhaps for the first time these land-use innovators had to adapt to climate change. They hooked down toward the westernmost edge of the region that Arab traders and conquerors later would call sahel, the shore: the savannah belt that stretches from the Indian Ocean to the Atlantic, linking the Sahara and the tropics roughly along the thirteenth parallel.

Trapped between the lethal tsetse forests of the south and the northern desert, Fulani cattle herders ambulated the semiarid grasslands of western Sahel. They plodded toward the Atlantic, into the coastal reaches of modern-day Senegal, Guinea, Côte d’Ivoire, Ghana. But just south of the town walls of modern Djenné, less than a day’s walk from the Diakayatés’ dry-season camp, one of the oldest known urban centers in sub-Saharan Africa, Djenné-Djenno, pokes its ruins out of the earth. Excavations at Djenné-Djenno have revealed bones of domesticated cattle and goats and sheep that date back to the beginning of the first millennium AD. Oumarou’s forefathers may have passed through already then.

The Fulani thrust inland in the twelfth and thirteenth centuries. Many of them were Muslim. “Generally of a tolerant disposition,” the Nigerian scholar Akin L. Mabogunje wrote in his essay “The Land and Peoples of West Africa,” the Fulani were embraced “for the manure their cattle provided on the fields and for the milk and butter which could be exchanged for agricultural products.” That arrangement never has changed. When I met them, the Diakayatés lived on the millet and rice and fish Oumarou’s wife, Fanta, swapped for butter and buttermilk, and villagers welcomed his cow dung on their fields as long as it was not at the time of planting, during the rainy season, or at the time of harvest, right after. As the Fulani had been doing for thousands of years, the family notched and notched the routes of ancient transhumance deeper into the continent’s bone, driven by a neverending quest for pasturage, a near worship of cattle, and the belief that God created the Earth, all of it, for the cows.

In the early nineteenth century, a Fulani scholar, cleric, and trilingual poet named Uthman dan Fodio launched one of West Africa’s earliest jihads. Hurtling camelback and horseback, dan Fodio and his followers delivered Sufi Islam to the mostly animist rural...

Revue de presse :

Praise for Walking with Abel: 

Named a Top Summer Reading Pick by the Los Angeles Times, Playboy, Esquire, Christian Science Monitor, Vol 1. Brooklyn, BBC.com, and Mental Floss

“Badkhen's rich and lucid prose illustrates her journey as vividly as might a series of photographs... By the time readers put the book down, they will have done something remarkable: visited a mostly inhospitable but eminently seductive locale alongside a storyteller able to render the strange and different both familiar and engrossing. Walking With Abel not only takes us somewhere new, it viscerally reminds us that such places still exist in the world.”  –Christian Science Monitor

“Fascinating...highly ambitious and deeply profound.” –Los Angeles Times 

“Lyrical [and] meditative...[a] tender tribute to a people deeply rooted in the land.” –Boston Globe

"[D]isplays the skill of a writer accustomed to telling the stories of those living unimaginable lives.” –Ms. Magazine
 
“[Badkhen] who was given the Fulani name Anna Bâ, describes all in graceful prose, word paintings that approach poetry...nearly perfect.” –Minneapolis Star-Tribune

"Fascinating." -The Brian Lehrer Show

“Enthralling...Walking with Abel is essential reading.” –Dayton Daily News

“Staggeringly vivid... poetic, and tactile...[Walking with Abel] amasses much of its strength from isolated movements taken together. It’s a subtle path, but a deeply effective one.” –Biographile

"Extraordinarily poetic." -BBC.com

“[The Fulani] live in the here and now in ways the modern world has lost even the memory of, and their story, told with deftly measured, evocative prose and poetically precise detail, slows the reader down to consider just what that means... Badkhen infuses her story with the kind of authenticity only a fellow traveler can know.” –BookPage

"We swooned over Anna Badkhen's writing the way we did for Katherine Boo's Behind the Beautiful Forevers." –Shelf Awareness

"Vivid, memorable nonfiction." –Playboy

“A careful rendering of one of the world’s last remaining migratory peoples... [Badkhen] uses her credentials as a war reporter with tact, reconditioning readers whose only context for West Africa — and perhaps the continent — is that of violence... She situates the Fulani in relief across centuries and physical space... [and] her richly detailed and delivered observations are crafted with a careful ear for the rhythms of language.” – The Los Angeles Review of Books

"An engrossing look into an alien world from the perspective of a writer with a unique story of her own.” –Philadelphia Inquirer

“Lyrical ... Badkhen combines journalistic observation with deep feeling...The Fulani are individuals, not archetypes. Their journey is both beautiful and difficult... tenderly render[ed]...[and] exquisitely written.” –Publisher's Weekly (starred)

"In lyrical and evocative prose, Badkhen writes of the beauty of the land and the sky and the grace and wisdom of the people...readers [will] savor her gentle, elegant story.” –Kirkus Reviews

“[Badken] mak[es] Fulani culture come alive as she follows the herders’ daily efforts to cope with drought, disease, and death in an often unforgiving landscape...[Walking with Abel] will appeal to anyone interested in Africa’s nomadic peoples and readers of memoirs such as Cheryl Strayed’s Wild.” –Library Journal

“[Badkhen] vividly captures and communicates an increasingly rare and wondrous experience.” – Booklist

"Walking with Abel is a rare and extraordinary book.  Anna Badkhen writes with so much precision and soul that practically every line delivers its own revelation.  This intrepid writer has given us more than a window into an ancient, and possibly doomed, way of life; she digs down to the very core of what it means to be human.” –Ben Fountain, author, Billy Lynn's Long Halftime Walk, winner of the National Book Critics' Circle Award and finalist for the National Book Award
 
"Lucid, generous, and rugged, Badkhen has written a magisterial book which speaks to us as a species in the early twenty-first century - where have we walked from and where are we walking."
–J.M. Ledgard, author of Submergence
 
“Sumptuously narrated, Badkhen’s sojourn compels you to ponder the existential centers of life—love and loss, loyalty and betrayal, courage and fear.  At the end of this riveting tale, the reader not only knows something about the fascinating particularities of Fulani being-in-the -world, but is also inspired by the indomitable resilience of the human spirit.”
–Paul Stoller, author of Yaya’s Story: The Quest for Well-Being in the World
 
“An amazing saga among the nomadic Fulani in the African Sahel. Badkhen’s account is a wondrous tableau of survival in one of the planet’s toughest environments, threaded with history, legend, and a wealth of stories.”
–Wayne White, Middle East Institute

À propos de cette édition

• Éditeur: Riverhead Books
• Date d'édition: 2015
• ISBN 10: 1594632480
• ISBN 13: 9781594632488
• Reliure: Relié
• Nombre de pages: 320