'Human zoos', forgotten symbols of the colonial era, have been totally repressed in our collective memory. In these 'anthropo-zoological' exhibitions, 'exotic' individuals were placed alongside wild beasts and presented behind bars or in enclosures. Human zoos were a key factor, however, in the progressive shift in the West from scientific to popular racism. Beginning with the early nineteenth-century European exhibition of the Hottentot Venus, this thoroughly documented volume underlines the ways in which they affected the lives of tens of millions of visitors, from London to New York, from Warsaw to Milan, from Moscow to Tokyo... Through Barnum's freak shows, Hagenbeck's 'ethnic shows' (touring major European cities from their German base), French-style villages nègres, as well as the great universal and colonial exhibitions, the West invented the 'savage', exhibited the 'peoples of the world', whilst in many cases preparing for or contributing to their colonization... This first mass contact between 'us' and 'them', between the West and elsewhere, created an invisible border. Measured by scientists, exploited in shows, used in official exhibitions, these men, women and children became extras in an imaginary and in a history that were not their own. Based on the best-selling French volume Zoos Humains but with a number of newly commissioned chapters, Human Zoos puts into perspective the 'spectacularization' of the Other, a process that is at the origin of contemporary stereotypes and of the construction of our own identities. A unique book, on a crucial phenomenon, which takes us to the heart of Western fantasies, and allows us to understand the genesis of identity in Japan, Europe and North America.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Nicholas Bancel is professor of history at the Marc Bloch University of Strasbourg II in Austria. Pascal Blanchard is a historian and the founder of the Association Connaissance de l'histoire de l'Afrique contemporaine. Giles Boëtsch is director of research at the Centre national de la recherché scientifique. Eric Deroo is a historian and filmmaker. Sandrine Lemaire is a historian and author. Charles Forsdick is the James Barrow Professor of French at the University of Liverpool.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Forgotten Lore, Friendswood, TX, Etats-Unis
Soft cover. Etat : Very Good. 1st Edition. Human Zoos. Science & Spectacle in the Age of Colonial Empires. Blanchard, Bancel, et al. [2008] first softcover edition; Liverpool; very good or better condition. Illustrated. Unmarked, glossy, and generally appears unread. A touch of wear at edge near spine extremes; a couple of dust-spots on bottom textblock edge. A wonderful copy, overall. N° de réf. du vendeur 13839
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Vendeur : Revaluation Books, Exeter, Royaume-Uni
Paperback. Etat : Brand New. revised edition. 352 pages. 8.98x6.14x1.18 inches. In Stock. This item is printed on demand. N° de réf. du vendeur __1846311748
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Vendeur : Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlande
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Vendeur : Rarewaves.com USA, London, LONDO, Royaume-Uni
Paperback. Etat : New. 'Human zoos', forgotten symbols of the colonial era, have been totally repressed in our collective memory. In these 'anthropo-zoological' exhibitions, 'exotic' individuals were placed alongside wild beasts and presented behind bars or in enclosures. Human zoos were a key factor, however, in the progressive shift in the West from scientific to popular racism. Beginning with the early nineteenth-century European exhibition of the Hottentot Venus, this thoroughly documented volume underlines the ways in which they affected the lives of tens of millions of visitors, from London to New York, from Warsaw to Milan, from Moscow to Tokyo. Through Barnum's freak shows, Hagenbeck's 'ethnic shows' (touring major European cities from their German base), French-style villages nègres, as well as the great universal and colonial exhibitions, the West invented the 'savage', exhibited the 'peoples of the world', whilst in many cases preparing for or contributing to their colonization. This first mass contact between 'us' and 'them', between the West and elsewhere, created an invisible border. Measured by scientists, exploited in shows, used in official exhibitions, these men, women and children became extras in an imaginary and in a history that were not their own. Based on the best-selling French volume Zoos Humains but with a number of newly commissioned chapters, Human Zoos puts into perspective the 'spectacularization' of the Other, a process that is at the origin of contemporary stereotypes and of the construction of our own identities. A unique book, on a crucial phenomenon, which takes us to the heart of Western fantasies, and allows us to understand the genesis of identity in Japan, Europe and North America. N° de réf. du vendeur LU-9781846311741
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