Book by Bickerton Emilie
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
“It was ‘the last modernist project’, Emilie Bickerton says in this deft account of the real life and virtual death of Cahiers du cinema. The cinema itself lived and died in its pages, and it would be hard to imagine a better brief guide to the magazine’s positions and polemics than this intelligent and sharply focused book.”—Michael Wood
“Valuable and highly informative.”—Philip French, The Observer
“The French New Wave directors all came from Cahiers du Cine?ma, a magazine that turned film criticism upside down in the 1950s. The salvos of its sagacity are finely charted by Bickerton, who also laments the recent slide into dumbed-down mediocrity.”—Nigel Andrews, Financial Times
“What I love is Bickerton’s certainty and courage ... Bickerton does a well-told, thoroughly researched job.”—Nick James, Sight & Sound
“Compelling ... a reminder that contemporary film criticism could do with being more unapologetically clever—more ingenious, more argumentative, more French.”—London Review of Books
“Has many of the ingredients of a good thriller ... Emilie Bickerton’s alert prose manages to convey the drama and passionate confrontation of ideas, and she shows a keen eye for revealing detail.”—Times Literary Supplement
“Emilie Bickerton has done a valuable and highly informative job.”—Philip French, Observer
“Tantalisingly concise ... A reminder that contemporary film criticism could do with being more unapologetically clever—more ingenious, more argumentative, more French.”—Jonathan Romney, London Review of Books
Cahiers du Cinéma was the single most influential project in the history of film. Founded in 1951, it was responsible for establishing film as the ‘seventh art,’ equal to literature, painting or music, and it revolutionized film-making and writing. Its contributors would put their words into action: the likes of Godard, Truffaut, Rivette, Rohmer were to become some of the greatest directors of the age, their films part of the internationally celebrated nouvelle vague.
In this authoritative new history, Emilie Bickerton explores the evolution and impact of Cahiers du Cinéma, from its early years, to its late-sixties radicalization, its internationalization, and its response to the television age of the seventies and eighties. Showing how the story of Cahiers continues to resonate with critics, practitioners and the film-going public, A Short History of Cahiers du Cinéma is a testimony to the extraordinary legacy and archive these ‘collected pages of a notebook’ have provided for the world of cinema.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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paperback. Etat : Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority!. N° de réf. du vendeur S_380126015
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Paperback. Etat : Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. N° de réf. du vendeur GOR005279452
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Etat : Very Good. Book is in Used-VeryGood condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain very limited notes and highlighting. 0.15. N° de réf. du vendeur 1844677605-2-3
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Softcover. Etat : Good. Reprint. Cahiers du Cinéma was the single most influential project in the history of film. Founded in 1951, it was responsible for establishing film as the seventh art, equal to literature, painting or music, and it revolutionized film-making and writing. Its contributors would put their words into action: the likes of Godard, Truffaut, Rivette, Rohmer were to become some of the greatest directors of the age, their films part of the internationally celebrated nouvelle vague.In this authoritative new history, Emilie Bickerton explores the evolution and impact of Cahiers du Cinéma, from its early years, to its late-sixties radicalization, its internationalization, and its response to the television age of the seventies and eighties. Showing how the story of Cahiers continues to resonate with critics, practitioners and the film-going public, A Short History of Cahiers du Cinéma is a testimony to the extraordinary legacy and archive these collected pages of a notebook have provided for the world of cinema. N° de réf. du vendeur SONG1844677605
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Vendeur : Book Deals, Tucson, AZ, Etats-Unis
Etat : Fine. Like New condition. Great condition, but not exactly fully crisp. The book may have been opened and read, but there are no defects to the book, jacket or pages. 0.15. N° de réf. du vendeur 353-1844677605-lkn
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Vendeur : Book Deals, Tucson, AZ, Etats-Unis
Etat : Very Good. Very Good condition. Shows only minor signs of wear, and very minimal markings inside (if any). 0.15. N° de réf. du vendeur 353-1844677605-vrg
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Etat : New. N° de réf. du vendeur 12641565-n
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Vendeur : GF Books, Inc., Hawthorne, CA, Etats-Unis
Etat : New. Book is in NEW condition. 0.15. N° de réf. du vendeur 1844677605-2-1
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