Picasso / Marx: and Socialist Realism in France (Value Art Politics LUP)

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9781781381922: Picasso / Marx: and Socialist Realism in France (Value Art Politics LUP)

Marxs ideas are now subject to worldwide reappraisal, with conferences attracting the most important critical thinkers on the left. Marx and the Aesthetic (Amsterdam, 2012) reappraised Marx in the context of his own creative inspirations and contemporary art today. Max Raphaels Proudhon, Marx, Picasso (1933), published in Paris by the exiled German art historian, a contemporary of Walter Benjamin, included the first attempt at a Marxist critique of Picasso. His book appeared when the global crisis of capitalism coincided with the birth of fascism.Picasso/Marx looks backwards and perhaps forwards, resituating Picasso in dialectical terms. His context as player in the little-known Communist West, centred on Paris, brings into play the Marxist theory of his times. From the 1930s to the 1970s, Marx, Lenin and Stalins own theories on art and literature were discussed together with Plekhanov, Bogdanov and Zhdanov. John Bergers Success and Failure of Picasso (1965), dedicated to Raphael, offered a critique of Picasso's art and Communist politics within the lifetime of the painter. Picasso/Marx presents a critical view of Picasso to his new audiences from Melbourne to Moscow.

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Review :

Long awaited by scholars, this is a work of astonishing verve and scope by unquestionably the leading authority on left-wing artistic movements of the period. -- Professor Michael Kelly

About the Author :


Sarah Wilson is Professor of Art History at the Courtauld Institute of Art, London.

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Sarah Wilson
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ISBN 10 : 1781381925 ISBN 13 : 9781781381922
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Description du livre Liverpool University Press, United Kingdom, 2015. Paperback. État : New. Reprint. Language: English . Brand New Book. Marx s ideas are now subject to worldwide reappraisal, with conferences attracting the most important critical thinkers on the left. Marx and the Aesthetic (Amsterdam, 2012) reappraised Marx in the context of his own creative inspirations and contemporary art today. Max Raphael s Proudhon, Marx, Picasso (1933), published in Paris by the exiled German art historian, a contemporary of Walter Benjamin, included the first attempt at a Marxist critique of Picasso. His book appeared when the global crisis of capitalism coincided with the birth of fascism. Picasso/Marx looks backwards and perhaps forwards, resituating Picasso in dialectical terms. His context as player in the little-known Communist West, centred on Paris, brings into play the Marxist theory of his times. From the 1930s to the 1970s, Marx, Lenin and Stalin s own theories on art and literature were discussed together with Plekhanov, Bogdanov and Zhdanov. John Berger s Success and Failure of Picasso (1965), dedicated to Raphael, offered a critique of Picasso s art and Communist politics within the lifetime of the painter. Picasso/Marx presents a critical view of Picasso to his new audiences from Melbourne to Moscow. N° de réf. du libraire AAN9781781381922

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Description du livre Liverpool University Press, United Kingdom, 2015. Paperback. État : New. Reprint. Language: English . Brand New Book. Marx s ideas are now subject to worldwide reappraisal, with conferences attracting the most important critical thinkers on the left. Marx and the Aesthetic (Amsterdam, 2012) reappraised Marx in the context of his own creative inspirations and contemporary art today. Max Raphael s Proudhon, Marx, Picasso (1933), published in Paris by the exiled German art historian, a contemporary of Walter Benjamin, included the first attempt at a Marxist critique of Picasso. His book appeared when the global crisis of capitalism coincided with the birth of fascism. Picasso/Marx looks backwards and perhaps forwards, resituating Picasso in dialectical terms. His context as player in the little-known Communist West, centred on Paris, brings into play the Marxist theory of his times. From the 1930s to the 1970s, Marx, Lenin and Stalin s own theories on art and literature were discussed together with Plekhanov, Bogdanov and Zhdanov. John Berger s Success and Failure of Picasso (1965), dedicated to Raphael, offered a critique of Picasso s art and Communist politics within the lifetime of the painter. Picasso/Marx presents a critical view of Picasso to his new audiences from Melbourne to Moscow. N° de réf. du libraire AAN9781781381922

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Description du livre Liverpool University Press, United Kingdom, 2015. Paperback. État : New. Reprint. Language: English . This book usually ship within 10-15 business days and we will endeavor to dispatch orders quicker than this where possible. Brand New Book. Marx s ideas are now subject to worldwide reappraisal, with conferences attracting the most important critical thinkers on the left. Marx and the Aesthetic (Amsterdam, 2012) reappraised Marx in the context of his own creative inspirations and contemporary art today. Max Raphael s Proudhon, Marx, Picasso (1933), published in Paris by the exiled German art historian, a contemporary of Walter Benjamin, included the first attempt at a Marxist critique of Picasso. His book appeared when the global crisis of capitalism coincided with the birth of fascism. Picasso/Marx looks backwards and perhaps forwards, resituating Picasso in dialectical terms. His context as player in the little-known Communist West, centred on Paris, brings into play the Marxist theory of his times. From the 1930s to the 1970s, Marx, Lenin and Stalin s own theories on art and literature were discussed together with Plekhanov, Bogdanov and Zhdanov. John Berger s Success and Failure of Picasso (1965), dedicated to Raphael, offered a critique of Picasso s art and Communist politics within the lifetime of the painter. Picasso/Marx presents a critical view of Picasso to his new audiences from Melbourne to Moscow. N° de réf. du libraire BTE9781781381922

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Description du livre Liverpool University Press, 2015. Paperback. État : Brand New. reprint edition. 334 pages. 9.00x6.00x0.75 inches. In Stock. N° de réf. du libraire zk1781381925

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