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The Hundred-Foot Journey Chapter One
I, Hassan Haji, was born, the second of six children, above my grandfather’s restaurant on the Napean Sea Road in what was then called West Bombay, two decades before the great city was renamed Mumbai. I suspect my destiny was written from the very start, for my first sensation of life was the smell of machli ka salan, a spicy fish curry, rising through the floorboards to the cot in my parents’ room above the restaurant. To this day I can recall the sensation of those cot bars pressed up coldly against my toddler’s face, my nose poked out as far as possible and searching the air for that aromatic packet of cardamom, fish heads, and palm oil, which, even at that young age, somehow suggested there were unfathomable riches to be discovered and savored in the free world beyond.
But let me start at the beginning. In 1934, my grandfather arrived in Bombay from Gujarat, a young man riding to the great city on the roof of a steam engine. These days in India many up-and-coming families have miraculously discovered noble backgrounds—famous relatives who worked with Mahatma Gandhi in the early days in South Africa—but I have no such genteel heritage. We were poor Muslims, subsistence farmers from dusty Bhavnagar, and a severe blight among the cotton fields in the 1930s left my starving seventeen-year-old grandfather no choice but to migrate to Bombay, that bustling metropolis where little people have long gone to make their mark.
My life in the kitchen, in short, starts way back with my grandfather’s great hunger. And that three-day ride atop the train, baking in the fierce sun, clinging for dear life as the hot iron chugged across the plains of India, was the unpromising start of my family’s journey. Grandfather never liked to talk about those early days in Bombay, but I know from Ammi, my grandmother, that he slept rough in the streets for many years, earning his living delivering tiffin boxes to the Indian clerks running the back rooms of the British Empire.
To understand the Bombay from where I come, you must go to Victoria Terminus at rush hour. It is the very essence of Indian life. Coaches are split between men and women, and commuters literally hang from the windows and doors as the trains ratchet down the rails into the Victoria and Churchgate stations. The trains are so crowded there isn’t even room for the commuters’ lunch boxes, which arrive in separate trains after rush hour. These tiffin boxes—over two million battered tin cans with a lid—smelling of daal and gingery cabbage and black pepper rice and sent on by loyal wives—are sorted, stacked into trundle carts, and delivered with utmost precision to each insurance clerk and bank teller throughout Bombay.
That was what my grandfather did. He delivered lunch boxes.
A dabba-wallah. Nothing more. Nothing less.
Grandfather was quite a dour fellow. We called him Bapaji, and I remember him squatting on his haunches in the street near sunset during Ramadan, his face white with hunger and rage as he puffed on a beedi. I can still see the thin nose and iron-wire eyebrows, the soiled skullcap and kurta, his white scraggly beard.
Dour he was, but a good provider, too. By the age of twenty-three he was delivering nearly a thousand tiffin boxes a day. Fourteen runners worked for him, their pumping legs wrapped in lungi—the poor Indian man’s skirt—trundling the carts through the congested streets of Bombay as they off-loaded tinned lunches at the Scottish Amicable and Eagle Star buildings.
It was 1938, I believe, when he finally summoned Ammi. The two had been married since they were fourteen and she arrived with her cheap bangles on the train from Gujarat, a tiny peasant with oiled black skin. The train station filled with steam, the urchins made toilet on the tracks, and the water boys cried out, a current of tired passengers and porters flowing down the platform. In the back, third-class with her bundles, my Ammi.
Grandfather barked something at her and they were off, the loyal village wife trailing several respectful steps behind her Bombay man.
It was on the eve of World War II that my grandparents set up a clapboard house in the slums off the Napean Sea Road. Bombay was the back room of the Allies’ Asian war effort, and soon a million soldiers from around the world were passing through its gates. For many soldiers it was their last moments of peace before the torrid fighting of Burma and the Philippines, and the young men cavorted about Bombay’s coastal roads, cigarettes hanging from their lips, ogling the prostitutes working Chowpatty Beach.
It was my grandmother’s idea to sell them snacks, and my grandfather eventually agreed, adding to the tiffin business a string of food stalls on bicycles, mobile snack bars that rushed from the bathing soldiers at Juhu Beach to the Friday evening rush-hour crush outside the Churchgate train station. They sold sweets made of nuts and honey, milky tea, but mostly they sold bhelpuri, a newspaper cone of puffed rice, chutney, potatoes, onions, tomatoes, mint, and coriander, all mixed together and slathered with spices.
Delicious, I tell you, and not surprisingly the snack-bicycles became a commercial success. And so, encouraged by their good fortune, my grandparents cleared an abandoned lot on the far side of the Napean Sea Road. It was there that they erected a primitive roadside restaurant. They built a kitchen of three tandoori ovens—and a bank of charcoal fires on which rested iron kadais of mutton masala—all under a U.S. Army tent. In the shade of the banyan tree, they also set up some rough tables and slung hammocks. Grandmother employed Bappu, a cook from a village in Kerala, and to her northern repertoire she now added dishes like onion theal and spicy grilled prawns.
Soldiers and sailors and airmen washed their hands with English soap in an oil drum, dried themselves on the proffered towel, and then clambered up on the hammocks strung under the shady tree. By then some relatives from Gujarat had joined my grandparents, and these young men were our waiters. They slapped wooden boards, makeshift tables, across the hammocks and quickly covered them with bowls of skewered chicken and basmati and sweets made from butter and honey.
During slow moments Grandmother wandered out in the long shirt and trousers we call a salwar kameez, threading her way between the sagging hammocks and chatting with the homesick soldiers missing the dishes of their own countries. “What you like to eat?” she’d ask. “What you eat at home?”
And the British soldiers told her about steak-and-kidney pies, of the steam that arose when the knife first plunged into the crust and revealed the pie’s lumpy viscera. Each soldier tried to outdo the other, and soon the tent filled with oohing and “cors” and excited palaver. And the Americans, not wishing to be outdone by the British, joined in, earnestly searching for the words that could describe a grilled steak coming from cattle fed on Florida swamp grass.
And so, armed with this intelligence she picked up in her walkabouts, Ammi retreated to the kitchen, re-creating in her tandoori oven interpretations of what she had heard. There was, for example, a kind of Indian bread-and-butter pudding, dusted with fresh nutmeg, that became a hit with the British soldiers; the Americans, she found, they were partial to peanut sauce and mango chutney folded in between a piece of naan. And so it wasn’t long before news of our kitchen spread from Gurkha to British soldier, from barracks to warship, and all day long jeeps stopped outside our Napean Sea Road tent.
Ammi was quite remarkable and I cannot give her enough credit for what became of me. There is no dish finer than her pearlspot, a fish she dusted in a sweet-chili masala, wrapped in a banana leaf, and tawa-grilled with a spot of coconut oil. It is for me, well, the very height of Indian culture and civilization, both robust and refined, and everything that I have ever cooked since is held up against this benchmark, my grandmother’s favorite dish. And she had that amazing capacity of the professional chef to perform several tasks at once. I grew up watching her tiny figure darting barefoot across the earthen kitchen floor, quickly dipping eggplant slices in chickpea flour and frying them in the kadai, cuffing a cook, passing me an almond wafer, screeching her disapproval at my aunt.
The point of all this, however, is Ammi’s roadside tent quickly established itself as a cash cow and suddenly my grandparents were doing extremely well, the small fortune they amassed, the hard-currency residue of a million soldiers and sailors and airmen moving in and out of Bombay.
And with this came the problems of success. Bapaji was notoriously tightfisted. He was always yelling at us for the smallest thing, such as dabbing too much oil on the tawa grill. Really a bit mad for money. So, suspicious of the neighbors and our Gujarati relatives, Bapaji began hiding his savings in coffee tins, and every Sunday he traveled to a secret spot in the country where he buried his precious lucre in the ground.
My grandparents’ break came in the fall of 1942 when the British administration, needing cash for the war effort, auctioned off tracts of Bombay real estate. Most of the property was in Salsette, the larger island on which Bombay was built, but awkward strips of land and vacant lots of Colaba were also disposed of. Among the land to be sold: the abandoned Napean Sea Road property on which my family was squatting.
Bapaji was essentially a peasant and like all peasants he respected land more than paper money. So one day he dug up all his hidden tins and went, with a literate neighbor at his side, to the Standard Chartered Bank. With the bank’s help, Bapaji bought the four-acre plot on the Napean Sea Road, paying at auction 1,016 English pounds, 10 shillings, and 8 pence for land at the foot of Malabar Hill.
Then, and only then, my grandparents were blessed with children. Midwives delivered my father, Abbas Haji, the night of the famous wartime ammunition explosion at the Bombay Docks. The evening sky exploded with balls of fire, great eruptions shattering windows far across the city, and it was at that precise moment my grandmother let out a bloodcurdling scream and Papa popped out, yelling louder even than the explosions and his mother. We all laughed at this story, the way Ammi told it, for anyone who knew my father would agree it was a most appropriate backdrop to his arrival. Auntie, born two years later, arrived under much calmer circumstances.
Independence and Partition came and went. What precisely happened to the family during that infamous time remains a mystery; none of the questions we asked Papa were ever given a straight answer. “Oh, you know, it was bad,” he would say, when pressed. “But we managed. Now stop with the police interrogation. Go get me my newspaper.”
We do know that my father’s family, like many others, was split in two. Most of our relatives fled to Pakistan, but Bapaji stayed in Mumbai and hid his family in a Hindi business associate’s warehouse basement. Ammi once told me they slept by day, because at night they were kept awake by the screams and throat-slitting taking place just outside the basement’s door.
The point is Papa grew up in an India very different from the one his father knew. Grandfather was illiterate; Papa attended a local school, not very good, admittedly, but he still made it to the Institute of Catering Technology, a polytechnic in Ahmedabad.
Education makes the old tribal ways quite impossible, of course, and it was in Ahmedabad that Papa met Tahira, a light-skinned accounting student who would become my mother. Papa says he first fell in love with her smell. His head was down in a library book when he caught the most intoxicating whiff of chapatis and rose water.
That, he said, that was my mother.
One of my earliest memories is of Papa tightly squeezing my hand as we stood on the Mahatma Gandhi Road, staring in the direction of the fashionable Hyderabad Restaurant. Bombay’s immensely wealthy Banaji family and their friends were unloading at curb edge from a chauffeur-driven Mercedes. The women squealed and kissed and remarked on one another’s weight; behind them a Sikh doorman snapped open the glass door of the restaurant.
Hyderabad and its proprietor, a sort of Indian Douglas Fairbanks, Jr., called Uday Joshi, were frequently in the society pages of the Times of India, and each mention of Joshi made my father curse and rattle the paper. While our own restaurant was not in the same league as Hyderabad—we served good food at fair prices—Papa thought Uday Joshi was his great rival. And here now was this high-society crowd descending on the famous restaurant for a mehndi, a prenuptial tradition in which the bride and her women friends sit plumped on cushions and have their hands, palms, and feet intricately painted with henna. It meant fine food, lively music, spicy gossip. And it most certainly meant more press for Joshi.
“Look,” Papa said suddenly. “Gopan Kalam.”
Papa bit the corner of his mustache as he wetly clapped my hand in his paw. I will never forget his face. It was as if the clouds had suddenly parted and Allah himself stood before us. “He a billionaire,” Papa whispered. “Make his money in petrochemicals and telecommunications. Look, look at that woman’s emeralds. Aiiee. Size of plums.”
Right then Uday Joshi emerged from the glass doors and stood among the elegant peach saris and silk Nehru suits as if he were their equal. Four or five newspaper photographers instantly called at him to turn this way and that. Joshi was famously smitten with all things European, and he stood perkily before the clicking cameras in a shiny black Pierre Cardin lounge suit, his capped white teeth flashing in the light.
The famous restaurateur commanded my attention, even at that tender age, like a Bollywood screen legend. Joshi’s throat, I remember, was lusciously wrapped in a yellow silk ascot, and his hair was airily combed back in a silver pompadour, mightily secured with cans of hair spray. I don’t think I had ever seen anyone so elegant.
“Look at him,” Papa hissed. “Look at that little rooster.”
Papa could not stand watching Joshi a moment longer, and he turned abruptly, yanking me toward the Suryodhaya Supermarket and its special on ten-gallon vats of vegetable oil. I was just eight and had to run to keep up with his long strides and flapping kurta.
“Listen to me, Hassan,” he roared over the traffic. “One day the Haji name will be known far and wide, and no one will remember that rooster. Just you wait and see. Ask the people then, ask them who Uday Joshi is. Who he? they say. But Haji? Haji, they say, Haji are very distinguished, very important family.”
In short, Papa was a man of large appetites. He was fat but tall for an Indian, just six feet. Chubby-faced, with curly iron hair and a thick waxed mustache. And he was always dressed the old way, a kurta, over trousers.
But he was not what you would call refined. Papa ate, like all Muslim men, with his hands—his right hand, that is, the left resting on his lap. But instead of the decorous lifting of food to his lips, Papa stuck his head down in the plate and shoveled fatty mutton and rice into his face as if he’d never get another meal. And he sweated buckets while he ate, wet spots the size of dinner plates appearing under his arms. When he finally lifted his face from the food, he had the glassy-eyed look of a drunk, his chin and cheeks slicked with ora...
Revue de presse :
I, Hassan Haji, was born, the second of six children, above my grandfather’s restaurant on the Napean Sea Road in what was then called West Bombay, two decades before the great city was renamed Mumbai. I suspect my destiny was written from the very start, for my first sensation of life was the smell of machli ka salan, a spicy fish curry, rising through the floorboards to the cot in my parents’ room above the restaurant. To this day I can recall the sensation of those cot bars pressed up coldly against my toddler’s face, my nose poked out as far as possible and searching the air for that aromatic packet of cardamom, fish heads, and palm oil, which, even at that young age, somehow suggested there were unfathomable riches to be discovered and savored in the free world beyond.
But let me start at the beginning. In 1934, my grandfather arrived in Bombay from Gujarat, a young man riding to the great city on the roof of a steam engine. These days in India many up-and-coming families have miraculously discovered noble backgrounds—famous relatives who worked with Mahatma Gandhi in the early days in South Africa—but I have no such genteel heritage. We were poor Muslims, subsistence farmers from dusty Bhavnagar, and a severe blight among the cotton fields in the 1930s left my starving seventeen-year-old grandfather no choice but to migrate to Bombay, that bustling metropolis where little people have long gone to make their mark.
My life in the kitchen, in short, starts way back with my grandfather’s great hunger. And that three-day ride atop the train, baking in the fierce sun, clinging for dear life as the hot iron chugged across the plains of India, was the unpromising start of my family’s journey. Grandfather never liked to talk about those early days in Bombay, but I know from Ammi, my grandmother, that he slept rough in the streets for many years, earning his living delivering tiffin boxes to the Indian clerks running the back rooms of the British Empire.
To understand the Bombay from where I come, you must go to Victoria Terminus at rush hour. It is the very essence of Indian life. Coaches are split between men and women, and commuters literally hang from the windows and doors as the trains ratchet down the rails into the Victoria and Churchgate stations. The trains are so crowded there isn’t even room for the commuters’ lunch boxes, which arrive in separate trains after rush hour. These tiffin boxes—over two million battered tin cans with a lid—smelling of daal and gingery cabbage and black pepper rice and sent on by loyal wives—are sorted, stacked into trundle carts, and delivered with utmost precision to each insurance clerk and bank teller throughout Bombay.
That was what my grandfather did. He delivered lunch boxes.
A dabba-wallah. Nothing more. Nothing less.
Grandfather was quite a dour fellow. We called him Bapaji, and I remember him squatting on his haunches in the street near sunset during Ramadan, his face white with hunger and rage as he puffed on a beedi. I can still see the thin nose and iron-wire eyebrows, the soiled skullcap and kurta, his white scraggly beard.
Dour he was, but a good provider, too. By the age of twenty-three he was delivering nearly a thousand tiffin boxes a day. Fourteen runners worked for him, their pumping legs wrapped in lungi—the poor Indian man’s skirt—trundling the carts through the congested streets of Bombay as they off-loaded tinned lunches at the Scottish Amicable and Eagle Star buildings.
It was 1938, I believe, when he finally summoned Ammi. The two had been married since they were fourteen and she arrived with her cheap bangles on the train from Gujarat, a tiny peasant with oiled black skin. The train station filled with steam, the urchins made toilet on the tracks, and the water boys cried out, a current of tired passengers and porters flowing down the platform. In the back, third-class with her bundles, my Ammi.
Grandfather barked something at her and they were off, the loyal village wife trailing several respectful steps behind her Bombay man.
It was on the eve of World War II that my grandparents set up a clapboard house in the slums off the Napean Sea Road. Bombay was the back room of the Allies’ Asian war effort, and soon a million soldiers from around the world were passing through its gates. For many soldiers it was their last moments of peace before the torrid fighting of Burma and the Philippines, and the young men cavorted about Bombay’s coastal roads, cigarettes hanging from their lips, ogling the prostitutes working Chowpatty Beach.
It was my grandmother’s idea to sell them snacks, and my grandfather eventually agreed, adding to the tiffin business a string of food stalls on bicycles, mobile snack bars that rushed from the bathing soldiers at Juhu Beach to the Friday evening rush-hour crush outside the Churchgate train station. They sold sweets made of nuts and honey, milky tea, but mostly they sold bhelpuri, a newspaper cone of puffed rice, chutney, potatoes, onions, tomatoes, mint, and coriander, all mixed together and slathered with spices.
Delicious, I tell you, and not surprisingly the snack-bicycles became a commercial success. And so, encouraged by their good fortune, my grandparents cleared an abandoned lot on the far side of the Napean Sea Road. It was there that they erected a primitive roadside restaurant. They built a kitchen of three tandoori ovens—and a bank of charcoal fires on which rested iron kadais of mutton masala—all under a U.S. Army tent. In the shade of the banyan tree, they also set up some rough tables and slung hammocks. Grandmother employed Bappu, a cook from a village in Kerala, and to her northern repertoire she now added dishes like onion theal and spicy grilled prawns.
Soldiers and sailors and airmen washed their hands with English soap in an oil drum, dried themselves on the proffered towel, and then clambered up on the hammocks strung under the shady tree. By then some relatives from Gujarat had joined my grandparents, and these young men were our waiters. They slapped wooden boards, makeshift tables, across the hammocks and quickly covered them with bowls of skewered chicken and basmati and sweets made from butter and honey.
During slow moments Grandmother wandered out in the long shirt and trousers we call a salwar kameez, threading her way between the sagging hammocks and chatting with the homesick soldiers missing the dishes of their own countries. “What you like to eat?” she’d ask. “What you eat at home?”
And the British soldiers told her about steak-and-kidney pies, of the steam that arose when the knife first plunged into the crust and revealed the pie’s lumpy viscera. Each soldier tried to outdo the other, and soon the tent filled with oohing and “cors” and excited palaver. And the Americans, not wishing to be outdone by the British, joined in, earnestly searching for the words that could describe a grilled steak coming from cattle fed on Florida swamp grass.
And so, armed with this intelligence she picked up in her walkabouts, Ammi retreated to the kitchen, re-creating in her tandoori oven interpretations of what she had heard. There was, for example, a kind of Indian bread-and-butter pudding, dusted with fresh nutmeg, that became a hit with the British soldiers; the Americans, she found, they were partial to peanut sauce and mango chutney folded in between a piece of naan. And so it wasn’t long before news of our kitchen spread from Gurkha to British soldier, from barracks to warship, and all day long jeeps stopped outside our Napean Sea Road tent.
Ammi was quite remarkable and I cannot give her enough credit for what became of me. There is no dish finer than her pearlspot, a fish she dusted in a sweet-chili masala, wrapped in a banana leaf, and tawa-grilled with a spot of coconut oil. It is for me, well, the very height of Indian culture and civilization, both robust and refined, and everything that I have ever cooked since is held up against this benchmark, my grandmother’s favorite dish. And she had that amazing capacity of the professional chef to perform several tasks at once. I grew up watching her tiny figure darting barefoot across the earthen kitchen floor, quickly dipping eggplant slices in chickpea flour and frying them in the kadai, cuffing a cook, passing me an almond wafer, screeching her disapproval at my aunt.
The point of all this, however, is Ammi’s roadside tent quickly established itself as a cash cow and suddenly my grandparents were doing extremely well, the small fortune they amassed, the hard-currency residue of a million soldiers and sailors and airmen moving in and out of Bombay.
And with this came the problems of success. Bapaji was notoriously tightfisted. He was always yelling at us for the smallest thing, such as dabbing too much oil on the tawa grill. Really a bit mad for money. So, suspicious of the neighbors and our Gujarati relatives, Bapaji began hiding his savings in coffee tins, and every Sunday he traveled to a secret spot in the country where he buried his precious lucre in the ground.
My grandparents’ break came in the fall of 1942 when the British administration, needing cash for the war effort, auctioned off tracts of Bombay real estate. Most of the property was in Salsette, the larger island on which Bombay was built, but awkward strips of land and vacant lots of Colaba were also disposed of. Among the land to be sold: the abandoned Napean Sea Road property on which my family was squatting.
Bapaji was essentially a peasant and like all peasants he respected land more than paper money. So one day he dug up all his hidden tins and went, with a literate neighbor at his side, to the Standard Chartered Bank. With the bank’s help, Bapaji bought the four-acre plot on the Napean Sea Road, paying at auction 1,016 English pounds, 10 shillings, and 8 pence for land at the foot of Malabar Hill.
Then, and only then, my grandparents were blessed with children. Midwives delivered my father, Abbas Haji, the night of the famous wartime ammunition explosion at the Bombay Docks. The evening sky exploded with balls of fire, great eruptions shattering windows far across the city, and it was at that precise moment my grandmother let out a bloodcurdling scream and Papa popped out, yelling louder even than the explosions and his mother. We all laughed at this story, the way Ammi told it, for anyone who knew my father would agree it was a most appropriate backdrop to his arrival. Auntie, born two years later, arrived under much calmer circumstances.
Independence and Partition came and went. What precisely happened to the family during that infamous time remains a mystery; none of the questions we asked Papa were ever given a straight answer. “Oh, you know, it was bad,” he would say, when pressed. “But we managed. Now stop with the police interrogation. Go get me my newspaper.”
We do know that my father’s family, like many others, was split in two. Most of our relatives fled to Pakistan, but Bapaji stayed in Mumbai and hid his family in a Hindi business associate’s warehouse basement. Ammi once told me they slept by day, because at night they were kept awake by the screams and throat-slitting taking place just outside the basement’s door.
The point is Papa grew up in an India very different from the one his father knew. Grandfather was illiterate; Papa attended a local school, not very good, admittedly, but he still made it to the Institute of Catering Technology, a polytechnic in Ahmedabad.
Education makes the old tribal ways quite impossible, of course, and it was in Ahmedabad that Papa met Tahira, a light-skinned accounting student who would become my mother. Papa says he first fell in love with her smell. His head was down in a library book when he caught the most intoxicating whiff of chapatis and rose water.
That, he said, that was my mother.
One of my earliest memories is of Papa tightly squeezing my hand as we stood on the Mahatma Gandhi Road, staring in the direction of the fashionable Hyderabad Restaurant. Bombay’s immensely wealthy Banaji family and their friends were unloading at curb edge from a chauffeur-driven Mercedes. The women squealed and kissed and remarked on one another’s weight; behind them a Sikh doorman snapped open the glass door of the restaurant.
Hyderabad and its proprietor, a sort of Indian Douglas Fairbanks, Jr., called Uday Joshi, were frequently in the society pages of the Times of India, and each mention of Joshi made my father curse and rattle the paper. While our own restaurant was not in the same league as Hyderabad—we served good food at fair prices—Papa thought Uday Joshi was his great rival. And here now was this high-society crowd descending on the famous restaurant for a mehndi, a prenuptial tradition in which the bride and her women friends sit plumped on cushions and have their hands, palms, and feet intricately painted with henna. It meant fine food, lively music, spicy gossip. And it most certainly meant more press for Joshi.
“Look,” Papa said suddenly. “Gopan Kalam.”
Papa bit the corner of his mustache as he wetly clapped my hand in his paw. I will never forget his face. It was as if the clouds had suddenly parted and Allah himself stood before us. “He a billionaire,” Papa whispered. “Make his money in petrochemicals and telecommunications. Look, look at that woman’s emeralds. Aiiee. Size of plums.”
Right then Uday Joshi emerged from the glass doors and stood among the elegant peach saris and silk Nehru suits as if he were their equal. Four or five newspaper photographers instantly called at him to turn this way and that. Joshi was famously smitten with all things European, and he stood perkily before the clicking cameras in a shiny black Pierre Cardin lounge suit, his capped white teeth flashing in the light.
The famous restaurateur commanded my attention, even at that tender age, like a Bollywood screen legend. Joshi’s throat, I remember, was lusciously wrapped in a yellow silk ascot, and his hair was airily combed back in a silver pompadour, mightily secured with cans of hair spray. I don’t think I had ever seen anyone so elegant.
“Look at him,” Papa hissed. “Look at that little rooster.”
Papa could not stand watching Joshi a moment longer, and he turned abruptly, yanking me toward the Suryodhaya Supermarket and its special on ten-gallon vats of vegetable oil. I was just eight and had to run to keep up with his long strides and flapping kurta.
“Listen to me, Hassan,” he roared over the traffic. “One day the Haji name will be known far and wide, and no one will remember that rooster. Just you wait and see. Ask the people then, ask them who Uday Joshi is. Who he? they say. But Haji? Haji, they say, Haji are very distinguished, very important family.”
In short, Papa was a man of large appetites. He was fat but tall for an Indian, just six feet. Chubby-faced, with curly iron hair and a thick waxed mustache. And he was always dressed the old way, a kurta, over trousers.
But he was not what you would call refined. Papa ate, like all Muslim men, with his hands—his right hand, that is, the left resting on his lap. But instead of the decorous lifting of food to his lips, Papa stuck his head down in the plate and shoveled fatty mutton and rice into his face as if he’d never get another meal. And he sweated buckets while he ate, wet spots the size of dinner plates appearing under his arms. When he finally lifted his face from the food, he had the glassy-eyed look of a drunk, his chin and cheeks slicked with ora...
"Don't read this book if you re hungry. You might eat it." - Simon Beaufoy, Oscar-Award-winning screenwriter, Slumdog Millionaire
"I enjoyed this book very much. It has great charm and is colourfully written, sensual and evocative." - Joanne Harris
"A gorgeous novel, vivid and intimate, tracing a journey from kitchen to kitchen, from culture to culture, with a perfect touch." - Susan Orlean, author of The Orchid Thief
For anyone who loves food, and who cares for character, the book s a banquet." -Simon Callow
"A culinary 'journey' from Mumbai to Paris." - The Independent
"A warm, lively and sensory novel, and above all, a loving homage to food." - Booktrust
A well told and charming tale that explores our culinary differences." - Charles Campion, Food Critic, Evening Standard
Morais s research into both French and Indian cultures and cuisines and into professional kitchens has clearly been rigorous, making from a vivacious backdrop to an engaging tale of love and loss." - Time Out
"I thoroughly enjoyed the book... I thought the book was well written, evocative and engaging. I read it in a matter of days and didn't want it to end, enjoying the story as well as the little insights and secrets of cooking traditional French dishes." - Anjum Anand
"Delightful novel, a perfect summer read which spices the volatility of human relationships with the sensuality of exquisite food." --YOU Magazine
I enjoyed this book very much. It has great charm and is colorfully written, sensual and evocative' --Joanne Harris
'For anyone who loves food, and who cares for character, the book's a banquet.' --Simon Callow
"I enjoyed this book very much. It has great charm and is colourfully written, sensual and evocative." - Joanne Harris
"A gorgeous novel, vivid and intimate, tracing a journey from kitchen to kitchen, from culture to culture, with a perfect touch." - Susan Orlean, author of The Orchid Thief
For anyone who loves food, and who cares for character, the book s a banquet." -Simon Callow
"A culinary 'journey' from Mumbai to Paris." - The Independent
"A warm, lively and sensory novel, and above all, a loving homage to food." - Booktrust
A well told and charming tale that explores our culinary differences." - Charles Campion, Food Critic, Evening Standard
Morais s research into both French and Indian cultures and cuisines and into professional kitchens has clearly been rigorous, making from a vivacious backdrop to an engaging tale of love and loss." - Time Out
"I thoroughly enjoyed the book... I thought the book was well written, evocative and engaging. I read it in a matter of days and didn't want it to end, enjoying the story as well as the little insights and secrets of cooking traditional French dishes." - Anjum Anand
"Delightful novel, a perfect summer read which spices the volatility of human relationships with the sensuality of exquisite food." --YOU Magazine
I enjoyed this book very much. It has great charm and is colorfully written, sensual and evocative' --Joanne Harris
'For anyone who loves food, and who cares for character, the book's a banquet.' --Simon Callow
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- ÉditeurAlma Books Ltd
- Date d'édition2014
- ISBN 10 1846883466
- ISBN 13 9781846883460
- ReliureBroché
- Nombre de pages320
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The Hundred-Foot Journey
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(2014)
ISBN 10 : 1846883466
ISBN 13 : 9781846883460
Neuf
Paperback
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Description du livre Paperback. Etat : New. Cover may vary from the one advertised in the listing. All items inspected and guaranteed. All Orders Dispatched from the UK within one working day. Established business with excellent service record. N° de réf. du vendeur mon0000096891
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The Hundred-Foot Journey
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ISBN 10 : 1846883466
ISBN 13 : 9781846883460
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Quantité disponible : 1
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Description du livre Etat : New. Book is in NEW condition. 0.62. N° de réf. du vendeur 1846883466-2-1
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The Hundred-Foot Journey
Edité par
Alma Books Ltd.
(2014)
ISBN 10 : 1846883466
ISBN 13 : 9781846883460
Neuf
Couverture souple
Quantité disponible : 1
Vendeur :
Evaluation vendeur
Description du livre Etat : New. New! This book is in the same immaculate condition as when it was published 0.62. N° de réf. du vendeur 353-1846883466-new
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EUR 42,61
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