'A piquant mixture of humour, period detail . . . and truly beguiling characterisation' Financial Times
The perfect Christmas mystery read for fans of Agatha Christie and Anthony Horowitz
Winter, 1953. A young flower seller is found dead in her room at a Brighton boarding-house, posed with chilling perfection into a recreation of the death of Lady Jane Grey. This is a killer unlike any DI Edgar Stephens has encountered before.
Across the city at the Hippodrome theatre, Max Mephisto is top of the bill in a double act with his daughter Ruby. Tarnishing the experience, though, is one of the other acts: a seedy 'living tableaux' show where barely-dressed women strike poses from famous historical scenes. Is the resemblance to the murder scene pure coincidence, or is life imitating art?
When another death occurs - this time within the troupe itself - Max once again finds himself involved in one of Edgar's cases, and a threat that will come closer to home than anything before. What should be just a job is about to become personal.
A piquant mixture of humour, period detail . . . and truly beguiling characterisation (Financial Times)
Griffiths pulls a truly startling rabbit out of the hat, demonstrating that this is more than the cosy mystery it initially appears (Sunday Times on The Blood Card)
The lively beginning ... broadens out into an excellent whodunnit, matched by the terrific down-at-heel atmosphere of postwar Brighton (The Times on Smoke and Mirrors)
Mixes cosiness and sharpness in a way that recalls the best of Agatha Christie (Sunday Express on Smoke and Mirrors)
Enormously engaging ... Post-war Brighton and its Theatre Royal are beautifully captured in all their seedy glory ... subtle, charming and very good (Daily Mail on The Zig Zag Girl)
Original, lively and gripping (Independent on The Zig Zag Girl)
Atmospheric . . . a fine novel (Sunday Times)
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Vendeur : WorldofBooks, Goring-By-Sea, WS, Royaume-Uni
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Vendeur : WorldofBooks, Goring-By-Sea, WS, Royaume-Uni
Paperback. Etat : Very Good. 'Vivid description, masterful sleight of hand and a lightness of touch add up to a terrific read for aficionados and newcomers alike' Guardian Winter, 1953. A young flower seller is found dead in her room at a Brighton boarding-house, posed with chilling perfection into a recreation of the death of Lady Jane Grey. This is a killer unlike any DI Edgar Stephens has encountered before. Across the city at the Hippodrome theatre, Max Mephisto is top of the bill in a double act with his daughter Ruby. Tarnishing the experience, though, is one of the other acts: a seedy 'living tableaux' show where barely-dressed women strike poses from famous historical scenes. Is the resemblance to the murder scene pure coincidence, or is life imitating art? When another death occurs - this time within the troupe itself - Max once again finds himself involved in one of Edgar's cases, and a threat that will come closer to home than anything before. What should be just a job is about to become personal. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. N° de réf. du vendeur GOR008821604
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