Description du livre Hardback. Etat : New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days. N� de r�f. du vendeur C9781611476323

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Gendered Frames, Embodied Cameras : Varda, Akerman, Cabrera, Calle, and Ma� wenn

Mcfadden, Cybelle H.

Edit� par Fairleigh Dickinson University Press (2014)

ISBN 10 : 1611476321 ISBN 13 : 9781611476323

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Description du livre Etat : New. N� de r�f. du vendeur 20273208-n

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Gendered Frames, Embodied Cameras: Varda, Akerman, Cabrera, Calle, and Ma�wenn

Mcfadden, Cybelle H.

Edit� par Fairleigh Dickinson Univ Pr (2014)

ISBN 10 : 1611476321 ISBN 13 : 9781611476323

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Revaluation Books
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Description du livre Hardcover. Etat : Brand New. 233 pages. 9.50x6.25x1.00 inches. In Stock. N� de r�f. du vendeur __1611476321

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Gendered Frames, Embodied Cameras (Hardcover)

Cybelle H. McFadden

Edit� par Fairleigh Dickinson University Press, Cranbury (2014)

ISBN 10 : 1611476321 ISBN 13 : 9781611476323

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Description du livre Hardcover. Etat : new. Hardcover. Gendered Frames, Embodied Cameras: Varda, Akerman, Cabrera, Calle, and Maiwenn is the first book to link these five filmmakers together through an analysis of the relationship between filming ones own body and the creative body. Through engaged artistic practices, these female filmmakers turn the camera to their bodies as a way to show the process of artistic creation and to produce themselves as filmmakers and artists in their work from 19872009. By making visible their bodies, they offer a wider range of representation of women in French film. Through avant-garde form, in which tangible corporeal elements are made image, they transform representational content and produce new cinematic bodies with the power to influence signifying practices in contemporary French culture. By rendering visible their artistic practice and praxis and their camera in their workreflexive practices that also unite these filmmakersthese women also visually claim the role of filmmaker and creative subject. Thus they establish their authority in a film industry in which womens participation and recognition of their achievements have historically been lower than that of their male counterparts. Using the framework of self-representation, this book rethinks problems of representation of the female body in French cinema and contemporary French culture. By filming themselves, these filmmakers visually claim their roles, establish their authority in the field, and expose new ways to configure representation, gender, and cinema. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. N� de r�f. du vendeur 9781611476323

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