The Golden Calf - Couverture rigide

Tursten, Helene

Couverture rigide

ISBN 10 : 1616950080 ISBN 13 : 9781616950088

Editeur : Soho Press Inc, 2013

Synopsis

Book by Tursten Helene

A propos du livre

Extrait

Chapter 1
 
Detective Inspectors Irene Huss and Tommy Persson parked on the street between a blue-and-white patrol car and the anonymous car of the forensic technicians. The garage entrance had been blocked off by a sloppily parked silver Mercedes Cabriolet, its top raised.
      The detectives hunched their shoulders against the harsh sea wind as they walked toward the front door. The house was brand new, but the surrounding grounds were nothing but clay and mud. One step off the stone pathway and a shoe would be sucked off by the muck. Despite the lack of landscaping, Irene saw that the location of the house was fantastic, high on a hill with a magnificent, wide-open view of Askim Bay. How could anyone afford property like this? The villa itself was all terra cotta brick and huge panes of glass. Obviously the architect had spared no expense.
Tommy stopped to take a good look at the Cabriolet. He gave a silent whistle and sent Irene a meaningful glance. They continued to the front door and rang the bell. A female officer opened the door immediately. She looked young and serious.
      “Hi. I’m Tommy Persson, and this is Irene Huss from Violent Crime.”
      “I’m Stina Lindberg,” the uniformed woman replied. “The technicians have just arrived.”
      A baby was crying inside the house. Stina glanced nervously in that direction. “It’s the baby,” she explained. “Their baby.... His wife found him ... her husband ... when she got home.” Stina’s cheeks were pale, and she was obviously struggling to control her discomfort. A murder would rattle anyone, but everything was much worse when children were part of the picture.
     A tall policeman in complete protective gear appeared in the spacious hallway. Both Irene and Tommy knew Criminal Inspector Magnus Larsson well and were happy to see him. As Irene and Tommy pulled on their own protective overalls, hats, plastic gloves, and booties, Magnus gave them the rundown.
     “A woman called 112 and said she’d found her husband shot. We arrived within fifteen minutes of the alarm. She was calm at first, but she broke down after a few minutes. She had her mother’s telephone number programmed into her cell phone, so I’ve called her. Someone has to take care of the child. Her mother is on the way, but she was in Borås when I reached her.”
     “Who lives here?” asked Irene.
     “Sanna Kaegler-Ceder and Kjell B:son Ceder.”
      The names felt vaguely familiar to Irene, but she couldn’t place them. She noticed that Tommy also reacted to the names, but before Irene could ask, loud shrieks from an unhappy baby echoed through the house. All three police officers hurried toward the noise.
     The living room was large, with a huge glass wall facing the sea. Irene had been right—the view was fantastic. A young woman sat hunched in a round swivel chair covered in leather the color of eggshells. Eight identical chairs ringed an elliptical glass table, which sat on a matching shag carpet, which popped against the dark terra-cotta tile floor. Oversized modern oil paintings stood out against almost-pure-white walls.
Irene and Tommy nodded at two uniformed officers standing beside the woman before taking a closer look at the unmoving figure curled in the chair. Irene realized she had seen the woman’s face before. Again, she had no idea where or when.
Sanna Kaegler-Ceder stared into space with empty eyes. Her pale complexion and stiff expression made her face seem mask-like. At her feet was an infant in a blue corduroy baby bouncer. Irene guessed the baby was, at most, six months old. He was screaming, his face bright red from the exertion.
            The glass wall continued to another doorway leading to an octagonal room enclosed in glass. In the center was a spiral steel staircase to the second floor. Sanna Kaegler-Ceder’s husband lay on his back at the foot of the stairs. The two technicians near him were setting up their camera equipment. They nodded to Irene and Tommy.
     “We need fifteen minutes,” the older of the two said.
     “That’s fine,” Tommy replied.
     Irene walked to Sanna and lightly touched her shoulder. Sanna didn’t appear to notice.
     “Hello,” Irene said softly. “My name is Irene Huss. Do you think your baby might want something to eat?”
     The woman’s only reaction was a slight flutter of her eyelashes.
Irene sighed and picked up the wailing bundle of a baby. A noticeable odor cried out for a diaper change.
     “Come on, Tommy. Help me find the changing table and some baby food,” Irene said with determination.
     “What? Me?”
     “It hasn’t been that long since you changed your own baby’s diapers.”
     “You’re right. OK, off to find a dry diaper.” Tommy made a raspberry sound and tickled the baby’s tummy. The baby interrupted his crying to peer up at him.
After a few minutes of opening and shutting doors, they found a large bathroom with rose marble walls. There was an enormous changing table, complete with every possible item for baby care. The baby wore a soft denim romper suit and a light blue sweater with Made in New York written in flashy silver across the chest. As Irene lifted him from the table, his bottom dry, he began to fuss again. His hunger was making itself known.
            Tommy had already gone to find the kitchen. When Irene, carrying the baby in her arms, followed, Tommy held up a bottle he’d found in the refrigerator in triumph.
     “Hey, buddy! Now you’ll get some grub!” Tommy said as he began to heat the bottle in the microwave.
     On the counter was a plastic bottle top, which Tommy screwed in place with a practiced motion. He instinctively checked the milk’s temperature against the inside of his wrist, then handed the bottle to Irene. Even though it had been years since his youngest child’s last bottle, the preparation routine came back quickly.
Irene looked down at the baby, who was greedily sucking down the milk. The ultra-modern kitchen glistened in glass and brushed steel. Irene looked for somewhere to sit down, but there were only tall stools next to a bar counter. Irene leaned against one of the stools as the little boy noisily slurped the last drops. Then she lifted him to her shoulder and patted him on his diapered bottom. A huge burp was her reward.
            “Huss, now your jacket will look like a seagull pooped on it.” Tommy grinned. He found a roll of paper towels on a steel cylinder and helped Irene rub off the milk stain.
     As they walked back to the living room, the baby fell asleep. Irene set him back into the baby bouncer and spread a soft, yellow blanket from a nearby chair over him.
Sanna hadn’t moved. She appeared catatonic. She wore light-brown pants and a cobalt-blue top with a deep décolletage. Between her breasts glittered a large cross with closely set white and blue gemstones. Their crystal clear sparkle could hardly have come from anything other than authentic sapphires and diamonds. Sanna Kaegler-Ceder walks around with a fortune around her neck, thought Irene. And her reserve capital is on her left ring finger.
     One of the force’s crime scene technicians, Åhlén, stuck his bald head through the doorway to the octagonal room. He motioned to the officers, and Irene and Tommy walked over. As was his habit, Åhlén pushed his thick bottle-bottom glasses up his stubby nose with his left forefinger before he spoke.
     “I’ve already secured the wife’s prints and taken her jacket. No apparent spatter, but we’ll have to wait for analysis. This is the scene of the crime. We haven’t found the murder weapon yet.”
     “Are you absolutely sure this is the crime scene?” asked Irene.
     “No doubt about it. See for yourself,” replied Åhlén, gesturing toward where the body lay stretched out.
     Kjell B:son Ceder was well-dressed in a dark suit. Two bullet holes marked his forehead, and his head lay in a pool of blood. A broken glass lay on the floor nearby, and the unmistakable scent of whiskey hovered.
     “He’s been dead for hours. Rigor mortis has set in completely,” the technician continued.
     “Looks like an execution. Two shots right into the brain,” Tommy stated.
Irene was surprised at how much older than his wife Kjell B:son Ceder was. Even in death he was a good-looking man. His hair, though thickly matted with blood, was steel gray and full. All of a sudden, Irene realized where she’d seen him before: For the past few years, he had been the restaurant king of Göteborg. Irene’s husband was a head chef at a competing restaurant, so she’d often heard Ceder’s name. Krister worked at Glady’s Corner, one of the finest restaurants in Göteborg, with a star in the international restaurant guide. The other two starred restaurants in Göteborg were owned by Kjell B:son Ceder. One was located in the twenty-eight story Hotel Göteborg, one of Göteborg’s tallest buildings, which Ceder also owned. Whenever Irene was in her boss’s office, she would see the mighty silhouette of the hotel rising above the rest of the city from Superintendent Sven Andersson’s window. Slightly to the southwest, she could see the two Gothia Towers next to Svenska Mässan, the Swedish Conference Center. Gothia Towers also had a hotel and restaurant and was the main competitor of Hotel Göteborg.
     “Stridner has promised to show up in all her imperial majesty,” Åhlén said. “If I’m not mistaken, here she is now.”
     Irene and Tommy had also heard the energetic clack of high heels hitting the stone floor. No other person burst into a crime scene with quite the same tempo as Professor of forensic medicine Yvonne Stridner.
She swept through the entrance of the octagonal room, placed her bag on the floor, and took in the crime scene in one glance. Without greeting any of the officers, she got right to the point:
     “Is this actually a murder?”
     Irene, Tommy, and Åhlén all started in surprise. The Professor rarely asked questions. Usually, she imparted certainties and issued commands.
     “He’s been shot. Two shots,” said Åhlén dryly.
     Without further commentary, the Professor put on her protective gown, gloves, and plastic booties. Just like her not to bother with protective clothing before entering a crime scene, thought Irene.
     Stridner tossed her cape over a chair with a black oxidized steel frame and white leather cushions. Perhaps it was more comfortable than it appeared. There were five more chairs like it in the room as well as a matching table and chandelier.
Stridner walked over to the body and began her investigation. Tommy nudged Irene with his elbow. “Let’s go and try to talk to Sanna Kaegler-Ceder again.”
Irene nodded. They could do nothing here until the body was removed, not even go up the spiral staircase to check the second floor.
     Sanna Kaegler-Ceder was in the same chair, but she’d swiveled it toward the rain-streaked glass and was staring into the rapidly gathering twilight. The baby was fast asleep in his baby bouncer, blissfully unaware that he’d just become fatherless.
     “Please forgive us for disturbing you at this sad time. My name is Tommy Persson, and I’m a detective. Are you able to answer a few questions?”
The woman did not move, just kept staring out at the autumn weather. When they were about to give up hope of response, she ducked her head slightly. Tommy interpreted this as a slight nod and asked a question quickly before she changed her mind.
     “What time did you arrive home and find your husband’s body?”
     The woman swallowed a few times, then managed an answer. “I called ... right away.”
     “The alarm came at four twenty-three p.m.,” Magnus Larsson interjected.
     “And the first patrol car arrived no more than fifteen minutes later?” asked Tommy.
     “Correct,” said the other detective.
     Tommy turned back to Sanna and continued in a gentle voice, “Did you go to your husband before the police arrived?”
     She shook her head slowly. “I saw that he was dead. All the blood....”
     “Where were you standing when you saw him?”
     “At the entrance....” Her voice failed her, and she swallowed hard.
     “So you were standing at the entrance to this room?”
     “Yes,” she whispered.
     It didn’t seem possible, but the woman became even paler. Her lips turned blue-gray, and Irene saw that she was about to faint.
     “Come, let’s have you lie down on the rug,” Irene said as she helped Sanna to the floor. She lifted Sanna’s lower legs a few centimeters, and the color slowly began to return to the woman’s face. After a few minutes, Sanna said, “I’d like to sit up again.” Irene helped her back into the chair. The young woman was still so pale that her face appeared to blend into the white leather. There was no question that she’d received a shock, though there was always the possibility she was reacting to committing a murder.
     “When did you leave the house today?” asked Tommy.
     “I didn’t leave it today. The last time was yesterday afternoon.”
     “At what time?”
     “Around four. We went to my sister’s place to spend the night.”
     “Did you take your son with you?”
     “Yes.”
     “So you spent the night with your sister?”
     “Her husband was on call. We were both going to be alone that night anyway.”
     “Do you know who your husband planned to meet yesterday evening?”
     “No idea.” Her voice seemed tired and uninterested.
     “When was the last time you spoke to your husband?”
     “Yesterday at nine in the morning.”
     “Did he say that he had to meet someone that evening?”
     “Not that I remember.”
     “Had you already made arrangements to spend the night at your sister’s, or did...

Revue de presse

Praise for The Golden Calf

"Huss and Persson are empathetic and attractive characters, willing to take the extra step to navigate the case’s Byzantine complexity."
—Adam Woog, The Seattle Times

"For decades the Swedes have excelled at crime fiction, which is often as gloomy as their long winter nights, filled with philosophical asides on life and politics. Procedure, rather than clues or flights of deductive fancy, are the usual hallmarks of a Scandinavian thriller. You'll find plenty of that in Helen Tursten's finely crafted novels but she also pays homage to the grand old form, down to a bit of old-fashioned alibi busting."
—Denver Post

"Compelling characters and steady suspense make this a fine Nordic crime novel in the spirit of Henning Mankell and Karin Fossum."
—Booklist

“Both readers new to the series and avid fans will enjoy investigating this puzzling case with Inspector Huss.”
—Library Journal 

"If you are looking for an additional fix of Nordic crime fiction, I suggest you add Helene Tursten to your list.... The Golden Calf being more than a mystery; it is also, in part, a cautionary tale, one that resonates quietly long after the final paragraph is read."
—Joe Hartlaub, BookReporter.com

“Huss is a complex character, competent detective, mother of twins, and wife of a celebrated chef. The author painstakingly creates a satisfying police procedural.... It is written simply and translated well, and is recommended.”
—Midwest Book Review

“Tursten strikes a good balance between ongoing character development and the unfolding of the story.... One of the best entries in a quietly strong series.”
—Reviewing the Evidence

“The Golden Calf has a plot with more twists and turns than a mountain road high in the Andes, but while you're enjoying a devious storyline, there are always...characters that live and breathe on the page. Whenever I need a bit of a Scandinavian crime fix, it's always a pleasure to turn to Detective Inspector Irene Huss.”
—Kittling Books
Praise for the Irene Huss series
 
"As good as Louise Welsh's similarly creepy tour of Glasgow."
—Entertainment Weekly
 
"These days Scandinavian crime writers are thick on the ground. It's nice to see that the women can be just as bloodthirsty as the men."
─The New York Times Book Review
 

Praise for Night Rounds
 
"A superior Scandinavian crime novel.... Tursten does an outstanding job of offering multiple plausible murders, making this the rare procedural that actually requires the reader to evaluate alibis, motives, and means to solve the
case."
─Publishers Weekly, STARRED REVIEW
 
"I couldn't put down this finely crafted, Swedish procedural with its complex story line and heart-stopping climax."
─Library Journal

À propos de cette édition

• Éditeur: Soho Press Inc
• Date d'édition: 2013
• ISBN 10: 1616950080
• ISBN 13: 9781616950088
• Reliure: Relié
• Nombre de pages: 346