Titian: And the End of the Venetian Renaissance

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9781780231860: Titian: And the End of the Venetian Renaissance

Titian is best known for paintings that embodied the tradition of the Venetian Renaissance—but how Venetian was the artist himself? In this study, Tom Nichols probes the tensions between the individualism of Titian’s work and the conservative mores of the city, showing how his art undermined the traditional self-suppressing approach to painting in Venice and reflected his engagement with the individualistic cultures emerging in the courts of early modern Europe.
            Ranging widely across Titian’s long career and varied works, Titian and the End of the Venetian Renaissance outlines his radical innovations to the traditional Venetian altarpiece; his transformation of portraits into artistic creations; and his meteoric breakout from the confines of artistic culture in Venice. Nichols explores how Titian challenged the city’s communal values with his competitive professional identity, contending that his intensely personalized way of painting resulted in a departure that effectively brought an end to the Renaissance tradition of painting. Packed with 170 illustrations, this groundbreaking book will change the way people look at Titian and Venetian art history. 

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About the Author :

Tom Nichols is a reader in the history of art the University of Glasgow, Scotland, and the author of Tintoretto: Tradition and Identity, also published by Reaktion Books.
 

Excerpt. © Reprinted by permission. All rights reserved. :

Despite the similarities, Titian's early paintings are increasingly distinct from Giorgione's in their muscularity of form, clear placement of figures in space, and typically precise definition of surface texture. In the great altarpiece showing the Assumption of the Virgin (1516–1518, Sta. Maria dei Frari, Venice), the bulky forms of the protagonists recall the idealized figure types of Michelangelo and Raphael. But the intense vibrancy of Titian's color, based on subtle modulations of red, gold, and silvery gray, nonetheless controls our apprehension of form....

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Description du livre Reaktion Books, United Kingdom, 2013. Hardback. État : New. Language: English . This book usually ship within 10-15 business days and we will endeavor to dispatch orders quicker than this where possible. Brand New Book. Titian s works are often seen as embodying the famous tradition of Venetian Renaissance painting. But how Venetian was Titian, and can his unique works be taken as truly representative of his adoptive city? This comprehensive new study, covering Titian s long career and varied output, highlights the tensions between the individualism of his work and the conservative mores of Venice. Titian and the End of the Venetian Renaissance argues that Titian s works were self-consciously original, freely and intentionally undermining the traditional, more modest approach to painting in Venice - a position that frequently caused disputes with local artists and patrons. This book charts Titian s early stylistic independence from his master Giovanni Bellini, his radical innovations to the classical altarpiece and his meteoric break from the normal con?nes of Venice s artistic culture. Titian competitively cultivated a professional identity and his dynamic career was epitomized by the development of his late style , which set him apart from all predecessors and was intended to defy emulation by any followers. It was through this ?nal individualistic departure that Titian effectively brought the Renaissance tradition of painting to an end. This ground-breaking interpretation will be of interest to all scholars and students of Renaissance and Venetian art history. N° de réf. du libraire BTE9781780231860

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